- Adventures in Zambezia
- Antiviral
- Chasing Ice
- Cheerful Weather for the Wedding
- The Company You Keep
- Drift
- Escape from Planet Earth
- First Position
- Haute Cuisine/ Les Saveurs de Palais
- Identity Thief
- Iron Man 3
- No
- Oblivion
- Olympus Has Fallen
- The Other Son/ Le Fils de L’Autre
- The Place Beyond the Pines
- Rust and Bone
- Le Skylab
- Sleepwalk with Me
- Song for Marion
- Therese Desqueyroux
- Trance
- SIGNIS Film Reviews: Berlinale 2013
- SIGNIS Film Reviews: February 2013
- SIGNIS Film Reviews: December 2012
- "Aristides de Sousa Mendes": The Angel of Bordeaux
- SIGNIS Film Reviews: September 2012
- SIGNIS Film Reviews: July/August 2012
- SIGNIS Film Reviews: June 2012
- SIGNIS Film Reviews: May 2012
- SIGNIS Film Reviews: March 2012
- SIGNIS Film Reviews: Berlin 2012 Special Edition
- SIGNIS Film Reviews: January 2012
- SIGNIS Film Reviews: October/November 2011
- SIGNIS Film Reviews: May/June 2011
- SIGNIS Statement: Oranges and Sunshine
- SIGNIS Film Reviews: March/April 2011
- SIGNIS Film Reviews: Berlinale 2011 Special Edition
- SIGNIS Statement: The Rite
- SIGNIS Statement: Brighton Rock
- SIGNIS Film Reviews: January 2011
- Out Of The Silence
- SIGNIS Film Reviews: December 2010
- SIGNIS Film Reviews: October/November 2010
- SIGNIS Film Reviews: September 2010
- SIGNIS Film Reviews: Summer 2010
- SIGNIS Film Reviews: Cannes 2010 Special Edition
- SIGNIS Statement: "Des hommes et des dieux" (Of Gods and Men)
- SIGNIS Film Reviews: April/May 2010
- SIGNIS Statement: Agora
- SIGNIS Statement: The Calling
- SIGNIS Statement: Lourdes
- SIGNIS Statement: No Greater Love
- SIGNIS Film Reviews: Berlin 2010 Special Edition
- SIGNIS Film Reviews: January/February 2010
- SIGNIS Film Reviews: October/November/December 2009
- SIGNIS Film Reviews: Summer 2009
- Antichrist: An Essay/Review
- SIGNIS Film Reviews: Cannes 2009 Special Edition
- SIGNIS Statement: Angels and Demons
- SIGNIS Film Reviews: April 2009
- SIGNIS Film Reviews: March 2009
- SIGNIS Statement: Religulous
- SIGNIS Film Reviews: Berlin 2009 Special Edition
- SIGNIS Film Reviews: February 2009
- SIGNIS Film Reviews: January 2009
- SIGNIS Film Reviews: December 2008
- The Church in Transition: Doubt
- SIGNIS Film Reviews: October-November 2008
- SIGNIS Statement: Brideshead Revisited and its Catholicism
- SIGNIS Film Reviews: September 2008
- SIGNIS Film reviews: August 2008
- SIGNIS Statement: The X-Files: I Want to Believe
- SIGNIS Film Reviews: July 2008
- SIGNIS Film Reviews: June 2008
- SIGNIS Film Reviews: Cannes 2008 Special Edition
- SIGNIS Films Reviews: April 2008
- SIGNIS Film Reviews: March 2008
- SIGNIS Film Reviews: Berlin 2008 Special Edition
- SIGNIS Film Reviews: February 2008
- SIGNIS Film Reviews: January 2008
- SIGNIS Statement: The Golden Compass
- SIGNIS Film Reviews: November 2007
- SIGNIS Statement: Elizabeth - The Golden Age
- SIGNIS Film Reviews: October 2007
- SIGNIS Films Reviews: August/September 2007
- SIGNIS Film Reviews: June-July 2007
- Harry Potter and the Order of the Phoenix
- SIGNIS Film Reviews: Cannes 2007 Special Edition
- SIGNIS Film Reviews: May 2007
- SIGNIS Film Reviews: April 2007
- SIGNIS Film Reviews: February/March 2007
- Deliver Us from Evil: SIGNIS Statement
- SIGNIS Film Reviews: January 2007
- SIGNIS Film Reviews: December 2006
- SIGNIS Film Reviews: November 2006
- The Nativity Story
- SIGNIS Film Reviews: October 2006
- SIGNIS Film Reviews: September 2006
- SIGNIS Film Reviews: August 2006
- SIGNIS Film Reviews: June/July 2006
- SIGNIS Film Reviews: Cannes 2006 Special Edition
- SIGNIS FILM REVIEWS, MARCH 2006, SUPPLEMENT
- SIGNIS FILM REVIEWS, MARCH 2006
- SIGNIS FILM REVIEWS, FEBRUARY 2006
- SIGNIS FILM REVIEWS, JANUARY 2006
Talentime
(Malaysia, 2009, d. Yasmin Ahmad)
Malaysian writer-director was very serious about telling stories that were cross-cultural and cross-religious in a Malaysian context with films like Mukhsin and Septem. Tragically, she died at age 51 in 2009 after completing this film.
Malaysia is a Muslim country but it has many Hindus and Christians - which sometimes makes for contentious relationships and enmities. The Romeo and Juliet archetype can be very important for this society and Yasmin Ahmad made popular films, geared to a younger audience, drawing on the age-old story. She also incorporated the variety of language (and songs) that are used in Malaysia.
Talentime (or, it could be Tale n Time) appeals to contemporary young people (in this case, especially, romantically minded teenage girls). It is the 21st century everywhere around the world now with popular music and dance, talent shows and cyber technology. The central youngsters here are Hindu, Indian Muslim and Chinese and Malays (and there is a grandmother who comes from Yorkshire).
Taking a cue from Fame and High School Musical, this is the story of a school’s seventh talent show so the teacher responsible holds the usual auditions (some terrible performers for whom the response is a vociferous ’Next’!) and wants seven performers and seven students with motor bikes to bring the performers to rehearsals. One girl (Indian Muslim with the British grandmother) is assigned a Hindu boy who is hearing and speaking impaired, the Romeo and Juliet of talentime. Another boy, Muslim, writes songs, is clever, comforts his dying mother and incurs the jealous hostility of a Chinese boy. Plenty of ingredients for drama, melodrama, music and young love.
One hopes that Yasmin Ahmad’s films contribute to harmony in Malaysian society. In their popular way, they show outsiders stories which help them understand some of the complexities of the country.






