- SIGNIS Co-Sponsor of International Conference on Jesus Films in Poland
- SIGNIS Workshop Trains a New Generation of Jurors in Lyon
- Ken Loach Receives the Robert Bresson Award 2012
- SIGNIS Workshop for a New Generation of Jurors in Lyon
- Cinema, Religion and Politics in the Air
- New Egyptian Cinema: the Presence of Religion
- Exchanging One Habit for Another: "A Nun’s New Habit" Screened at Cahayasuara
- Angelus Winner Nominated For Academy Award
- A New Generation of Filipino Filmmakers: Mark Meily Awarded at the Brussels Independent Film Festival
- Faith Shorts
- "Samson & Delilah" Named Australian Film of the Year by the Catholic Film Office for 2009
- Priests Honoured at 56th Indian National Film Awards
- SIGNIS Award Winning Film Chosen as Best Film in Asian Pacific Film Festival 2009
- "Yarwng", a Salesian Priest’s Award Winning Film
- The Face of the Other (Den Andres Ansikt) in Oslo
- Angelus Announces 2009 Festival Winners
- Religion and Film in Armenia (1911-2009): From the Arrival of Cinema to the Establishment of the Ecumenical Jury
- Images of the Afterlife in Theology and Film
- "Slumdog Millionnaire" - A Brief Note
- H2Onews: Vatican Applause for “Slumdog Millionaire” Oscar
- "The Black Balloon" Named Australian Film of the Year by the Catholic Film Office for 2008
- Film Workshop "Cinema: Going Beyond the Barriers" in Prague
- First SIGNIS East Asia Film Seminar 2008: "Depiction of Core Family Values in East Asian Movies"
- Classic Film about the Life and Work of St Vincent de Paul Re-released
- Meeting Daniel Burman
- The Bresson Prize for Daniel Burman
- The Life of St.Thomas on Celluloid soon in India
- Egoyan’s "Adoration" Wins Ecumenical Prize in Cannes 2008
- SIGNIS Film Seminar to Give a “Face for the Faceless”
- Australian Catholic Film Office Names "The Jammed" Best Film of 2007
- Ken Loach to Speak at Homeless Movie Club in London
- ’Evening of Angelus’ returns to Sundance Film Festival
- Church and Film: 90 Years of History in Brazil
- Peacemaking in the World of Film
- "Ten Canoes" Named Australian Film of the Year by the Catholic Film Office for 2006
- Interreligious Screening of "Bamako" in the UK
- Alter-Ciné Foundation Documentary Film Grants 2007
- U.S. Bishops Choose Top 10 Films for 2006
- "Grbavica" Wins John Templeton Award 2006
- Vatican to Host World Premiere of "The Nativity Story"
- SIGNIS-Romania’s “Facing Children”: a Film Festival for Child Rights
- Indian Catholic church makes Bollywood film on AIDS
- ’Evening of Angelus’ draws 400 people in Sundance
- Look Both Ways named Australian Film of the Year by Australian Catholic Film Office
- US Bishops’ Film Office Chooses Top 10 Films of 2005
- ’L’enfant’ Wins 2005 Templeton European Film of the Year Award
Look Both Ways named Australian Film of the Year by Australian Catholic Film Office
The jury of the Australian Catholic Film Office has awarded its 2005 Film of the Year to Sarah Watts’ “Look Both Ways".
Director of the office and jury chair, Jesuit Priest, Fr Richard Leonard said, "The title of this somber film is instructive. It looks at both life and death, and many other issues in between -cancer, male suicide, pregnancy, grief and loss. It does this with a poignancy and quiet desperation rarely seen in Australian cinema."
Look Both Ways tells the story of Nick (William Mclnnes), a staff photographer on an Australian newspaper. An ordinary fifty-year-old bloke, his world starts to unravel when at lunchtime on Friday, his doctor informs him that he has testicular cancer, with secondaries in the lung and the liver. He needs more immediate treatment.
An unmarried loner, Nick returns to work and tells his boss, who is shaken by the news. Nick tells him he has one more job to do that afternoon, and so he goes out with his journalist mate Andy (Anthony Hays) to the death of a young man who has been run over by a train.
At the scene of the accident Nick meets Meryl (Justine Clark). She witnessed the accident on her way home from her father’s funeral. An artist, Meryl is in danger of losing her job unless she can finish the artwork on cards she does for a publishing company.
Andy is convinced the man’s death was not accidental, but a suicide. But why would the young man kill himself? Over the weekend, and in the midst of their pain, Nick and Meryl have a sexual encounter. Andy discovers his girlfriend is unexpectedly pregnant, and the train driver needs to meet a grieving widow.
"Although a more metaphysical appreciation of life and death is, sadly, lacking in the film, the jury said that the values of Look Both Ways made it the stand-out film of the year", Fr Leonard said.
"It is certainly a meditation on how we should love our neighbours as we love ourselves", he concluded.






