englishespagñolfrançais
Cinema - Reviews
print the article


Related articles
  1. Adventures in Zambezia
  2. Antiviral
  3. Chasing Ice
  4. Cheerful Weather for the Wedding
  5. The Company You Keep
  6. Drift
  7. Escape from Planet Earth
  8. First Position
  9. Haute Cuisine/ Les Saveurs de Palais
  10. Identity Thief
  11. Iron Man 3
  12. No
  13. Oblivion
  14. Olympus Has Fallen
  15. The Other Son/ Le Fils de L’Autre
  16. The Place Beyond the Pines
  17. Rust and Bone
  18. Le Skylab
  19. Sleepwalk with Me
  20. Song for Marion
  21. Therese Desqueyroux
  22. Trance
  23. SIGNIS Film Reviews: Berlinale 2013
  24. SIGNIS Film Reviews: February 2013
  25. SIGNIS Film Reviews: December 2012
  26. "Aristides de Sousa Mendes": The Angel of Bordeaux
  27. SIGNIS Film Reviews: September 2012
  28. SIGNIS Film Reviews: July/August 2012
  29. SIGNIS Film Reviews: June 2012
  30. SIGNIS Film Reviews: May 2012
  31. SIGNIS Film Reviews: March 2012
  32. SIGNIS Film Reviews: Berlin 2012 Special Edition
  33. SIGNIS Film Reviews: January 2012
  34. SIGNIS Film Reviews: October/November 2011
  35. SIGNIS Film Reviews: May/June 2011
  36. SIGNIS Statement: Oranges and Sunshine
  37. SIGNIS Film Reviews: March/April 2011
  38. SIGNIS Film Reviews: Berlinale 2011 Special Edition
  39. SIGNIS Statement: The Rite
  40. SIGNIS Statement: Brighton Rock
  41. SIGNIS Film Reviews: January 2011
  42. Out Of The Silence
  43. SIGNIS Film Reviews: December 2010
  44. SIGNIS Film Reviews: October/November 2010
  45. SIGNIS Film Reviews: September 2010
  46. SIGNIS Film Reviews: Summer 2010
  47. SIGNIS Film Reviews: Cannes 2010 Special Edition
  48. SIGNIS Statement: "Des hommes et des dieux" (Of Gods and Men)
  49. SIGNIS Film Reviews: April/May 2010
  50. SIGNIS Statement: Agora
  51. SIGNIS Statement: The Calling
  52. SIGNIS Statement: Lourdes
  53. SIGNIS Statement: No Greater Love
  54. SIGNIS Film Reviews: Berlin 2010 Special Edition
  55. SIGNIS Film Reviews: January/February 2010
  56. SIGNIS Film Reviews: October/November/December 2009
  57. SIGNIS Film Reviews: Summer 2009
  58. Antichrist: An Essay/Review
  59. SIGNIS Film Reviews: Cannes 2009 Special Edition
  60. SIGNIS Statement: Angels and Demons
  61. SIGNIS Film Reviews: April 2009
  62. SIGNIS Film Reviews: March 2009
  63. SIGNIS Statement: Religulous
  64. SIGNIS Film Reviews: Berlin 2009 Special Edition
  65. SIGNIS Film Reviews: February 2009
  66. SIGNIS Film Reviews: January 2009
  67. SIGNIS Film Reviews: December 2008
  68. The Church in Transition: Doubt
  69. SIGNIS Film Reviews: October-November 2008
  70. SIGNIS Statement: Brideshead Revisited and its Catholicism
  71. SIGNIS Film Reviews: September 2008
  72. SIGNIS Film reviews: August 2008
  73. SIGNIS Statement: The X-Files: I Want to Believe
  74. SIGNIS Film Reviews: July 2008
  75. SIGNIS Film Reviews: June 2008
  76. SIGNIS Film Reviews: Cannes 2008 Special Edition
  77. SIGNIS Films Reviews: April 2008
  78. SIGNIS Film Reviews: March 2008
  79. SIGNIS Film Reviews: Berlin 2008 Special Edition
  80. SIGNIS Film Reviews: February 2008
  81. SIGNIS Film Reviews: January 2008
  82. SIGNIS Statement: The Golden Compass
  83. SIGNIS Film Reviews: November 2007
  84. SIGNIS Statement: Elizabeth - The Golden Age
  85. SIGNIS Film Reviews: October 2007
  86. SIGNIS Films Reviews: August/September 2007
  87. SIGNIS Film Reviews: June-July 2007
  88. Harry Potter and the Order of the Phoenix
  89. SIGNIS Film Reviews: Cannes 2007 Special Edition
  90. SIGNIS Film Reviews: May 2007
  91. SIGNIS Film Reviews: April 2007
  92. SIGNIS Film Reviews: February/March 2007
  93. Deliver Us from Evil: SIGNIS Statement
  94. SIGNIS Film Reviews: January 2007
  95. SIGNIS Film Reviews: December 2006
  96. SIGNIS Film Reviews: November 2006
  97. The Nativity Story
  98. SIGNIS Film Reviews: October 2006
  99. SIGNIS Film Reviews: September 2006
  100. SIGNIS Film Reviews: August 2006
  101. SIGNIS Film Reviews: June/July 2006
  102. SIGNIS Film Reviews: Cannes 2006 Special Edition
  103. SIGNIS FILM REVIEWS, MARCH 2006, SUPPLEMENT
  104. SIGNIS FILM REVIEWS, MARCH 2006
  105. SIGNIS FILM REVIEWS, FEBRUARY 2006
  106. SIGNIS FILM REVIEWS, JANUARY 2006

The Hunger Games

(JPEG)

THE HUNGER GAMES US, 2012, Jennifer Lawrence, Josh Hutcherson, Donald Sutherland, Woody Harrelson, Elizabeth Banks, Stanley Tucci, Directed by Gary Ross.

Experts (young, especially, and old) have offered reassurances that this film is a good adaptation of the first novel in her trilogy by Suzanne Collins. Given a box-office take of over 150 million dollars in five days in the US, the film is also critic-proof.

Nevertheless, all reviewers have added their two penneth worth.

Not knowing much about the novels or film except some of the hype, I was not necessarily looking forward with eager anticipation. After all, a film for young audiences about a group of youngsters involved in deadly games (literally) with only one survivor, didn’t sound the best.

However... it turns out to be an interesting and enjoyable film even for some oldies!

The popular description is still accurate but it reminds us that we shouldn’t listen too much to ‘what’ a film is about but ask ‘how’ it is dramatised.

This is a futuristic film, a dystopian society, a phrase that is getting more and more use as we see futuristic films, apocalyptic films where populations are kept under tyrannical control or the world is going to end. This film offers an ironic image of contemporary society. 74 years earlier uprisings were put down and, as punishment (and for authority’s control), each year a boy and a girl from the 12 districts are chosen by a lottery (‘a reaping’) as ‘tribute’ to be first feted (and sumptuously fed), then displayed in procession and interview on television for a population that relishes its privilege in bizarre clothes and make-up but mindlessly applauds the razzamatazz of the Hunger Games show. Of course, the Games are a deadly manifestation of Reality TV, though the organisers can intervene against the games for and against the contestants - which they do by advanced technology, even to creating virtual monsters.

So, Suzanne Collins has created a strange world that can draw in a young audience.

The film has a lot to show about society control. While the President, like Big Brother, is watching, so is the whole population, the frivolously cruel spectators watching futuristic gladiatorial combat to the death as well as the poorer inhabitants of West Virginia-like mining communities where the heroine comes from. The dialogue is well-written and does not rely on sloppy or lazy writing. And, Jennifer Lawrence (already an Oscar nominee in her teens for Winter’s Bone) is Katniss Everdene, a strong and intelligent heroine, resourceful, thoughtful and the opposite of some of the vicious and murderous contestants. Josh Hutcherson is effective as the partner from Katniss’ district. Gary Ross, who collaborated with the author and other writers for the screenplay, has directed the film effectively. His other films include Pleasantville (with its parody and irony on television worlds is linked thematically with The Hunger Games) and the more straightforward racing film, Seabiscuit.

The supporting cast is very interesting with Elizabeth Banks (donning the bizarre costumes) as the chaperone and Woody Harrelson as a sympathetic trainer/publicist. A blue-buffed hairdo distinguishes Stanley Tucci as the play-to-the- audience-jovial TV compere. Wes Bentley as the organiser of the games looks darkly satanic with devilishly trimmed beard. Donald Sutherland is the president, quietly and murderously controlling.

While this film can be seen as a stand-alone story, Donald Sutherland turns to go up a staircase at the end - obviously there must be more.

Peter Malone

print the article