Cinema - Reviews
print the article

Related articles
  1. The woman who left , by Lav Diaz
  2. SIGNIS Reviews - September 2016
  3. Finding Saint Francis
  4. SIGNIS Film Reviews - August 2016
  5. Houston, we have a problem !
  6. SIGNIS film review - July 2016
  7. Le Dernier Jour d’Yitzhak Rabin (Rabin, the last day)
  8. SIGNIS Film reviews - May 2016
  9. SIGNIS Film reviews - april 2016
  10. SIGNIS Film reviews - March 2016
  11. Berlinale 2016: SIGNIS Reviews
  12. SIGNIS statement: Risen
  13. SIGNIS statement: The young messiah
  14. SIGNIS Film reviews - February 2016
  15. SIGNIS Film reviews - January 2016
  16. SIGNIS Film reviews - December 2015
  17. Belgian first “blaxploitation” film Black causes problems : children not allowed !
  18. SIGNIS Film reviews - November 2015
  19. Papa Francisco: The Pope Francis Story
  20. SIGNIS Film Reviews, October 2015
  21. To live and Die in Ordos: Values and Society in China
  22. Statement of the Jury - Venice Film Festival - Spotlight
  23. SIGNIS Film Reviews, September 2015
  24. Climate change and its impact in India : Raising awareness through film
  25. Lamb
  26. SIGNIS Film Reviews, August 2015
  27. SIGNIS Film Reviews, July 2015
  28. SIGNIS Film Reviews, June 2015
  29. SIGNIS Film Reviews, May 2015
  30. SIGNIS Film Reviews, April 2015
  31. SIGNIS Film Reviews: March 2015
  32. SIGNIS Film Reviews: Berlinale 2015
  33. Seventh Son
  34. Unfinished Business
  35. SIGNIS Film Reviews, February 2015
  36. American Sniper
  37. Birdman
  38. Dumb and Dumber To
  39. Human Capital/ Il capitale umano
  40. Paper Planes
  41. Penguins of Madagascar
  42. Selma
  43. Still Alice
  44. Taken 3
  45. Unbroken
  46. What We Did on our Holiday
  47. Wyrmwood: Road of the Dead
  48. SIGNIS Film Reviews, January 2015
  49. SIGNIS Film Reviews: December 2014
  50. Two Days, One Night
  51. Alexander and the Terrible, Horrible, No Good, Very Bad Day
  52. The Best of Me
  53. The Captive
  54. The Congress
  55. The Drop
  56. Folies Bergere/ Paris Folies/ La Ritournelle
  57. Force Majeure
  58. Fury
  59. The Green Prince
  60. Hector and the Search for Happiness
  61. Horrible Bosses 2
  62. The Hunger Games: Mockingjay Part One
  63. Interstellar
  64. John Wick
  65. Kill the Messenger
  66. Let’s be Cops
  67. Love, Rosie
  68. Maps to the Stars
  69. Men, Women and Children
  70. The Mule
  71. My Mistress
  72. My Old Lady
  73. Nightcrawler
  74. Obvious Child
  75. The One I Love
  76. Paddington
  77. Particle Fever
  78. Rise
  79. Pride
  80. Rock the Casbah (Morocco)
  81. Serena
  82. Tammy
  83. This is Where We Leave You
  84. A Thousand Times Goodnight
  85. Turkey Shoot
  86. A Walk Among the Tombstones
  87. Whiplash
  88. Wintersleep
  89. The Young and Prodigious T.S. Spivett
  90. The Vatican Museums
  91. When the Queen Came to Town
  92. SIGNIS Statement on "Exodus: Gods and Kings"
  93. SIGNIS Film Reviews: October 2014
  94. 20,000 Days on Earth
  95. Advanced Style
  96. Annabelle
  97. The Boxtrolls
  98. Dracula Untold
  99. The Equalizer
  100. The Giver
  101. Gone Girl
  102. The Grand Seduction
  103. If I Stay
  104. The Immigrant
  105. The Infinite Man
  106. Into the Storm
  107. I, Origins
  108. Jodorowsky’s Dune
  109. John Doe Vigilante
  110. The Judge
  111. Land of the Bears
  112. Life of Crime
  113. The Little Death
  114. Locke
  115. The Maze Runner
  116. Planes: Fire and Rescue
  117. The Reckoning
  118. Siddharth
  119. The Skeleton Twins
  120. Son of a Gun
  121. Step Up All In
  122. Teenage Mutant Ninja Turtles
  123. Tusk
  124. Wetlands
  125. Wish I Was Here
  126. SIGNIS Film Reviews: Summer 2014
  127. The Hundred Foot Journey
  128. The 100-Year-Old Man who Climbed out a Window and Disappeared
  129. Begin Again
  130. Boyhood
  131. Charlie’s Country
  132. Devil’s Knot
  133. The Expendables 3
  134. Felony
  135. Freedom
  136. Get on Up
  137. God’s Not Dead
  138. God’s Pocket
  139. The Inbetweeners 2
  140. Magic in the Moonlight
  141. Night Moves
  142. Predestination
  143. Snowpiercer
  144. These Final Hours
  145. What We Do in the Shadows
  146. All this Mayhem
  147. And So It Goes
  148. Beatriz’s War
  149. Belle et Sebastien
  150. Bethlehem
  151. Deliver us from Evil
  152. Ernest et Celestine
  153. The French Minister/ Quai d’Orsay
  154. Galore
  155. Guardians of the Galaxy
  156. Hercules
  157. Jersey Boys
  158. The Keeper of Lost Causes
  159. Lucy
  160. The Lunchbox
  161. A Most Wanted Man
  162. Mrs Brown’s Boys, D’Movie
  163. Reaching for the Moon/ Flores Raras
  164. Rio 2
  165. Sex Tape
  166. The Selfish Giant
  167. Still Life
  168. Rising from the Ashes
  169. Transformers: Age of Extinction
  170. Venus in Fur/ Venus a la fourrure
  171. Volcano
  172. Words and Pictures
  173. 22 Jump Street
  174. Any Day Now
  175. Blended
  176. The Face of Love
  177. Edge of Tomorrow
  178. The Fault in our Stars
  179. Frank
  180. Good Vibrations
  181. The Last Impresario
  182. A Million Ways to Die in the West
  183. Omar
  184. Once My Mother
  185. The Rover
  186. The Trip to Italy
  187. X-Men Days of Future Past
  188. Yves Saint Laurent
  189. SIGNIS Film Reviews: June 2014
  190. 52 Tuesdays
  191. The Amazing Spiderman 2: Rise of Electro
  192. The Armstrong Lie
  193. The Babadook
  194. Bad Neighbours
  195. Belle
  196. Blue Ruin
  197. The Broken Circle Breakdown
  198. Canopy
  199. Captain America: Winter Soldier
  200. A Castle in Italy/ Un Chateau en Italie
  201. Chef
  202. Child’s Pose
  203. Divergent
  204. The Double
  205. Fading Gigolo
  206. Faith Connections
  207. Gore Vidal: the United States of Amnesia
  208. Gabrielle
  209. Gardening with Soul
  210. Grace of Monaco
  211. Godzilla
  212. Hannah Arendt
  213. Half of a Yellow Sun
  214. Healing
  215. Heaven is for Real
  216. How to Train Your Dragon 2
  217. Ida
  218. The Invisible Woman
  219. Like Father, Like Son
  220. Living is Easy with your Eyes Closed
  221. Man of Tai Chi
  222. Maleficent
  223. Miniscule: the Valley of the Lost Ants
  224. Missing Picture/ L’Image Manquant
  225. Mr Morgan’s Last Love
  226. Mr Peabody and Sherman
  227. Muppets Most Wanted
  228. My Sweet Pepper Land
  229. Need for Speed
  230. Next Goal Wins
  231. Noah
  232. Nymphomaniac Volume 2
  233. Only Lovers Left Alive
  234. The Other Woman
  235. Out of the Inferno
  236. Pompeii
  237. The Raid 2
  238. Ride Along
  239. Seduced and Abandoned
  240. Sunshine on Leith
  241. Transcendence
  242. Under the Skini
  243. Wadjda
  244. Jeune et Jolie/ Young and Beautiful
  245. The Zero Theorem
  246. SIGNIS Film Reviews: February/March 2014
  247. ’71
  248. Aloft
  249. Beauty and the Beast
  250. The Better Angels
  251. Black Coal, Thin Ice/ Bari Ri Yan Huo
  252. Blind Massage/ Tui Na
  253. Calvary
  254. The Darkside
  255. The Grand Budapest Hotel
  256. Historia do Meida/ History of Fear
  257. Jack
  258. Kraftidioten/ In Order of Disappearance
  259. Kreuzweg/ Stations of the Cross
  260. The Little House/ Chiisiai Ouochi
  261. Love is Strange
  262. Macondo
  263. The Monuments Men
  264. Mo Jing/ That Demon Within
  265. N - Madness of Reason
  266. No Man’s Land/ Wu Ren Qu
  267. Praira do futuro/ Beach of the Future
  268. Stratos/ The Storm Within
  269. Things People Do
  270. The Third Side of the River
  271. To Singapore, With Love
  272. The Two Faces of January
  273. Two Men in Town
  274. Unfriend
  275. Viharsorok/ Land of Storms
  276. Zwischen Welten/ Inbetween Worlds
  277. 3 Days to Kill
  278. 300: The Rise of an Empire
  279. All is Lost
  280. Chinese Puzzle/ Casse-tete chinois
  281. Dallas Buyers Club
  282. Endless Love
  283. The Grand Budapest Hotel
  284. I, Frankenstein
  285. In a world...
  286. The Monuments Men
  287. Non-stop
  288. Nymphomaniac Volume 1
  289. Out of the Furnace
  290. Robocop
  291. Romeo and Juliet
  292. Tracks
  293. Nebraska
  294. Vampire Academy
  295. A Winter’s Tale/ A New York Winter’s Tale
  296. Wolf Creek 2
  297. SIGNIS Film Reviews: Berlinale 2014
  298. SIGNIS Statement: Kreuzweg (Stations of the Cross)
  299. SIGNIS Statement: Calvary
  300. Labor Day
  301. Mandela: Long Walk to Freedom
  302. The Past/ Le Passe
  303. Blue is the Warmest Colour/ La Vie d’Adele - Chapitres 1 et 2
  304. 12 Years a Slave
  305. 47 Ronin
  306. Anchorman 2: The Legend Continues
  307. Are We Officially Dating?/ That Awkward Moment
  308. Drinking Buddies
  309. Free Birds
  310. La Grande Bellezza/ The Great Beauty
  311. Her
  312. Inside Llewyn Davis
  313. Jack Ryan: Shadow Recruit
  314. Lone Survivor
  315. Paranormal Activity: The Marked Ones
  316. Saving Mr Banks
  317. The Secret Life of Walter Mitty
  318. Short Term 12
  319. The Wind Rises/ Kaze Tachinu
  320. The Wolf of Wall Street
  321. 20 Feet from Stardom
  322. Apres Mai/ After May
  323. American Hustle
  324. August: Osage County
  325. Blackfish
  326. Backyard Ashes
  327. The Book Thief
  328. Carrie
  329. Cloudy with a Chance of Meatballs 2
  330. Delivery Man
  331. Fill the Void
  332. Filth
  333. Frozen
  334. The Gilded Cage/ La Cage Doree
  335. The Hobbit: The Desolation of Smaug
  336. Homefront
  337. How I Live Now
  338. Last Vegas
  339. Le Weekend
  340. One Chance
  341. The Railway Man
  342. Si Parla Italiano: Lygon Street
  343. Adoration
  344. Ain’t Them Bodies Saints
  345. Alan Partridge: Alpha Papa
  346. Austenland
  347. Big Ass Spider
  348. Blancanieves
  349. Captain Phillips
  350. Closed Circuit
  351. The Counselor
  352. Ender’s Game
  353. Enough Said
  354. Escape Plan
  355. The Fifth Estate
  356. Fruitvale Station
  357. The Hunger Games: Catching Fire
  358. Insidious Chapter 2
  359. Jackass Presents: Bad Grandpa
  360. Kill Your Darlings
  361. Machete Kills
  362. Magic Magic
  363. Mary Meets Mohammad
  364. Mr Pip
  365. SIGNIS Statement: "Philomena"
  366. SIGNIS Film Reviews: November/December 2013
  367. Mystery Road
  368. Patrick
  369. The Spectacular Now
  370. Thor: the Dark World
  371. Walesa - Man of Hope
  372. 2 Guns
  373. About Time
  374. The Act of Killing
  375. The Butler
  376. Diana
  377. The East
  378. Fallout
  379. The Family
  380. Gravity
  381. Grown Ups 2
  382. The Human Cargo/ La Nave Dolce
  383. I Am a Girl
  384. In Bob We Trust
  385. I’m So Excited
  386. The Interval/ L’Intervallo
  387. Lasseter’s Bones
  388. Paranoia
  389. Parker
  390. Percy Jackson: Sea of Monsters
  391. Planes
  392. Prisoners
  393. The Red and the Blue
  394. Renoir
  395. Riddick
  396. RIPD
  397. Runner Runner
  398. Rush
  399. Stories We Tell
  400. Thanks for Sharing
  401. Turbo
  402. The Best Offer
  403. Blue Jasmine
  404. Elysium
  405. Gambit
  406. The Gatekeepers
  407. A Hijacking/ Kapringen
  408. Jobs
  409. Kickass 2
  410. Mood Indigo/ L’Ecume des Jours
  411. The Mortal Instruments: City of Bones
  412. Much Ado About Nothing
  413. Pain & Gain
  414. Red 2
  415. Red Obsession
  416. The Rocket
  417. Stoker
  418. The Turning
  419. Upstream Color
  420. V/H/S/2
  421. We’re the Millers
  422. What Maisie Knew
  423. White House Down
  424. The World’s End
  425. You’re Next
  426. SIGNIS Film Reviews: July/August 2013
  427. 100 Bloody Acres
  428. After Earth
  429. The Audience
  430. Behind the Candelabra
  431. Beyond the Hills
  432. The Blind Detective
  433. The Bling Ring
  434. Cloudburst
  435. The Conjuring
  436. Despicable Me 2
  437. Epic
  438. Errors of the Human Body
  439. Everybody Has a Plan/ Todos Tenemos un Plan
  440. Furious 6/ The Fast and the Furious 6
  441. A Gun in Each Hand
  442. Happiness Never Comes Alone/Le bonheur n’arrive jamais a seul
  443. The Heat
  444. The Internship
  445. In the House/ Dans La Maison
  446. Lady in Paris/ Une Estonienne a Paris
  447. The Lone Ranger
  448. Man of Steel
  449. Metro
  450. Monsters University
  451. Now You See Me
  452. One Mile Above/ Kora
  453. Only God Forgives
  454. Pacific Rim
  455. Le Prenom/ What’s in a Name
  456. Reality
  457. Satellite Boy
  458. This is the End
  459. The Way, Way Back
  460. The Wolverine
  461. Still Mine
  462. To the Wonder
  463. World War Z
  464. You Ain’t Seen Nothin’ Yet
  465. The Big Wedding
  466. Broken
  467. The Call
  468. Camille Redouble/ Camille Rewinds
  469. Dead Man Down
  470. Evil Dead
  471. The Great Gatsby
  472. The Hangover Part III
  473. Jagten/ The Hunt
  474. Mud
  475. The Reluctant Fundamentalist
  476. Scary Movie 5
  477. Snitch
  478. Spring Breakers
  479. Star Trek Into Darkness
  480. Adventures in Zambezia
  481. Antiviral
  482. Chasing Ice
  483. Cheerful Weather for the Wedding
  484. The Company You Keep
  485. Drift
  486. Vic and Flo Meet a Bear
  487. Side Effects
  488. Promised Land
  489. Prince Avalanche
  490. Parde (Closed Curtain)
  491. Paradies
  492. Nobody’s Daughter Haewon
  493. Night Train to Lisbon
  494. The Necessary Death of Charley Countryman
  495. La religieuse (The Nun)
  496. Maladies
  497. Lovelace
  498. The Look of Love
  499. A Long and Happy Life
  500. In the Name of...
  501. Harmony Lessons
  502. The Grandmaster
  503. Gloria
  504. Gold
  505. Frances Ha
  506. An Episode in the Life of an Iron Picker
  507. Elle s’en va (On Her Way)
  508. Dark Blood
  509. The Croods
  510. Camille Claudel 1915
  511. Before Midnight
  512. Escape from Planet Earth
  513. First Position
  514. Haute Cuisine/ Les Saveurs de Palais
  515. Identity Thief
  516. Iron Man 3
  517. No
  518. Oblivion
  519. Olympus Has Fallen
  520. The Other Son/ Le Fils de L’Autre
  521. The Place Beyond the Pines
  522. Rust and Bone
  523. Le Skylab
  524. Sleepwalk with Me
  525. Song for Marion
  526. Therese Desqueyroux
  527. Trance
  528. SIGNIS Film Reviews: Berlinale 2013
  529. 21 and Over
  530. Blinder
  531. Broken City
  532. GI Joe: Retaliation
  533. Goddess
  534. A Good Day to Die Hard
  535. Hansel and Gretel: Witchhunters
  536. Hara-Kiri: Death of a Samurai
  537. The Host
  538. Hyde Park on Hudson
  539. The Incredible Burt Wonderstone
  540. In the Fog
  541. Jack the Giant Slayer
  542. Mama
  543. The Paperboy
  544. Performance/ A Late Quartet
  545. Return to Nim’s Island
  546. Underground: the Julian Assange Story
  547. SIGNIS Film Reviews: February 2013
  548. Zero Dark Thirty
  549. Anna Karenina
  550. Compliance
  551. Django Unchained
  552. Flight
  553. Gangster Squad
  554. The Impossible
  555. The Guilt Trip
  556. Last Dance
  557. Life of Pi
  558. Lincoln
  559. Parental Guidance
  560. Rise of the Guardians
  561. Save Your Legs
  562. The Silver Linings Playbook
  563. Wreck-it Ralph
  564. This is 40
  565. 2 Days in New York
  566. 360
  567. Alex Cross
  568. All the Way Through Evening
  569. American Mary
  570. The Angel’s Share
  571. Argo
  572. Bachelorette
  573. Back to 1942
  574. Beasts of the Southern Wild
  575. Breaking Dawn, Part 2
  576. Dangerous Liaisons
  577. Dead Europe
  578. The Do-Deca Pentathlon
  579. Dredd
  580. End of Watch
  581. Fun Size
  582. God Bless America
  583. Hail
  584. Here Comes the Boom
  585. Hitchcock
  586. The Hobbit, an unexpected journey
  587. Jack Reacher
  588. The Intouchables/ Les Intouchables/ Untouchables
  589. I Wish
  590. Killing Them Softly
  591. Lawless
  592. Les Miserables
  593. Liberal Arts
  594. Lockout
  595. Love is All You Need
  596. Lore
  597. The Man with the Iron Fists
  598. The Master
  599. Mental
  600. Miss Bala
  601. A Monster in Paris
  602. Paris - Manhattan
  603. The Odd Life of Timothy Green
  604. People Like US
  605. Pitch Perfect
  606. Paranormal Activity 4
  607. The Perks of Being a Wallflower
  608. SIGNIS Film Reviews: December 2012
  609. Quartet
  610. The Raven
  611. Robot & Frank
  612. Ruby Sparks
  613. The Sessions
  614. Seven Psychopaths
  615. Sinister
  616. Skyfall
  617. Savages
  618. Sound of My Voice
  619. Taken 2
  620. To Rome with Love
  621. Trouble with the Curve
  622. Tu seras mon fils/ You Will Be My Son
  623. The Words
  624. Wuthering Heights
  625. Wunderkinder
  626. "Aristides de Sousa Mendes": The Angel of Bordeaux
  627. On the Road
  628. Looper
  629. Damsels in Distress
  630. Holy Motors
  631. Arbitrage
  632. SIGNIS Film Reviews: September 2012
  633. Lore
  634. Chinese Take-away/ Un cuento chino
  635. Bait
  636. Hotel Transylvania
  637. The Watch
  638. Resident Evil: Retribution
  639. Barrymore
  640. Being Venice
  641. The Bourne Legacy
  642. Bully
  643. The Expendables 2
  644. Hope Springs
  645. Kath and Kimderella
  646. Madagascar 3: Europe’s Most Wanted
  647. Monsieur Lazhar
  648. Moonrise Kingdom
  649. Total Recall
  650. Your Sister’s Sister
  651. SIGNIS Film Reviews: July/August 2012
  652. SIGNIS Film Reviews: June 2012
  653. SIGNIS Film Reviews: May 2012
  654. Beauty/ Skoonheid
  655. The Sapphires
  656. Hysteria
  657. And if we all lived together/ Et si on vivait tous ensemble
  658. The Door
  659. Not Suitable for Children
  660. In Darkness
  661. Magic Mike
  662. The Dark Knight Rises
  663. The King is Dead!
  664. You Instead
  665. The Amazing Spiderman
  666. Where do we go now?
  667. The Three Stooges
  668. I Am Eleven
  669. Polisse
  670. Ted
  671. Ice Age: Continental Drift
  672. Snow White and the Huntsman
  673. Take This Waltz
  674. That’s My Boy
  675. Rock of Ages
  676. Comme un chef/ The Chef
  677. Brave
  678. Marley
  679. The Cabin in the Woods
  680. The Innkeepers
  681. Margaret
  682. What to Expect When You’re Expecting
  683. Elena
  684. Prometheus
  685. Anton Chekhov’s The Duel
  686. Friends with Kids
  687. Get the Gringo
  688. Game Change
  689. Declaration of War/ La guerre est declaree
  690. Men in Black 3
  691. Empire of Silver
  692. Silent Souls/ Ovsyenki
  693. The Dictator
  694. Swerve
  695. Once Upon a Time in Anatolia
  696. Careless Love
  697. Dark Shadows
  698. La Delicatesse/ Delicacy
  699. Iron Sky
  700. Trishna
  701. W./E
  702. 21 Jump Street
  703. Act of Valor
  704. Amour de Jeunesse/ Goodbye, First Love
  705. The Avengers
  706. Battleship
  707. Cafe de Flore
  708. The Deep Blue Sea
  709. Dr Seuss’ The Lorax
  710. The Footnote
  711. Ghost Rider: Spirit of Vengeance
  712. Hotel Lux
  713. The Hunger Games
  714. Irvine Welsh’s Ecstasy
  715. Kongen av Bastoy? King of Devil’s Island
  716. Kid with a Bike/ Le Gamin au Velo
  717. The Lady
  718. Le Havre
  719. The Lucky One
  720. Mirror, Mirror
  721. Les Neiges de Kilimandjaro/ The Snows of Kilimanjaro
  722. Pirates: Band of Misfits!
  723. The Raid
  724. Rebellion/ L’Ordre et La Morale
  725. The Rum Diary
  726. Romantics Anonymous/ Les Emotifs Anonymes
  727. Safe
  728. Salmon Fishing in the Yemen
  729. The Sorcerer and the White Snake
  730. La Source des femmes/ The Source
  731. Spud
  732. This Must be the Place
  733. Tomboy
  734. The Woman in Black
  735. Wish You Were Here
  736. La Femme de Vieme/ The Woman in the Fifth
  737. The Five-Year Engagement
  738. La Fille du Puisatier/ The Well Digger’s Daughter
  739. The Wrath of the Titans
  740. SIGNIS Film Reviews: March 2012
  741. Any Questions for Ben?
  742. 50/50
  743. The Artist
  744. The Best Exotic Marigold Hotel
  745. Buck
  746. Carnage
  747. Chronicle
  748. Contraband
  749. A Dangerous Method
  750. The Devil Inside
  751. Gone
  752. Headhunters/ Hodejegerne
  753. Project X
  754. John Carter
  755. One for the Money
  756. Safe House
  757. This Means War
  758. Tyrannosaur
  759. 1911
  760. 30 Minutes or Less
  761. Apollo 18
  762. A Better Life
  763. Everything Must Go
  764. A Few Best Men
  765. Flypaper
  766. The Grey
  767. Journey 2: The Mysterious Island
  768. J. Edgar
  769. Killer Elite
  770. Like Crazy
  771. Man on a Ledge
  772. My Week with Marilyn
  773. Retreat
  774. Shame
  775. Trespass
  776. The Vow
  777. A Moi Seule/ Coming Home
  778. Aujourd’hui/ Today
  779. Barbara
  780. Bel Ami
  781. Captive
  782. Cesare deve morire/ Caesar Must Die
  783. Cherry
  784. Dictado/ Dictation/ Childish Games
  785. Dollhouse
  786. Don 2: Don Must Die
  787. L’Enfant d’ en haut/ Sister
  788. Extremely Loud and Incredibly Close
  789. Flowers of War
  790. Flying Swords of Dragon Gate
  791. Gnade/ Mercy
  792. Haywire
  793. In the Land of Blood and Honey
  794. Jayne Mansfield’s Car
  795. Keep the Lights on
  796. Just the Wind/ Csalk a Szel
  797. La Mer a L’Aube/ Calm at Sea
  798. Meteora
  799. My Brother the Devil
  800. Postcards from the Zoo
  801. Rebelle/ War Witch
  802. A Royal Affair
  803. Shadow Dancer
  804. Tabu
  805. La Vierge, Les Coptes et Moi...
  806. Was Bleibt/ Home for the Weekend
  807. White Deer Plain
  808. Wilaya
  809. SIGNIS Film Reviews: Berlin 2012 Special Edition
  810. SIGNIS Film Reviews: January 2012
  811. Too Big to Fail
  812. The Descendants
  813. Arietty
  814. Autoluminiscent
  815. Hugo
  816. The Muppets
  817. Young Adult
  818. Sherlock Holmes: A Game of Shadows
  819. The Adventures of Tintin
  820. Waste Land
  821. Happy Feet Two
  822. We Bought a Zoo
  823. Dolphin Tale
  824. Albert Nobbs
  825. Courageous
  826. New Year’s Eve
  827. Restless
  828. The Tall Man
  829. The Skin I Live In
  830. Tower Heist
  831. We Need to Talk About Kevin
  832. Another Earth
  833. The Iron Lady
  834. Jack and Jill
  835. Melancholia
  836. Mission Impossible - Ghost Protocol
  837. The Orator/ O Le Tulafale
  838. The Yellow Sea/ Hwanghae
  839. Yes Madam, Sir
  840. SIGNIS Film Reviews: October/November 2011
  841. Breaking Dawn Part I
  842. Attack the Block
  843. The Debt
  844. Habemus Papam (We Have a Pope)
  845. The Ides of March
  846. Immortals
  847. I Don’t Know How She Does It
  848. The Inbetweeners
  849. Moneyball
  850. Puss in Boots
  851. Toomelah
  852. Machine Gun Preacher
  853. Ages of Love (Manuele d’ Am3re)
  854. Arthur Christmas
  855. Shark Night 3D
  856. L’Amour Fou
  857. Country Strong
  858. Oakie’s Outback Adventure
  859. Surviving Georgia
  860. Cedar Rapids
  861. Our Idiot Brother
  862. In Time
  863. The Cup
  864. Don’t be Afraid of the Dark
  865. Contagion
  866. What’s Your Number?
  867. The Three Musketeers
  868. Midnight in Paris
  869. Higher Ground
  870. The Thing
  871. Project Nim
  872. Footloose
  873. Take Shelter
  874. Crazy, Stupid, Love.
  875. The Whistleblower
  876. Monte Carlo
  877. Spy Kids 4: All the Time in the World
  878. Submarine
  879. The Eye of the Storm
  880. Fire in Babylon
  881. Tabloid
  882. Snow Flower and the Secret Fan
  883. Red State
  884. Real Steel
  885. Johnny English Reborn
  886. The Hunter
  887. Fright Night
  888. Abduction
  889. 13 Assassins
  890. Guilty Pleasures
  891. Client 9: the Rise and Fall of Eliot Spitzer
  892. Colombiana
  893. Zookeeper
  894. Final Destination 5
  895. The Change-Up
  896. Face to Face
  897. Win Win
  898. The Rise of the Planet of the Apes
  899. Horrible Bosses
  900. Hobo with a Shotgun
  901. The Help
  902. Conan the Barbarian
  903. Chalet Girl
  904. Beastly
  905. Priest
  906. The Woman
  907. The Greatest Movie Ever Sold
  908. Friends with Benefits
  909. Secuestrados (Kidnapped)
  910. Jane Eyre
  911. Big Mamma’s Boy
  912. Cowboys & Aliens
  913. Green Lantern
  914. Senna
  915. Tucker and Dale vs Evil
  916. The Illusionist
  917. The Conspirator
  918. Love Crime
  919. Captain America, the First Avenger
  920. Precious Life
  921. Bad Teacher
  922. The Eagle
  923. Five Days of August/ Five Days of War
  924. Mars Needs Moms
  925. Stake Land
  926. Beautiful Lies (De Vrais Mensonges)
  927. Meek’s Cutoff
  928. Cars 2
  929. The Last Circus (La Balada Triste de la Trompeta)
  930. Kung Fu Panda 2
  931. Harry Potter and the Deathly Hallows Part 2
  932. Larry Crowne
  933. The Trip
  934. Transformers: Dark of the Moon
  935. Special Treatment (Sans Queue ni Tete)
  936. Mr Popper’s Penguins
  937. Mozart’s Sister
  938. Love and Other Impossible Pursuits/ The Other Woman
  939. All Good Things
  940. Crazy on the Outside
  941. The Tree of Life
  942. SIGNIS Film Reviews: May/June 2011
  943. Faith, Fraud + Minimum Wage
  944. Super 8
  945. Blame
  946. Bridesmaids
  947. Little White Lies
  948. Here I Am
  949. X Men: First Class
  950. The Tunnel
  951. Babies
  952. The Hangover Part II
  953. Carlos
  954. Oceans
  955. Angele et Tony
  956. Soul Surfer
  957. Julia’s Eyes
  958. Mrs Carey’s Concert
  959. Pirates of the Caribbean: On Stranger Tides
  960. SIGNIS Statement: Oranges and Sunshine
  961. Burke and Hare
  962. Water for Elephants
  963. Hanna
  964. Source Code
  965. Hoodwinked Too: The Battle Between Hood and Evil
  966. Fast Five/ The Fast and the Furious 5
  967. Diary of a Wimpy Kid: Rodrick Rules
  968. Your Highness
  969. Thor
  970. Something Borrowed
  971. Snowtown
  972. Scream 4
  973. Rio
  974. La Rafle/ The Round Up
  975. Le Quattro Volte
  976. Paul
  977. Oranges and Sunshine
  978. Murundak
  979. Main Street
  980. Mad Bastards
  981. The Lost Bladesman
  982. Insidious
  983. Incendies
  984. The Human Resources Manager
  985. Get Low
  986. Catfish
  987. Arthur
  988. SIGNIS Film Reviews: March/April 2011
  989. Hop
  990. Sucker Punch
  991. Potiche
  992. Goethe!
  993. The Day I Wasn’t Born (Das lied in mir)
  994. Limitless
  995. Haevnen (In a Better World)
  996. A Heartbeat Away
  997. The Lincoln Lawyer
  998. The Reef
  999. Red Riding Hood
  1000. The Company Men
  1001. Battle Los Angeles
  1002. Just Go With It
  1003. Howl
  1004. The Girl Who Kicked the Hornet’s Nest
  1005. Almanya - Willkommen in Deutschland
  1006. Ausente (Absent)
  1007. Cave of Forgotten Dreams
  1008. Come Rain, Come Shine
  1009. Coriolanus
  1010. Dance Town
  1011. The Devil’s Double
  1012. Les Femmes du 6eme Etage (Women of the 6th Floor/ Service Entrance)
  1013. The Forgiveness of Blood
  1014. The Future
  1015. Griff the Invisible
  1016. The Guard
  1017. If Not Us, Who (Wer Wenn Nicht Wir)
  1018. Invisible (Lo Roim Alaich)
  1019. Late Bloomers
  1020. Margin Call
  1021. Mein Bester Feind (My Best Enemy)
  1022. Un Mondo Misterioso (A Mysterious World)
  1023. Nader and Simin: a Separation
  1024. Odem (Lipstikka)
  1025. SIGNIS Film Reviews: Berlinale 2011 Special Edition
  1026. Our Grand Despair
  1027. Pina
  1028. El Premio (The Prize)
  1029. Romeos
  1030. Schlafkrankheit (Sleeping Sickness)
  1031. Swans
  1032. Tambien la lluvia (Even the Rain)
  1033. Tropa de Elite 2 (Elite Squad 2 - The Enemy Within)
  1034. True Grit
  1035. Unknown
  1036. Utopians
  1037. Vampire
  1038. V Subottu (Innocent Saturday)
  1039. Wind and Fog
  1040. Yelling to the Sky
  1041. The Rite
  1042. La Tete en Friche (My Afternoons with Margueritte)
  1043. Rango
  1044. SIGNIS Statement: The Rite
  1045. The Way Back
  1046. Wasted on the Young
  1047. Secretariat
  1048. Season of the Witch
  1049. No Strings Attached
  1050. Never Let Me Go
  1051. Nenette
  1052. A LIttle Bit of Heaven
  1053. Inside Job
  1054. I Am Number Four
  1055. Hall Pass
  1056. Gnomeo and Juliet
  1057. Conviction
  1058. Big Momma. Like Father Like Son
  1059. The Adjustment Bureau
  1060. Rabbit Hole
  1061. Hereafter
  1062. SIGNIS Statement: Brighton Rock
  1063. Barney’s Version
  1064. The Green Hornet
  1065. The Next Three Days
  1066. Ramona and Beezus
  1067. SIGNIS Film Reviews: January 2011
  1068. The Mechanic
  1069. How Do You Know
  1070. The Romantics
  1071. 127 Hours
  1072. Black Swan
  1073. The Fighter
  1074. Burlesque
  1075. The Dilemma
  1076. Takers
  1077. Stone
  1078. Arctic Blast
  1079. Out Of The Silence
  1080. Helen
  1081. Morning Glory
  1082. Yogi Bear
  1083. Korkoro
  1084. Unstoppable
  1085. Tangled
  1086. The Tourist
  1087. Sarah’s Key (Elle s’appelle Sarah)
  1088. Gulliver’s Travels
  1089. Little Fockers
  1090. Love and Other Drugs
  1091. SIGNIS Film Reviews: December 2010
  1092. The King’s Speech
  1093. Heartbreaker (L’Arnacoeur)
  1094. Somewhere
  1095. Desert Flower
  1096. Tron: Legacy
  1097. Megamind
  1098. The Chronicles of Narnia: Voyage of the Dawn Treader
  1099. Devil
  1100. Rare Exports - A Christmas Tale
  1101. The Last Exorcism
  1102. Due Date
  1103. SIGNIS Film Reviews: October/November 2010
  1104. SIGNIS Film Reviews: September 2010
  1105. Beneath Hill 60
  1106. Monsters
  1107. Harry Potter and the Deathly Hallows Part I
  1108. Machete
  1109. Sisters of War
  1110. Wild Target
  1111. Skyline
  1112. The American
  1113. Winter’s Bone
  1114. The Loved Ones
  1115. Paranormal Activity 2
  1116. Saw 3D (Saw VII)
  1117. The Social Network
  1118. Gainsbourg
  1119. Detective Dee and the Phantom Flame
  1120. You Don’t Know Jack
  1121. Life as We Know It
  1122. Made in Dagenham
  1123. Red
  1124. Let Me In
  1125. The Town
  1126. Resident Evil: Afterlife
  1127. Copacabana
  1128. La Danse
  1129. The Human Centipede (First Sequence)
  1130. The Clinic
  1131. Eat Pray Love
  1132. Buried
  1133. Legend of the Guardians. The Owls of Ga’hoole
  1134. Dinner for Schmucks
  1135. The Least of These
  1136. The City of Your Final Destination
  1137. Sagan
  1138. Summer Coda
  1139. Diary of a Wimpy Kid
  1140. Cats and Dogs: the Revenge of Kitty Galore
  1141. I’m Still Here
  1142. The Other Guys
  1143. The Last Airbender
  1144. Easy A
  1145. Tomorrow When the War Began
  1146. Despicable Me
  1147. Letters to Father Jakob (Postia poppi Jaakobille)
  1148. The Sorcerer’s Apprentice
  1149. Salt
  1150. The Girl Who Played with Fire
  1151. Piranha 3D
  1152. Vampires Suck
  1153. Matching Jack
  1154. SIGNIS Film Reviews: Summer 2010
  1155. Cairo Time
  1156. Peepli [Live]
  1157. The Expendables
  1158. Second Hand Wedding
  1159. Splice
  1160. Step Up 3D
  1161. Scott Pilgrim vs. the World
  1162. The Special Relationship
  1163. South Solitary
  1164. Killers
  1165. Leaving (Partir)
  1166. Inception
  1167. Tinker Bell and the Great Fairy Rescue
  1168. Boy
  1169. The Waiting City
  1170. Knight and Day
  1171. L’Herisson (Hegehog)
  1172. The Runaways
  1173. Predators
  1174. The Karate Kid
  1175. Eclipse (The Twilight Saga: Eclipse)
  1176. Toy Story 3
  1177. New York, I Love You
  1178. The A-Team
  1179. Get Him to the Greek
  1180. Accidents Happen
  1181. L’Affaire Farewell
  1182. Animal Kingdom
  1183. City Island
  1184. Le Concert
  1185. I Love You Too
  1186. The Kings of Mykonos
  1187. Letters to Juliet
  1188. Mademoiselle Chambon
  1189. Mother and Child
  1190. Shrek Forever After
  1191. Valhalla Rising
  1192. SIGNIS Film Reviews: Cannes 2010 Special Edition
  1193. Abel
  1194. Les Amours Immaginaires
  1195. Another Year
  1196. Aurora
  1197. Biutiful
  1198. Blue Valentine
  1199. Burnt by the Sun 2: The Exodus
  1200. Carancho
  1201. Chonqing Blues (Rizhao Chongqing)
  1202. Copie Certifie (Certified Copy)
  1203. Des Hommes et des Dieux (Of Gods and Men)
  1204. Fair Game
  1205. Hahaha
  1206. L’homme qui crie (A Screaming Man)
  1207. Hors-la-loi (Outside the Law)
  1208. The Housemaid
  1209. Kaboom
  1210. Life, Above All
  1211. Lung Boonmee Rachuak Chat (Uncle Boonmee who can Recall Past Lives)
  1212. Marti, Dupa Craciun (Tuesday after Christmas)
  1213. My Joy
  1214. La Nostra Vita
  1215. SIGNIS Statement: "Des hommes et des dieux" (Of Gods and Men)
  1216. Octubre
  1217. Outrage
  1218. Poetry
  1219. La Princesse de Montpensier
  1220. Robin Hood
  1221. Rebecca H. (Return to the Dogs)
  1222. Route Irish
  1223. Simon Werner e Disparu... (Lights Out)
  1224. The Strange Case of Angelica
  1225. Szerid Teremtes - A Frankenstein Terv (Tender Son - the Frankenstein Project
  1226. Tamara Drewe
  1227. Tournee (On Tour)
  1228. The Tree
  1229. Wall Street: Money Never Sleeps
  1230. You Will Meet a Tall Dark Stranger
  1231. SIGNIS Film Reviews: April/May 2010
  1232. Brooklyn’s Finest
  1233. Tooth Fairy
  1234. Sex and the City 2
  1235. The Losers
  1236. Rec 2
  1237. Prince of Persia: the Sands of Time
  1238. Gentlemen Broncos
  1239. Cop Out
  1241. Hot Tub Time Machine
  1242. A Room and a Half
  1243. Psych 9
  1244. A Nightmare on Elm Street
  1245. Furry Vengeance
  1246. Four Lions
  1247. The Backup PLan
  1248. Iron Man 2
  1249. Revanche
  1250. The Last Song
  1251. The Disappearance of Alice Creed
  1252. SIGNIS Statement: Agora
  1253. SIGNIS Statement: The Calling
  1254. The Joneses
  1255. Dogtooth
  1256. Centurion
  1257. It’s a Wonderful Afterlife
  1258. Cherrybomb
  1259. Date Night
  1260. Io Sono L’Amore (I Am Love)
  1261. Pazar (The Market - a Tale of Trade)
  1262. City of Life and Death
  1263. Cemetery Junction
  1264. Ghost (The Ghost Writer)
  1265. Dear John
  1266. Repo Men
  1267. Crying with Laughter
  1268. Boogie Woogie
  1269. Donne-moi La Main (Give Me Your Hand)
  1270. Shelter
  1271. The Infidel
  1272. Whip It
  1273. I Know You Know
  1274. SIGNIS Statement: Lourdes
  1275. SIGNIS Statement: No Greater Love
  1276. Shank
  1277. How to Train Your Dragon
  1278. Clash of the Titans
  1279. Remember Me
  1280. Kick Ass
  1281. Nanny McPhee and the Big Bang
  1282. The Blind Side
  1283. I Love You, Phillip Morris
  1284. The Bounty Hunter
  1285. My Last Five Girlfriends
  1286. The Spy Next Door
  1287. Sons of Cuba
  1288. Salvage
  1289. The Scouting Book for Boys
  1290. House of the Devil
  1291. Green Zone
  1292. Hachi: a Dog’s Tale
  1293. Shutter Island
  1294. The Girl with the Dragon Tattoo
  1295. The Kreutzer Sonata
  1296. The Father of My Children (Le Pere de Mes Enfants)
  1297. Chloe
  1298. Battle for Terra
  1299. The Wolfman
  1300. Oorlogswinter (Winter in Wartime)
  1301. Valentine’s Day
  1302. Solomon Kane
  1303. Powder Blue
  1304. The Crazies
  1305. Case 39
  1306. Anonyma
  1307. Alice in Wonderland
  1308. Percy Jackson and the Olympians: the Lightning Thief
  1309. Ondine
  1310. Micmacs
  1311. Legion
  1312. Leap Year
  1313. From Paris with Love
  1314. Extraordinary Measures
  1315. Everybody’s Fine
  1316. Crazy Heart
  1317. SIGNIS Film Reviews: Berlin 2010 Special Edition
  1318. SIGNIS Film Reviews: January/February 2010
  1319. L’Arbre et La Foret (Family Tree)
  1320. L’Autre Dumas (The Other Dumas)
  1321. Bal (Honey)
  1322. David Wants to Fly
  1323. Exit Through the Gift Shop
  1324. En Familie (A Family)
  1325. Father of Invention
  1326. Die Fremde (When You Leave)
  1327. Greenberg
  1328. Jud Suss: Rise and Fall
  1329. The Kids are All Right
  1330. The Killer Inside Me
  1331. Mine Vaganti (Loose Cannons)
  1332. My Name is Khan
  1333. Na Putu (On the Path)
  1334. Otouto (About Her Brother)
  1335. Please Give
  1336. Red Hill
  1337. Shahada (Faith)
  1338. Son of Babylon
  1339. Submarino
  1340. When I Want to Whistle, I Whistle
  1341. A Woman, A Gun and a Noodle Shop
  1342. Invictus
  1343. The Book of Eli
  1344. Astro Boy
  1345. Youth in Revolt
  1346. Up in the Air
  1347. Tony
  1348. A Single Man
  1349. Romeo and Juliet (Indonesia)
  1350. Holy Water
  1351. Exam
  1352. It’s Complicated
  1353. 44 Inch Chest
  1354. Nine
  1355. St Trinians: the Legend of Fritton’s Gold
  1356. Ninja Assassin
  1357. Daybreakers
  1358. Armored
  1359. Edge of Darkness
  1360. Motherhood
  1361. Brothers
  1362. Breathless
  1363. Bran Nue Dae
  1364. All About Steve
  1365. The Princess and the Frog
  1366. Talentime
  1367. Troubled Water (De Usynlige)
  1368. Extract
  1369. Shrink
  1370. Sex & Drugs & Rock & Roll
  1371. Diamant 13
  1372. Old Dogs
  1373. Did You Hear about the Morgans?
  1374. Mao’s Last Dancer
  1375. Sherlock Holmes
  1376. The Lovely Bones
  1377. Prime Mover
  1378. The Brothers Bloom
  1379. Avatar
  1380. SIGNIS Film Reviews: October/November/December 2009
  1381. The Other Man
  1382. Post Grad
  1383. Unmade Beds
  1384. Where the Wild Things Are
  1385. Planet 51
  1386. Only When I Dance
  1387. Nowhere Boy
  1388. The Merry Gentleman
  1389. Me and Orson Welles
  1390. The Girlfriend Experience
  1391. Le Premier Jour du Reste de ta vie (The First Day of the Rest of Your Life)
  1392. The Descent: Part 2
  1393. Cracks
  1394. The Box
  1395. Nativity!
  1396. Paranormal Activity
  1397. Law Abiding Citizen
  1398. Bunny and the Bull
  1399. Machan
  1400. The Boys are Back
  1401. New Moon (The Twilight Saga: New Moon)
  1402. Glorious 39
  1403. A Serious Man
  1404. Examined Life
  1405. Un Barrage Contre le Pacifique (The Sea Wall)
  1406. Harry Brown
  1407. Amelia
  1408. 2012
  1409. The Fourth Kind
  1410. An Education
  1411. A Christmas Carol
  1412. The Men Who Stare at Goats
  1413. The Cove
  1414. The Horseman
  1415. Jennifer’s Body
  1416. Fantastic Mr Fox
  1417. Saw VI
  1418. Coffin Rock
  1419. Dead Man Running
  1420. Stone Bros.
  1421. Disgrace
  1422. My Year without Sex
  1423. This Is It
  1424. Blessed
  1425. Cirque du Freak: the Vampire’s Assistant
  1426. Cedar Boys
  1427. Beautiful Kate
  1428. 9
  1429. Pontypool
  1430. Couples Retreat
  1431. Halloween II
  1432. Ong Bak: the Beginning
  1433. Zombieland
  1434. Capitalism: A Love Story
  1435. The Informant!
  1436. Pandorum
  1437. My Life in Ruins (Driving Aphrodite)
  1438. Surrogates
  1439. The Invention of Lying
  1440. Whiteout
  1441. Sorority Row
  1442. The Soloist
  1443. Management
  1444. Julie & Julia
  1445. Jack Said
  1446. Gamer
  1447. The Firm
  1448. Fame
  1449. Dorian Gray
  1450. The Crimson Wing
  1451. Creation
  1452. Cloudy with a Chance of Meatballs
  1453. Blind Dating
  1454. Away We Go
  1455. Adventureland
  1456. SIGNIS Film Reviews: Summer 2009
  1457. District 9
  1458. (500) Days of Summer
  1459. The Red Baron
  1460. Sztuczki (Tricks)
  1461. Shorts
  1462. Funny People
  1463. The Time Traveler’s Wife
  1464. A Perfect Getaway
  1465. I Love You, Beth Cooper
  1466. The Final Destination
  1467. Dance Flick
  1468. Bandslam
  1469. Aliens in the Attic
  1470. Orphan
  1471. Adam
  1472. GI Joe: The Rise of Cobra
  1473. Home
  1474. The Ugly Truth
  1475. G-Force
  1476. The Taking of Pelham 123
  1477. Land of the Lost
  1478. Crossing Over
  1479. Mad, Sad and Bad
  1480. Coco Avant Chanel (Coco Before Chanel)
  1481. The Limits of Control
  1482. The Hurt Locker
  1483. Villa Amalia
  1484. Antichrist: An Essay/Review
  1485. The Proposal
  1486. Just Another Love Story
  1487. Charles Dickens’ England
  1488. Soul at Peace (Pokoj v Dusi)
  1489. Bist (Twenty)
  1490. Un Age a la Mer (Angel at Sea)
  1491. Tutta Colpa di Giuda
  1492. Swinki (Piggies)
  1493. Goodbye, Solo
  1494. Moon
  1495. Martyrs
  1496. The Informers
  1497. Lake Tahoe
  1498. Harry Potter and the Half-Blood Prince
  1499. Frozen River
  1500. Cold Souls
  1501. Bruno
  1502. Red Mist
  1503. Public Enemies
  1504. Ice Age 3: Dawn of the Dinosaurs
  1505. Shirin
  1506. Blood: the Last Vampire
  1507. My Sister’s Keeper
  1508. Sunshine Cleaning
  1509. Rudo y Cursi
  1510. Sin Nombre
  1511. Year One
  1512. The Last Thakur
  1513. The Last House on the Left
  1514. Doghouse
  1515. Everlasting Moments (Maria Larsson’s Everlasting Moments)
  1516. Telstar
  1517. Gigantic
  1518. Red Cliff
  1519. Helen
  1520. The Hangover
  1521. O’Horten
  1522. The Children of the Silk Road (The Children of Huang Shi/ Escape from Huang Shi)
  1523. Sex Drive
  1524. Terminator Salvation
  1525. Tormented
  1526. Sugar
  1527. Pour Elle (Anything for Her)
  1528. Max Manus
  1529. Last Chance Harvey
  1530. The Hide
  1531. Awaydays
  1532. Angels & Demons
  1533. Fighting
  1534. Drag Me to Hell
  1535. Night at the Museum: Battle for the Smithsonian
  1536. Endgame
  1537. Obsessed
  1538. Viva
  1539. French Film
  1540. Das Weisse Band (The White Ribbon)
  1541. Visage
  1542. Vincere
  1543. Vengeance
  1544. Up
  1545. The Tsar
  1546. The Time that Remains
  1547. Thirst: Ceci est mon Sang
  1548. Tales from the Golden Age
  1549. Taking Woodstock
  1550. The Silent Army
  1551. Samson & Delilah
  1552. Un Prophete
  1553. Precious
  1554. Police, Adjective
  1555. Nobody Knows About Persian Cats
  1556. My Neighbour, My Killer
  1557. Mother
  1558. Map of the Sounds of Tokyo
  1559. Manila
  1560. Looking for Eric
  1561. Jaffa
  1562. Kinatay
  1563. Irene
  1564. Inglourious Basterds
  1565. Independencia
  1566. The Imaginarium of Doctor Parnassus
  1567. La Fille du RER (The Girl on the Train)
  1568. Fish Tank
  1569. Eyes Wide Open
  1570. Enter the Void
  1571. Demain des L’Aube
  1572. Coco Chanel & Igor Stravinsky
  1573. Chun Fen Chen Zui De Ye Wan (Spring Fever)
  1574. Cendres et Sang (Ashes and Blood)
  1575. Bright Star
  1576. L’Armee du Crime
  1577. A L’Origine
  1578. Los Abrazos Rotos
  1579. SIGNIS Film Reviews: Cannes 2009 Special Edition
  1580. SIGNIS Statement: Angels and Demons
  1581. Good
  1582. Coraline
  1583. Star Trek
  1584. Wolverine: X Men Origins
  1585. SIGNIS Film Reviews: April 2009
  1586. Is Anybody There?
  1587. Momma’s Man
  1588. Shifty
  1589. Seraphine
  1590. Villa Jasmin
  1591. Snow (Snijeg)
  1592. Four Nights with Anna
  1593. Fermat’s Room (La habitacion de Fermat)
  1594. Wrong Rosary
  1595. Tear This Heart Out (Arrancame la vida)
  1596. Skin
  1597. Si Puo Fare (We Can Do It/ It Can Be Done)
  1598. Scratch (Rysa)
  1599. Hannah Montana: the Movie
  1600. Blue Eyelids (Parpados Azules)
  1601. Crank: High Voltage
  1602. The Empty Nest
  1603. The Market - a tale of Trade
  1604. Rain
  1605. The Necessities of Life (Ce qu’il faut pour vivre)
  1606. State of Play
  1607. Observe and Report
  1608. Outlander
  1609. Hassan and Morkos
  1610. Departures (Okuribito)
  1611. Dansen (Dancers)
  1612. Blind Sunflowers (Los Girasoles Ciegos)
  1613. 35 Rhums (35 Shots of Rum)
  1614. In the Loop
  1615. Not Easily Broken
  1616. Five Minutes of Heaven
  1617. Let the Right One In
  1618. I Love You, Man
  1619. Fifty Dead Men Walking
  1620. Dragonball: Evolution
  1621. 17 Again
  1622. Fast and Furious
  1623. Tony Manero
  1624. Race to Witch Mountain
  1625. SIGNIS Film Reviews: March 2009
  1626. SIGNIS Statement: Religulous
  1627. Cherry Blossoms (Kirschebluten/Hanami)
  1628. Monsters Vs Aliens
  1629. The Boat that Rocked
  1630. I Can’t Think Straight
  1631. The World Unseen
  1632. Religulous
  1633. The Uninvited
  1634. Little Ashes
  1635. The Haunting in Connecticut
  1636. Knowing
  1637. The Life Before Her Eyes
  1638. Traitor
  1639. Genova
  1640. The Damned United
  1641. Duplicity
  1642. Diminished Capacity
  1643. Paul Blart: Mall Cop
  1644. Lesbian Vampire Killers
  1645. The Age of Stupid
  1646. Flash of Genius
  1647. Bronson
  1648. Hush
  1649. The Great Debaters
  1650. The Young Victoria
  1651. Wendy and Lucy
  1652. Watchmen
  1653. Reverb
  1654. A Short Stay in Switzerland
  1655. Flammen & Citronen (Flame & Citron)
  1656. The Burning Plain
  1657. American Teen
  1658. SIGNIS Film Reviews: Berlin 2009 Special Edition
  1659. Yarwng (Roots)
  1660. The Crew
  1661. He’s Just Not That Into You
  1662. Push
  1663. Confessions of a Shopaholic
  1664. SIGNIS Film Reviews: February 2009
  1665. The International
  1666. New in Town
  1667. The Unborn
  1668. Franklyn
  1669. Cadillac Records
  1670. Hotel for Dogs
  1671. Friday the 13th
  1672. Gran Torino
  1673. All About Elly (Darbareye Elly)
  1674. Alle Anderen (Everyone Else)
  1675. An American in New York
  1676. Ander
  1677. Beast Stalker
  1678. The Bone Man (Der Knochenmann)
  1679. Burrowing (Man Tanker Sitt)
  1680. Cheri
  1681. The Countess
  1682. Deutschland 09
  1683. Eden a L’Ouest (Eden is West)
  1684. End of Love
  1685. The Fish Child (El Nino Pez)
  1686. Forever Enthralled
  1687. Gigante
  1688. Happy Tears
  1689. John Rabe
  1690. Just Walking (Solo Quiero Caminar)
  1691. Katalin Varga
  1692. Letters to the President
  1693. London River
  1694. Mammoth
  1695. The Messenger
  1696. Milk of Sorrow (La Teta Asustuda)
  1697. My One and Only
  1698. Pedro
  1699. The Private Lives of Pippa Lee
  1700. Rage
  1701. Ricky
  1702. Ruckenwind (Light Gradient)
  1703. Storm
  1704. Tatarak (Sweet Rush)
  1705. Welcome
  1706. Winterstilte (Winter Silence)
  1707. Notorious
  1708. The Pink Panther 2
  1709. The Spirit
  1710. The Square
  1711. Bottle Shock
  1712. Bolt
  1713. JCVD
  1714. Cronoscrimines (Time Crimes)
  1715. Valkyrie
  1716. Nick and Nora’s Infinite Playlist
  1717. Henry Poole is Here
  1718. The Broken
  1719. Battle in Seattle
  1720. Underworld: The Rise of the Lycans
  1721. Tokyo Sonata
  1722. The Punisher: War Zone
  1723. Who Killed Nancy?
  1724. My Bloody Valentine 3D
  1725. SIGNIS Film Reviews: January 2009
  1726. My Mom’s New Boyfriend
  1727. Lucky Miles
  1728. Marley and Me
  1729. Gabriel
  1730. Bride Wars
  1731. Monkey PUzzle
  1732. Doubt
  1733. Frost/Nixon
  1734. Defiance
  1735. Revolutionary Road
  1736. Roman de Gare
  1737. The Sisterhood of the Travelling Pants 2
  1738. Seven Pounds
  1739. Transsiberian
  1740. Garbage Warrior
  1741. Yes Man
  1742. The Grocer’s Son
  1743. Slumdog Millionaire
  1744. The Reader
  1745. Far North
  1746. Bedtime Stories
  1747. Beverley Hills Chihuahua
  1748. Newcastle
  1749. Fugitive Pieces
  1750. Gonzo, the Life and Times of Dr. Hunter S. Thompson
  1751. The Wrestler
  1752. A Bunch of Amateurs
  1753. Twilight
  1754. The Tale of Despereaux
  1755. Milk
  1756. The Curious Case of Benjamin Button
  1757. Australia
  1758. SIGNIS Film Reviews: December 2008
  1759. The Church in Transition: Doubt
  1760. Faintheart
  1761. Dean Spanley
  1762. Trade
  1763. The Stone of Destiny
  1764. Nordwand (North Face)
  1765. Love and Honour
  1766. Inkheart
  1767. The Day the Earth Stood Still
  1768. Choke
  1769. Madagascar Escape 2 Africa
  1770. My Best Friend’s Girl
  1771. The Secret Life of Bees
  1772. Quarantine
  1773. Summer
  1774. Julia
  1775. Four Christmases
  1776. Il Vento Va il Suo Giro (The Wind Blows Around)
  1777. Un Poco de Chocolade (A Little Bit of Chocolate)
  1778. Transporter 3
  1779. The Girl in the Park
  1780. Les Lignes du Sang (Rivals)
  1781. Bonneville
  1782. The Children
  1783. The Express
  1784. Lakeview Terrace
  1785. SIGNIS Film Reviews: October-November 2008
  1786. Body of Lies
  1787. The Oxford Murders
  1788. Flawless
  1789. Dialogue avec mon Jardinier (Conversations with My Gardener)
  1790. The Warlords
  1791. Easy Virtue
  1792. Fine, Totally Fine
  1793. Max Payne
  1794. Pride and Glory
  1795. Zach and Miri Make a Porno
  1796. Choking Man
  1797. The Baader Meinhof Complex
  1798. Scar 3D
  1799. W
  1800. Kit Kittredge: An American Girl
  1801. Quantum of Solace
  1802. High School Musical 3: Senior Year
  1803. Incendiary
  1804. Of Time and the City
  1805. Le Ring
  1806. A nyomozo (The Investigation)
  1807. Rumba
  1808. Saw V
  1809. Un Coeur Simple (A Simple Heart)
  1810. Non Pensarci (Don’t Think About It)
  1811. Eagle Eye
  1812. Igor
  1813. The Rocker
  1814. Free Jimmy
  1815. Young @ Heart
  1816. La Zona
  1817. Rachel Getting Married
  1818. Bigga than Ben
  1819. Vinyan
  1820. Nights in Rodanthe
  1821. City of Ember
  1822. Mirrors
  1823. Brideshead Revisited
  1824. Mutant Chronicles
  1825. The House Bunny
  1826. Fly Me to the Moon 3D
  1827. SIGNIS Statement: Brideshead Revisited and its Catholicism
  1828. SIGNIS Film Reviews: September 2008
  1829. Tropic Thunder
  1830. 88 Minutes
  1831. How to Lose Friends and Alienate People
  1832. Good Dick
  1833. Die Welle (The Wave)
  1834. Rocknrolla
  1835. Redbelt
  1836. Righteous Kill
  1837. The Foot Fist Way
  1838. Death Race
  1839. Bangkok Dangerous
  1840. Appaloosa
  1841. The Women
  1842. Taken
  1843. Eden Lake
  1844. Babylon AD
  1845. Live!
  1846. Burn After Reading
  1847. The Boy in the Striped Pyjamas
  1848. Disaster Movie
  1849. Myrin (Jar City)
  1850. Partition
  1851. The Strangers
  1852. Step-Brothers
  1853. SIGNIS Film reviews: August 2008
  1854. Puffball
  1855. Times and Winds (Bes Vakit)
  1856. The Wackness
  1857. Wild Child
  1858. Shoot on Sight
  1859. Daylight Robbery
  1860. El Cantante
  1861. Somers Town
  1862. You Don’t Mess with the Zohan
  1863. Get Smart
  1864. Ben X
  1865. College Road Trip
  1866. Hellboy II: the Golden Army
  1867. Man from Plains
  1868. Three and Out
  1869. Vexille
  1870. Angel
  1871. The Clone Wars
  1872. Miss Pettigrew Lives a Day
  1873. The Karamazovs
  1874. SIGNIS Statement: The X-Files: I Want to Believe
  1875. The Mummy: Tomb of the Dragon Emperor
  1876. CJ7
  1877. Make it Happen
  1878. Tropa de Elite (Elite Squad)
  1879. Renard et L’Enfant (The Fox and the Child)
  1880. The Love Guru
  1881. Cidade dos Homens (City of Men)
  1882. The X Files: I Want to Believe
  1883. Married Life
  1884. Cass
  1885. Blindsight
  1886. Paris
  1887. Before the Rains
  1888. Angus, Thongs and Perfect Snogging
  1889. Elle s’appelle Sabine (Her Name is Sabine)
  1890. Buddha Collapsed out of Shame
  1891. The Dark Knight
  1892. Baby Mama
  1893. Meet Dave
  1894. WALL.E
  1895. Donkey Punch
  1896. SIGNIS Film Reviews: July 2008
  1897. Journey to the Center of the Earth 3D
  1898. Mamma Mia
  1899. The Forbidden Kingdom
  1900. SIGNIS Film Reviews: June 2008
  1901. La Romance d’Astree et Celadon
  1902. Mad Detective
  1903. Mes Amis, Mes Amours
  1904. Kung Fu Panda
  1905. In Memory of My Father
  1906. Adulthood
  1907. El Bano del Papa (The Pope’s Toilet)
  1908. My Winnipeg
  1909. Les Femmes de l’Ombre (Female Agents)
  1910. Prince Caspian
  1911. Hancock
  1912. Wanted
  1913. Cassandra’s Dream
  1914. The Ruins
  1915. The Edge of Love
  1916. The Waiting Room
  1917. In Search of a Midnight Kiss
  1918. The Happening
  1919. The Incredible Hulk
  1920. Hors de Prix (Priceless)
  1921. Teeth
  1922. SIGNIS Film Reviews: Cannes 2008 Special Edition
  1923. The Escapist
  1924. Kamikaze Girls
  1925. Persepolis
  1926. Mongol
  1927. Ostrov (The Island)
  1928. Taxi to the Darkside
  1929. Balls of Fury
  1930. Mad Money
  1931. Anamorph
  1932. Filth: the Mary Whitehouse Story
  1933. Welcome Home Roscoe Jenkins
  1934. Sarkar Raj
  1935. Harold and Kumar Escape from Guantanomo
  1936. Caramel
  1937. Prom Night
  1938. Superhero Movie
  1939. Chemical Wedding
  1940. Indiana Jones and the Kingdom of the Crystal Skull
  1941. Sex and the City
  1942. Timber Falls
  1943. 24 City
  1944. Adoration
  1945. A Festa da Menina Morta (Dead Girl’s Feast)
  1946. Afterschool
  1947. Los Bastardos
  1948. Blindness
  1949. The Chaser
  1950. Che
  1951. Un Conte de Noel
  1952. Delta
  1953. Il Divo
  1954. Entre les Murs (The Class)
  1955. The Exchange (formerly Changeling)
  1956. La Frontiere de l’Aube (The Dawn Shore)
  1957. Gomorrah
  1958. The Good, the Bad and the Weird
  1959. Hunger
  1960. Johnny Mad Dog
  1961. Leonera (Lion’s Den)
  1962. Linha de Passe
  1963. Milh Hadha Al-Bahr (Salt of this Sea)
  1964. La Mujer sin Cabeza
  1965. My Magic
  1966. Ocean Flame
  1967. Versailles
  1968. De Ofrivilliga (Involuntary)
  1969. Palermo Shooting
  1970. Sanguepazzo (Wild Blood)
  1971. Serbis
  1972. Le Silence de Lorna (Lorna’s Silence)
  1973. Soi Cowboy
  1974. Surveillance
  1975. Synecdoche, New York
  1976. Tokyo!
  1977. UC Maymun (The Three Monkeys)
  1978. Ting Chi (Parking)
  1979. Tulpan
  1980. Two Lovers
  1981. Vicki Cristina Barcelona
  1982. La Vie Moderne
  1983. Waltz with Bashir
  1984. What Just Happened?
  1985. Wolke 9 (Cloud 9)
  1986. Bienvenue chez les Ch’its (Welcome to the Sticks)
  1987. The Black Balloon
  1988. Charlie Bartlett
  1989. Shutter
  1990. Tovarisch, I Am Not Dead
  1991. La Question Humaine (Heartbeat Detector)
  1992. Cashback
  1993. XXY
  1994. Where in the World is Osama Bin Laden?
  1995. Honeydripper
  1996. Un Secret
  1997. The Air I Breathe
  1998. SIGNIS Films Reviews: April 2008
  1999. The Eye
  2000. Speed Racer
  2001. What Happens in Vegas
  2002. Stop-Loss
  2003. [Rec.]
  2004. Iron Man
  2005. Manufacturing Landscapes
  2006. Made of Honour
  2007. Doomsday
  2008. In Bruges
  2009. Pathology
  2010. Street Kings
  2011. One Missed Call
  2012. P2
  2013. My Enemy’s Enemy
  2014. Nim’s Island
  2015. 21
  2016. Leatherheads
  2017. Flashbacks of a Fool
  2018. Deception
  2019. Fool’s Gold
  2020. Gone Baby Gone
  2021. Forgetting Sarah Marshall
  2022. The Mourning Forest
  2023. Boarding Gate
  2024. Death Defying Acts
  2025. Ballast
  2026. The Visitor
  2027. Smart People
  2028. The Mist
  2029. The King of California
  2030. Funny Games U.S.
  2031. Son of Rambow
  2032. Awake
  2033. How She Move
  2034. My Brother is an Only Child
  2035. Drillbit Taylor
  2036. First Sunday
  2037. The Go Master
  2038. Run, Fatboy, Run
  2039. The 11th Hour
  2040. Meet the Spartans
  2041. Lars and the Real Girl
  2042. The Spiderwick Chronicles
  2043. Step Up 2: The Streets
  2044. The Orphanage (El Orfanato)
  2045. Love in the Time of Cholera
  2046. Dr Seuss’s Horton Hears a Who
  2047. SIGNIS Film Reviews: March 2008
  2048. L’heure Zero (Towards Zero)
  2049. Avril
  2050. Sous Les Bombes (Under the Bombs)
  2051. Children of Glory
  2052. Out of the Blue
  2053. Miss Austen Regrets
  2054. Assembly
  2055. The Cottage
  2056. Beaufort
  2057. 10,000 BC
  2058. Vantage Point
  2059. Four Minutes (Vier Minuten)
  2060. La Grain et le mulet (The Secret of the Grain)
  2061. George A. Romero’s Diary of the Dead
  2062. Garage
  2063. Fade to Black
  2064. The Accidental Husband
  2065. The Baker
  2066. The Bank Job
  2067. The Bucket List
  2068. Mang Shan (Blind Mountain)
  2069. Mister Lonely
  2070. Rambo
  2071. Semi-Pro
  2072. Untraceable
  2073. Waz
  2074. SIGNIS Film Reviews: Berlin 2008 Special Edition
  2075. Tirador (Slingshot)
  2076. 3 Zan (3 Women)
  2077. Tatil Katibi (Summer Book)
  2078. Standard Operating Procedure
  2079. Sleep Dealer
  2080. Restless
  2081. The Other Boleyn Girl
  2082. Night and Day (Bam Gua Nat)
  2083. Man Jeuk (Sparrow)
  2084. Lemon Tree
  2085. Lady Jane
  2086. Katyn
  2087. Kabei - Our Mother
  2088. Jesus Christus Erloser (Jesus Christ Saviour)
  2089. Jerusalema
  2090. Il y a longtemps que je t’aime (I Have Loved You for So Long)
  2091. Hey Hey It’s Esther Blueburger
  2092. Happy-Go-Lucky
  2093. Fireflies in the Garden
  2094. Feuerherz (Heart of Fire)
  2095. Elegy
  2096. Dream Boy
  2097. Derek
  2098. Corroboree
  2099. Caos Calmo (Quiet Chaos)
  2100. Boy A
  2101. Be Kind Rewind
  2102. Balikbayan Box
  2103. Black Water
  2104. Jumper
  2105. SIGNIS Film Reviews: February 2008
  2106. There Will Be Blood
  2107. Juno
  2108. Definitely, Maybe
  2109. The Forest of Death
  2110. The Professor and his Beloved Equation
  2111. The Water Horse
  2112. Time to Die
  2113. The Matrimony
  2114. Penelope
  2115. Anche Libero va bene (Across the Ridge)
  2116. Le Scaphandre et Le Papillon (The Diving Bell and the Butterfly)
  2117. Margot at the Wedding
  2118. Things We Lost in the Fire
  2119. Over Her Dead Body
  2120. Italianetz (The Italian)
  2121. Cloverfield
  2122. Battle for Haditha
  2123. The Savages
  2124. Desaccord Parfait (Twice on a Lifetime)
  2125. Ensemble, C’est Tout (Hunting and Gathering)
  2126. Clubland
  2127. The Final Winter
  2128. Footy Legends
  2129. The Good Night
  2130. Kokoda
  2131. Sweeney Todd: the Demon Barber of Fleet Street
  2132. September
  2133. Asterix at the Olympic Games
  2134. St Trinians
  2135. Walk Hard: the Dewey Cox Story
  2136. Underdog
  2137. Charlie Wilson’s War
  2138. SIGNIS Film Reviews: January 2008
  2139. Alien versus Predator: Requiem
  2140. Dan in Real Life
  2141. PS I Love You
  2142. Before the Devil Knows You’re Dead
  2143. Romulus, My Father
  2144. Rogue
  2145. National Treasure: Book of Secrets
  2146. I Am Legend
  2147. Closing the Ring
  2148. The Man in the Chair
  2149. The Game Plan
  2150. The Bet
  2151. 27 Dresses
  2152. As It Is In Heaven
  2153. Arctic Tale
  2154. Youth without Youth
  2155. Mr Magorium’s Wonder Emporium
  2156. Weirdsville
  2157. My Kid Could Paint That
  2158. Infinite Justice
  2159. Chromophobia
  2160. Anna M
  2161. Bella
  2162. The Bee Movie
  2163. He Was a Quiet Man
  2164. SIGNIS Statement: The Golden Compass
  2165. 30 Days of Night
  2166. Brick Lane
  2167. Enchanted
  2168. A Very British Gangster
  2169. Code Name: The Cleaner
  2170. I’m Not There
  2171. SIGNIS Film Reviews: November 2007
  2172. Pret-moi la main (I Do)
  2173. Talk to Me
  2174. Rescue Dawn
  2175. Shrooms
  2176. Fred Claus
  2177. Hitman
  2178. This Christmas
  2179. August Rush
  2180. You Kill Me
  2181. Stellet Licht
  2182. Silk
  2183. Into the Wild
  2184. The Lookout
  2185. Good Luck Chuck
  2186. Beowulf
  2187. I Served the King of England
  2188. The Jane Austen Book Club
  2189. Redacted
  2190. The Magic Flute
  2191. American Gangster
  2192. The Assassination of Jesse James by the Coward Robert Ford
  2193. Lions for Lambs
  2194. SIGNIS Statement: Elizabeth - The Golden Age
  2195. Once
  2196. Black Sheep
  2197. Nancy Drew
  2198. Mr Brooks
  2199. The Last Legion
  2200. Resident Evil: Extinction
  2201. The Invasion
  2202. Razzle Dazzle
  2203. Interview
  2204. Stardust
  2205. Rendition
  2206. Ratatouille
  2207. The Nines
  2208. In the Valley of Elah
  2209. The Hunting Party
  2210. Eastern Promises
  2211. The Dark is Rising
  2212. The Darjeeling Limited
  2213. Daddy Day Camp
  2214. Blame it on Fidel
  2215. SIGNIS Film Reviews: October 2007
  2216. Rocket Science
  2217. Shoot ’em Up
  2218. Mr Woodcock
  2219. Across the Universe
  2220. Halloween
  2221. Sleuth
  2222. Death at a Funeral
  2223. Syndromes and a Century
  2224. Lust, Caution
  2225. It’s a Free World
  2226. War
  2227. The Nanny Diaries
  2228. And When Did You Last See Your Father
  2229. Control
  2230. Dnevnoy Dozor (Day Watch)
  2231. Feast of Love
  2232. The Heartbreak Kid
  2233. Hot Rod
  2234. I Now Pronounce You Chuck and Larry
  2235. The Kingdom
  2236. The Brave One
  2237. Die Falscher (The Counterfeiters)
  2238. In Memoria di Me
  2239. Takva
  2240. Superbad
  2241. Le Serpent
  2242. Michael Clayton
  2243. Irina Palm
  2244. Georgia Rule
  2245. The Ex (Fast Track)
  2246. SIGNIS Films Reviews: August/September 2007
  2247. Atonement
  2248. 3:10 to Yuma
  2249. No Reservations
  2250. Death Sentence
  2251. 1408
  2252. December Boys
  2253. 2 Days in Paris
  2254. Year of the Dog
  2255. Buy it Now
  2256. Quelques Jours en Septembre
  2257. Hallam Foe
  2258. We are all Christs (Wszyscy Jestesmy Chrystusami)
  2259. Sugarhouse
  2260. Waitress
  2261. Seraphim Falls
  2262. Lady Chatterley
  2263. Knocked Up
  2264. Evening
  2265. Eagle vs Shark
  2266. 12.08, East of Bucharest
  2267. The Bourne Ultimatum
  2268. Sparkle
  2269. Bratz the Movie
  2270. Ecoute le temps
  2271. Mee Shee: the Water Giant
  2272. Marigold
  2273. Copying Beethoven
  2274. Surf’s Up
  2275. Rush Hour 3
  2276. License to Wed
  2277. Happily N’Ever After
  2278. Wind Chill
  2279. SIGNIS Film Reviews: June-July 2007
  2280. Tales from Earthsea
  2281. Gandhi my Father
  2282. Evan Almighty
  2283. The Hoax
  2284. I Have Never Forgotten You: the Life and Legacy of Simon Wiesenthal
  2285. Transformers
  2286. In the Land of Women
  2287. The Walker
  2288. The Simpsons Movie
  2289. Disturbia
  2290. Daratt
  2291. Macbeth
  2292. The Priestess
  2293. The Lark Farm
  2294. Harry Potter and the Order of the Phoenix
  2295. Hairspray
  2296. A Story of People in War and Peace
  2297. Screamers
  2298. SIGNIS Statement: Sinner
  2299. The War on Democracy
  2300. Die Hard 4.0
  2301. Dead Silence
  2302. The Flying Scotsman
  2303. Hostel 2
  2304. Sketches of Frank Gehry
  2305. Shrek the Third
  2306. Grow Your Own
  2307. Ne le dis a personne (Tell No One)
  2308. Lucky You
  2309. Captivity
  2310. PTU
  2311. The Fantastic Four: Rise of the Silver Surfer
  2312. Water
  2313. Vacancy
  2314. Are We Done Yet?
  2315. Frankie
  2316. SIGNIS Film Reviews: Cannes 2007 Special Edition
  2317. SIGNIS Film Reviews: May 2007
  2318. SIGNIS Film Reviews: April 2007
  2319. The Wild Blue Yonder
  2320. Messages
  2321. Black Gold
  2322. Nuovomondo (Golden Door)
  2323. Turistas (Paradise Lost)
  2324. Je Suis Pas La Pour Etre Aime (Not Here to be Loved)
  2325. The Tiger’s Tail
  2326. Oceans 13
  2327. Pirates of the Caribbean 3: At World’s End
  2328. The Chumscrubber
  2329. The City of Violence
  2330. The Hitcher
  2331. We Own the Night
  2332. Naissance des Pieuvres (Water Lilies)
  2333. Une Vielle Maitresse (An Old Mistress)
  2334. Triangle
  2335. Terror’s Advocate
  2336. Tehilim
  2337. La Soledad
  2338. Sicko
  2339. Secret Sunshine
  2340. Savage Grace
  2341. Paranoid Park
  2342. No Country for Old Men
  2343. My Blueberry Nights
  2344. Munruyangabo
  2345. A Mighty Heart
  2346. The Man from London
  2347. Import/Export
  2348. Go Go Tales
  2349. The Flight of the Red Balloon (Le Voyage de Ballon Rouge)
  2350. Death Proof
  2351. Les Chansons d’Amour (Love Songs)
  2352. Chacun Son Cinema
  2353. Centochiodi (A Hundred Nails)
  2354. Breath (Soom)
  2355. Boxes
  2356. The Banishment
  2357. The Band’s Visit
  2358. Auf der Anderen Seite (The Edge of Heaven)
  2359. Apres Lui
  2360. Alexandra
  2361. L’Age des Tenebres (The Age of Ignorance)
  2362. 4 Months, 3 Weeks & 2 Days
  2363. Lovewrecked
  2364. Conversations with Other Women
  2365. Like Minds
  2366. Mon Meilleur Ami (My Best Friend)
  2367. Dans Paris
  2368. 28 Weeks Later
  2369. Black Snake Moan
  2370. Spiderman 3
  2371. La Noche de los Girasoles (The Night of the Sunflowers)
  2372. Goya’s Ghosts
  2373. Beyond the Gates of Splendor
  2374. End of the Spear
  2375. Goodbye Bafana
  2376. The Breed
  2377. This is England
  2378. The Painted Veil
  2379. The Last Mimzy
  2380. Next
  2381. Reno 911!: Miami
  2382. Straightheads
  2383. Away from Her
  2384. Scott Walker: 30 Century Man
  2385. The Puffy Chair
  2386. Fracture
  2387. Fur: an Imaginary Portrait of Diane Arbus
  2388. The Jesus Project
  2389. Half Nelson
  2390. The Pathfinder: An Untold Legend
  2391. The Reaping
  2392. Reign over me
  2393. Son of Man
  2394. Perfect Stranger
  2395. Edmond
  2396. La Mome (La Vie en Rose)
  2397. Unknown
  2398. Shooter
  2399. Provoked (Provoked: a True Story)
  2400. Das Leben der Anderen (The Lives of Others)
  2401. One Night with the King
  2402. Wild Hogs
  2403. The Bridge to Terabithia
  2404. SIGNIS Film Reviews: February/March 2007
  2405. Meet the Robinsons
  2406. Sunshine
  2407. Blades of Glory
  2408. The Messengers
  2409. The Namesake
  2410. Curse of the Golden Flower
  2411. Stomp the Yard
  2412. Stay (Sleeping Dogs)
  2413. Mr Bean’s Holiday
  2414. The Hills Have Eyes II
  2415. Factory Girl
  2416. Deliver Us from Evil: SIGNIS Statement
  2417. Catch a Fire
  2418. L’Amico di famiglia (The Family Friend)
  2419. The Last Sineater
  2420. Catch and Release
  2421. Amazing Grace
  2422. TMNT (Teenage Mutant Ninja Turtles)
  2423. I Want Candy
  2424. The Ultimate Gift
  2425. Premonition
  2426. Sherrybaby
  2427. Facing the Giants
  2428. Breach
  2429. Zodiac
  2430. Sheitan
  2431. The Astronaut Farmer
  2432. Outlaw
  2433. After the Wedding (Efter Brylluppet)
  2434. Norbit
  2435. Becoming Jane
  2436. The Good German
  2437. Gone
  2438. Kardia
  2439. Music and Lyrics
  2440. 300
  2441. Bamako
  2442. Hot Fuzz
  2443. Eklavya: the Royal Guard
  2444. Middletown
  2445. A Guide to Recognising Your Saints
  2446. Alpha Dog
  2447. Material Girls
  2448. Inland Empire
  2449. Fauteuils d’Orchestre (Orchestra Seats)
  2450. The Number 23
  2451. Because I Said So
  2452. School for Scoundrels
  2453. Arthur and the Invisibles (Arthur et les Minimoys)
  2454. Blood and Chocolate
  2455. Goal 2! Living the Dream
  2456. Hannibal Rising
  2457. Epic Movie
  2458. The Reef
  2459. The Good Shepherd
  2460. Ghost Rider
  2461. SIGNIS Film Reviews: January 2007
  2462. Dreamgirls
  2463. Notes on a Scandal
  2464. Letters from Iwo Jima
  2465. Kenny
  2466. Welcome to Dongmakgol
  2467. The Last King of Scotland
  2468. For Your Consideration
  2469. Irresistible
  2470. Little Red Flowers
  2471. The Illusionist
  2472. Freedom Writers
  2473. Smokin’ Aces
  2474. Ghosts
  2475. Venus
  2476. Flyboys
  2477. Ils (Them)
  2478. Suburban Mayhem
  2479. Gridiron Gang
  2480. Miss Potter
  2481. The Return
  2482. Zwartboek (Black Book)
  2483. Charlotte’s Web
  2484. Flicka
  2485. Boytown
  2486. The Fountain
  2487. Bobby
  2488. 3 Needles
  2489. Last Train to Freo
  2490. Scoop
  2491. La Doublure (The Valet)
  2492. SIGNIS Film Reviews: December 2006
  2493. Flags of our Fathers
  2494. Night at the Museum
  2495. Rocky Balboa
  2496. Perfume: the Story of a Murderer
  2497. Zoom
  2498. Kabul Express
  2499. It’s a Boy/Girl Thing
  2500. Employee of the Month
  2501. "The Nativity Story" Seen from the Philippines
  2502. Running With Scissors
  2503. Blood Diamond
  2504. Unaccompanied Minors (Grounded)
  2505. Eragon
  2506. Deja Vu
  2507. Black Christmas
  2508. SIGNIS Film Reviews: November 2006
  2509. A Prairie Home Companion
  2510. The Pursuit of Happyness
  2511. Apocalypto
  2512. The Holiday
  2513. Frostbiten (Frostbite)
  2514. London to Brighton
  2515. Die Grosse Stille (Into Great Silence)
  2516. Happy Feet
  2517. Jackass Number Two
  2518. Deck the Halls
  2519. The Covenant
  2520. Suburban Mayhem
  2521. Zemastan (It’s Winter)
  2522. Pan’s Labyrinth
  2523. Shortbus
  2524. Tenacious D and the Pick of Destiny
  2525. The Santa Clause 3: The Escape Clause
  2526. Flushed Away
  2527. Stranger Than Fiction
  2528. Big Nothing
  2529. All the Invisible Children
  2530. Antikorper (Antibodies)
  2531. Twelve and Holding
  2532. The Nightmare Before Christmas 3D
  2533. Breaking and Entering
  2534. Heroes and Villains
  2535. Special (RX) Specioprin Hydrochloride
  2536. Casino Royale
  2537. Puritan
  2538. The Host (Gue-Mool)
  2539. The Prestige
  2540. Waist Deep
  2541. Little Children
  2542. The Nativity Story
  2543. Earthlings (Ugly Bags of Mostly Water)
  2544. All the King’s Men
  2545. The Last Kiss
  2546. Saw III
  2547. Mischief Night
  2548. Borat Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
  2549. Sixty Six
  2550. The Great Ecstasy of Robert Carmichael
  2551. Gypo
  2552. La Tourneuse de Pages (The Page Turner)
  2553. Peaceful Warrior
  2554. Driving Lessons
  2555. Wordplay
  2556. SIGNIS Film Reviews: October 2006
  2557. Idlewild
  2558. The Grudge 2
  2559. Stick It
  2560. New Police Story
  2561. Step Up
  2562. Infamous
  2563. The History Boys
  2564. Tais Toi (Shut Up)
  2565. Starter for Ten
  2566. Open Season
  2567. The Texas Chainsaw Massacre: The Beginning
  2568. The Aryan Couple
  2569. Scenes of a Sexual Nature
  2570. A Good Year
  2571. The Guardian
  2572. SIGNIS Film Reviews: September 2006
  2573. Quinceanera (Echo Park LA)
  2574. Man Push Cart
  2575. Accepted
  2576. The Departed
  2577. Johanna
  2578. Life and Lyrics
  2579. Nina’s Heavenly Delights
  2580. Hoodwinked
  2581. DOA: Dead or Alive
  2582. A Guide to Recognising Your Saints
  2583. Kekexili (Mountain Patrol)
  2584. Click
  2585. Dirty Sanchez - the Movie
  2586. Keane
  2587. The U.S. vs. John Lennon
  2588. Hollywoodland
  2589. Clerks II
  2590. An Inconvenient Truth
  2591. Talladega Nights: the Ballad of Ricky Bobby
  2592. Snow Cake
  2593. Little Miss Sunshine
  2594. The Wicker Man
  2595. The Devil Wears Prada
  2596. SIGNIS Film Reviews: August 2006
  2597. World Trade Center
  2598. The Black Dahlia
  2599. Children of Men
  2600. The Queen
  2601. The Sentinel
  2602. Crank
  2603. This Film is not yet Rated
  2604. The Benchwarmers
  2605. Over the Hedge
  2606. Severance
  2607. Adrift
  2608. Marilyn Hotchkiss’ Ballroom Dancing and Charm School
  2609. You, Me and Dupree
  2610. Right at Your Door
  2611. Snakes on a Plane
  2612. Akeelah and the Bee
  2613. Harsh Times
  2614. A Scanner Darkly
  2615. John Tucker Must Die
  2616. Tideland
  2617. Monster House
  2618. Garfield 2: A Tale of Two Kitties
  2619. The Death of Mr Lazarescu
  2620. Bee Season
  2621. Angel-A
  2622. Ellie Parker
  2623. C.S.A. The Confederate States of America
  2624. Warrior-King
  2625. Alpha Male
  2626. Wilderness
  2627. The Night Listener
  2628. Lady in the Water
  2629. Nacho Libre
  2630. Tarfaya
  2631. Paper Clips
  2632. 11:14
  2633. Cars
  2634. Stay Alive
  2635. The Break-Up
  2636. My Super Ex-Girlfriend
  2637. The Notorious Bettie Page
  2638. Trust the Man
  2639. Miami Vice
  2640. Who Killed the Electric Car?
  2641. Omkara
  2642. The Ant Bully
  2643. SIGNIS Film Reviews: June/July 2006
  2644. Ultraviolet
  2645. The Thief Lord
  2646. District 13 (Banlieue 13)
  2647. Fearless
  2648. Half Light
  2649. Hard Candy
  2650. Imagine You and Me
  2651. The Fast and the Furious: Tokyo Drift
  2652. Dumplings
  2653. Curious George
  2654. 36 Quai des Orfevres
  2655. Aquamarine
  2656. The Lake House
  2657. Thank You for Smoking
  2658. Superman Returns
  2659. Vers le Sud (Heading South)
  2660. Pirates of the Caribbean: Dead Man’s Chest
  2661. Stormbreaker
  2662. An Unfinished Life
  2663. Love + Hate
  2664. Ju On 2 (The Grudge 2)
  2665. Secuestro Express
  2666. El Lobo (The Wolf)
  2667. Little Manhattan
  2668. Poseidon
  2669. Friends with Money
  2670. X Men 3: The Last Stand
  2671. Forty Shades of Blue
  2672. Just My Luck
  2673. The Cave of the Yellow Dog
  2674. Reeker
  2675. Pretty Persuasion
  2676. King Kong
  2677. Ask the Dust
  2678. Wah Wah
  2679. Voces Innocentes (Innocent Voices)
  2680. RV
  2681. Best Wishes! (Czech Republic)
  2682. SIGNIS Statement: The Omen
  2683. SIGNIS Film Reviews: Cannes 2006 Special Edition
  2684. 2:37
  2685. Babel
  2686. The Caiman
  2687. Cronica de una Fuga
  2688. Fast Food Nation
  2689. Flanders
  2690. Climates
  2691. Indigènes
  2692. Jindabyne
  2693. Lights in the Dusk
  2694. Marie Antoinette
  2695. Paris je t’aime
  2696. Red Road
  2697. Southland Tales
  2698. Volver
  2699. Summer Palace
  2700. Ten Canoes
  2701. El Violin
  2702. The Wind that Shakes the Barley
  2703. Z Odzysku (Retrieval)
  2704. Shooting Dogs

SIGNIS Film Reviews, February 2015




US, 2015, 133 minutes, Colour.
Chris Hemsworth, Leehom Wang, Wei Tang, Viola Davis, Yorick van Wageningen.

Directed by Michael Mann.

Blackhat is certainly topical. The title refers to computer hacking and hackers. And that is certainly topical, with experiences in recent months where Sony Pictures was hacked on the occasion of the release of The Interview, suspects, amongst others, North Korea which was being satirised in the film. There have been a number of successful hacking’s of American government and military sites.

This is not a film for Luddites. If the audience is not sympathetic to computers, there will be far too much detail, too much hacking, too much hacking the hackers, and trying to deal with information technology and communication. But, this screenplay does strive to provide enough information to make what is going on intelligible (more or less).

The audience can see, right from the opening credits, that hacking has explosive results, even literally with government and company installations. As we watch the progress and process of the hacking, we see it leading to destruction in both China and in Chicago. Chinese authorities as well as the FBI come in on the case, one young expert recognising that a program being used was created by a friend who is, in fact, in jail for hacking crimes. FBI authorities (including Viola Davis) agree to get him released temporarily to work on the sabotage but he is particularly strong minded, makes no deals unless he sets the terms. Out of prison he comes.

He is Nick Hathaway, played by Chris Hemsworth, taking time off from being Thor. He is a big man, an abrupt manner, taciturn, not particularly relational, clever at his work, his investigations, his conclusions. Just when we thought he couldn’t have a relationship, he is attracted by the sister of one of the Chinese agents. She becomes a significant contributor to the solution of the problems.

The investigation takes place in Chicago but then all and sundry move to China, recognising the hacker but also detecting the influence of some of his clients, which leads to violent shootouts in China. Nick and the Chinese girl then travel to Malaysia visiting and examining a drive river bed where tin is being mined and which is about to be flooded, making tin scarce and so raising profit margins. And the action moves to Indonesia, to a crowded Jakarta, where the climax takes place, violent confrontation during a crowded public ritual ceremony.

The film was directed by Michael Mann, well known in the past for Miami Vice, making films every couple of years, best known for The Last of the Mohicans, Heat and, more recently, Public Enemy. His visual style is idiosyncratic, using muted light with action often taking place at night or in darkness, coming to bright light in the Malaysians sequences, a great relief, and in some of the Indonesian sequences. Because it is dealing with IT, it is more of a cerebral thriller, although there is quite some action, shootouts and fights.


UK, 2015, 105 minutes, Colour.
Cate Blanchett, Lily James, Richard Madden, Stellan Skarsgaard, Derek Jacobi, Ben Chaplin, Hayley Atwell, Rob Bryden.
Directed by Kenneth Branagh.

This version of Cinderella is one of great charm, a pleasure to watch, entertaining and often funny, with some witty and wry lines - a film for girls of every age, young girls and old girls, but not one for boys of any age!
The screenplay was written by Chris Weitz, writer and director of several very entertaining films, including About a Boy, and directed by that fine actor, Kenneth Branagh. And the cast is top-class, Lily James a lovely as Cinderella, Richard Madden making an impression as the Prince. But it is some of the adults who are entertaining, principally Cate Blanchett as a smilingly cruel stepmother (often wearing green, indicating her envy and jealousy), uttering quite ironic and cutting lines. She spends a lot of time promoting her daughters simply because they are her daughters, whom she thinks are rather stupid (and not incorrectly). Derek Jacobi is the King, Stellan Skarsgaard is the scheming Grand Duke, Ben Chaplin Cinderella’s sympathetic father, with a brief comic turn from Rob Bryden as the artist commissioned to paint the Prince.

The thing is, of course, that we all know what is going to happen. The pleasure is in anticipation and then the satisfaction of seeing how what we were expecting turns out.

There is something of a more serious opening to the film, Cinderella as a young baby, the loving parents, her mother’s death, the father and his travels, and the charming Cinderella making no objections at all to her father’s wanting to marry again. It is clear that she has not yet met her prospective stepmother!

All goes according to the stepmother’s plan when she moves in, installing the daughters, relegating Cinderella to the attic, not allowing her to eat with the family, Cinderella not allowed to do anything much in fact. But, Cinderella has great comfort in her four pet mice, the most engaging little animals on screen since that chorus in Babe 20 years ago. Their comic presence and some of their antics are very entertaining - especially in comparison with the stepmother’s big ugly cat.

Cinderella is certainly an energetic young woman who does ride off in frustration into the forest, encountering the Prince going hunting, pleads for the life of the stag that the hunters are chasing, and thinks the Prince is an apprentice. In the meantime, the Prince has fallen in love, telling his dying father and irritating the Grand Duke who wants the Prince to marry into foreign royalty. So, the ball is proclaimed, stepmother and daughters get their dresses ready, Cinderella being reduced to having to put on her mother’s stress and having stepmother berate her, mock her and tear the dress.

It is time for the fairy godmother to arrive - although it is she who has been doing the amusing voiceover. She appears as an old beggar at the mansion door to whom Cinderella is kind and, lo and behold, a transformed begowned blonde beauty, Helena Bonham Carter. She is very funny as she goes choosing the pumpkin, transforming the lizards into footman, the goose into the coach driver, and the four mice into the horses.

The ball is as lavish as might be expected as is Cinderella’s blue gown, her skill in dancing, talking with the Prince - but it is soon midnight and the spell is lost (except, of course, for the glass slippers which do not disappear).

Some comedy as everybody tries to get the slippers to fit, the cruel stepmother preventing Cinderella from trying - but, and it’s thanks to the mice and their thoughtfulness, that she gets her opportunity and, then, happy ever after. And the final credits conclude with the song from Disney’s 1950 film, Bibbity, Bobbity Boo. What more could one ask for?


US, 2014, 114 minutes, Colour.
Edward Snowden, Glenn Greenwald.
Directed by Laura Poitras.

The Edward Snowden case was very much a story of 2013. He made headlines, was praised as well as vilified because of his whistleblowing, documentation he made available, the repercussions for national security, for invasions of privacy by surveillance, and the American government reaction.

Once he took refuge in Russia, he slipped from the headlines and, for world media consumption, he was not so important in 2014.

That was until this documentary about him and the events of 2013 was released, nominated for an Oscar and perhaps, very surprisingly, won the award. This raises the issues of how the case has been thought about in the United States, the hostility of the government and the criminal charges compared with public opinion and the fact that the members of the Academy would give it its award.

In fact, this is a very serious documentary. The maker behind the film, directing, producing, editing it is Laura Poitras who had made several documentaries about American politics in the aftermath of 9/11. She explains that she had been detained at passport control by American authorities after the release of some of her films. She was contacted by Snowden under the pseudonym sea, Citizenfour, and was invited to make contact with him in Hong Kong.

While the film does give some background to Snowden, aged 29, his work, the availability of secret material, his decision to make public documentation, his motivations, the bulk of the film is real-time footage, photographing Snowden in his Hong Kong hotel, cinema verite, it is certainly, offering quite an amount of material for audiences to respond to Snowden and listen to his explanations.

The other character to feature is Glenn Snowden, a journalist based in Brazil, writing articles on Snowden and going to Hong Kong, questioning, exploring, and publishing, with the UK paper, The Guardian, entering into the controversies with some American papers following.

While the public might not understand a lot of the material made available, the film raises issues of the public’s right to know, rights of privacy, government capacity for surveillance and the consequent use of data and metadata to track down the movements and activities of citizens.

Towards the end of this film, there is an appearance by Julian Assange, much better known to the public because of WikiLeaks and the nature of government concerns, moves to extradite him, and his living in the Ecuador embassy in London. He offers advice about countries where Snowdon might take refuge.

In many ways this might be a transitional film, opening up the situation, introducing Snowden, but another film could deal with the consequences of his actions, the reactions of the American government and courts and governments around the world and the subsequent history of Snowden outside the United States.


UK, 2015, 108 minutes, Colour.
Oscar Isaac, Domhnall Gleeson, Alicia Vikander, Sonoya Mizuno.
Directed by Alex Garland.

Now here’s a challenging title!

This Latin phrase, ex machine, has been used, in English, to describe the device in Greek tragedies where, at the end of the play, there would be some kind of intervention, usually of a God who is let down by a machine into the stage action, the full phrase being Deus (God) ex Machina.

So what is it doing as the title of the film, written and directed by author Alex Garland (The Beach, and of screenplays for 28 Days Later, Dredd, Never Let Me Go)? It takes the whole film to interpret this title: other scientists playing God? Who are the machines, in this case sophisticated robots, and some tantalising thinking about the word ex and its meaning ‘former’ and ‘out of’...

This is science fiction for intelligence fans rather than action fans. A lot of talk, a lot of philosophical issues, creativity and robotics, the relationship between humans and robots, the humanising of robots.

Domhnal Gleeson plays a young man who is employed by Blue Book, named as the world’s most serious search engine. Here’s delighted when he wins a ticket to visit a robotics scientist and inventor in his remote house in the mountains (filmed beautifully in Norway). He is to stay a week. He then learns from the scientist (Oscar Isaac) that he has a task, the Turing test (posed by Alan Turing or, featured in the film, The Imitation Game), to pose questions and interact with a machine to find out whether it can develop emotions or just knows how to simulate emotions.

The main robot - avoiding the word android because of its man/mankind origins in Greek - is female. She is played by Alicia Vikander, visually a machine, especially her metal midriff, but her head, facial features, voice, made to appear and sound very feminine. As might be expected, the young man begins to become infatuated with the robot, thinking that she is responding to him emotionally, but not absolutely sure. And this has some dire repercussions on his response, his report to the scientist, his becoming involved in the protection of the robot, fearing manipulation, but not recognising true manipulation when it happens.

The scientist is a kind of self-indulgent, hard-drinking, boffom who enjoys the company of the young man, wants to test him, and gets a certain satisfaction when he gets the results of the tests and tries to indicate that they are no results and that they still do not know whether the robot, named Ava, has actually developed the capacity for emotional response or is particularly good and simulating it.

This is a film for those who enjoy films about Artificial Intelligence and what this will mean in terms of development of Robotics and interactions with humans. And, because it does not necessarily have a propensity for an American happy ending, audiences will enjoy the final dramatic ironies.


US, 2014, 107 minutes, Colour.
Harry Connick Jr, Nathan Gamble, Ashley Judd, Kris Kristofferson, Cozi Zuehlsdorff, Charles Martin Smith, Bethany Hamilton.
Directed by Charles Martin Smith.

One quick way for a reviewer to save time with Dolphin Tale 2, would be to dig out the original review of Dolphin Tale. The same characters turn up in this sequel. The plot is just a variation of the original, pleasant, easy, though an appeal to sentiment because of dolphins getting old and dying, clashes between dolphins, and the difficulty in fulfilling all the regulations and the danger of being closed down.

Once again, there is a loving concern about the dolphins, to rescue, to rehabilitate them, to release them - a motto for the centre, repeated during the film which is managed by Clay, Harry Connick Jr, with Sawyer, Nathan Gamble, a bit older, as the young man responsible, with some other teenagers, for the life and rehabilitation of the dolphins. And there are some romantic touches in the background.

There is actually a new dilemma. Kyle is so good at his work that he is being offered a scholarship, to work as an intern and learn more about dolphins. While this seems to be a no-brainer to some of the characters, Kyle is so attached to working with the local dolphins, especially when an old one of them dies and a new one comes in but is not able to work in a pair, and the centre is threatened by a fussy bureaucrat (played by the film’s director, Charles Martin Smith), Kyle is reluctant to go and take the whole film to make up his mind.

Kyle’s mother is always there, played by Ashley Judd. Morgan Freeman comes again for a visit and gives Kyle some sound advice. Kris Kristofferson, pleasantly crusty, is there again as Clay’s father, offering advice from the older generation.

All in all, for audiences who enjoyed Dolphin Tale, it will be a pleasure for them to renew acquaintance with the characters, to learn a little more about the dolphins and more serious rehabilitation and release rather than exhibitions and exploitations at Sea World’s (the theme of the impressive documentary, Blackfish, of some years ago).

It is obviously a film designed for family audiences and has the value of encouraging children and teenagers to become involved in outdoor activities and concern for nature.

US, 2015, 119 minutes, Colour.
Dakota Johnson, Jamie Dorman, Jennifer Ehle, Eloise Mumford, Victor Rasuk, Marcia Gay Harden.
Directed by Sam Taylor-Johnson.

Notoriety and big box-office.
By 2005, readers the world over were indulging in Dan Brown’s The Da Vinci Code, millions of them. And then came the movie version with everybody going to see it. 10 years later, everybody seems to be reading or have read 50 Shades of Grey (but not this reviewer). More than a ready market for the movie version. And here it is.

Different groups have had some negative reactions. Those concerned about sexual morality question the behaviour of the characters, especially with the issues of dominance and submissiveness in sexual interactions. Many concerned about sexual violence, especially towards women, consider that this is a story about a male exploiting a woman for his own gratification - and, to a large extent, it is.

But, in many ways, it is not a film to get to het up about. It is not as if we have not seen this kind of behaviour on screen before - there was Nine and ½ Weeks almost 30 years ago, quite explicit and contentious for its time. Themes of bondage and dominance have been present in many films, perhaps not so much in American films but, certainly, in those from continental Europe.

The film is a variation on adult men and women, sexual attraction and behaviour, dominance and freedom.

Christian Grey (Jamie Dorman) does not seem exactly like your ordinary citizen. Not only is he good-looking, he is a billionaire, controlling a company, shown to be effective in business, from a respectable family, and dreamworld character rather than a character who seems real. Anastasia (Dakota Johnson) does seem a little more real. She has a loving father who turns up to her graduation. She has a loving mother, although she is on her fourth husband and cannot make it to the graduation, but keeps contact by phone and a visit from Anastasia. Anastasia is studying literature at the University, has a roommate who gossips, and has been holding herself back in terms of relationships. Awkwardly stepping in to do an interview for her roommate with Christian, she is smitten, infatuated, flattered by his attentions (which include helicopter rides, new clothes, an expensive car, a trip in a glider...). And falls in love.

Christian, in Jung’s psychological terms, is the epitome of the introverted decisive type who is focused completely on the detail of the present and seems in no way subjective in his approach to decision making - and his conversations with Anastasia are straightforward, even blunt, certainly not good at humour or jokes. And, of all things, he hands Anastasia a multi-page contract about the relationship, his dominance, her submission, the rules and possible punishment (but she does reject some clauses). Some of these scenes are serious, seriously ludicrous.

There is a revelation that as a 15-year-old boy, Christian was seduced by a friend of his mother and involved in this kind of dominant-submissive sexual relationship, He the submissive, finding it liberating, so he says.

Many of the scenes in the film are quite ordinary, Anastasia and her work, her graduation, her visit to her mother, a meal with Christian’s parents... However, whether out of interest from reading the book or whether from touches of prurient curiosity, it is the sex scenes (rather restrained in comparison with many other films) that draw in the audiences.

It might be difficult to let go of 50 Shades of Grey because there are another two novels in the trilogy.


US, 2014, 111 minutes, Colour.
Mark Wahlberg, John Goodman, Jessica Lange, Michael Kenneth Williams, Anthony Kelley, Brie Larson, George Kennedy.
Directed by Rupert Wyatt.

In 1974 there was a rather grim film, The Gambler, written by James Toback, his first screenplay - and he was to go on to direct some rather blunt and grim films. James Caan portrayed the title gambler.

Movie-making powers that be decided that 40 years later it was worth telling the story again. Not so sure!

This is certainly a grim film while it has some very strong credentials, the adaptation of Toback’s script by William Monahan who has written such screenplays as The Departed and directed by British Rupert Wyatt, who made an impact with a very different kind of film, The Rise of the Planet of the Apes. This time Mark Wahlberg is a gambler of the title and there is an interesting supporting cast including Jessica Lange as his mother, Brie Larson as a student with whom he is having a relationship, John Goodman as a more kind-hearted loan shark, Michael Kenneth Williams as the gambler’s nemesis, and a few moments at the beginning of the film with veteran George Kennedy as the hero’s dying father.

Jim Bennett is a professor of literature and we are shown some of his classes, his reflections on Shakespeare, his love of language, the reaction of the students. Bennett is in a compromising position in having a relationship with a student. But he has an even shadowier life in terms of gambling, going to the casinos, not content with to take away any winnings, but seemingly compelled to bet and to bet until he has lost. It seems a kind of death wish.

The casino authorities are wary of him. But a smooth-talking entrepreneur gambler, Neville (Michael Kenneth Williams) interests himself in Bennett, offering lending deals, getting Bennett in his own-shark tentacles. And Bennett allows himself to be caught.

While not winning at the tables, he takes the opportunity to borrow from his mother, a rather hard Jessica Lange who realises that she has alienating her son, but nevertheless goes to a bank to give him access to money. The other source is Frank (John Goodman) who becomes something of a father-figure to Bennett, prepared to support him, but warning him to exercise some gambling prudence.

This all means that Jim Bennett has to face himself, his future, his gambling which he thinks is not an addiction, his relationship with his girlfriend, his dependence on Frank. Rather shrewdly, he works out a way of playing Frank off against Neville, going to a neutral gambling house and playing and playing the house so that his debts might be paid off.

Will they? Will he be able to stop? (And how easy is it to be sympathetic to Jim Bennett as a character for us to want him to achieve some kind of redemption?)


US, 2014, 112 minutes, Colour.
James Franco, Seth Rogen, Lizzie Kaplan, Randall Park, Diana Bang.
Directed by Seth Rogen, Evan Goldberg.

It actually says at the end of the film that it is a work of fiction has no relationship with any person or any place. That, certainly, is a fiction.

At the moment, it is very hard to consider the film without relating it to the hacking of Sony Pictures and suspicions that this was the work of North Korea, as well as all the difficulties about its distribution and the controversies that its theme raised.

What it is, of course, is a political spoof. Given the record of writers Seth Rogen and Evan Goldberg, and taking a clue from the title of their comedy, Superbad, it lives up to their particular context of comic style, a great deal of corny lines and situations, some verbal humour, sometimes crass, sometimes toilet, an American sense of humour that caters for the funnybone of 12-year-old boys of any age!

Seth Rogen does his usual shtick as, perhaps a little more sympathetically this time, jovial, sometimes petulant, a big bear of a man. He plays a producer of a very gossipy talk program, with contents more like the scandal mongering articles of The National Enquirer. The interviewer, Dave Skylark, is played by James Franco, obviously enjoying himself, all grins and laughs on air, pausing in the interviews as he listens to his producer in his earpiece. The satire is immediately evident with an interview with Eminem, discussing the lyrics of his songs which indicate that he is gay. Then there is an interview with Rob Lowe, his baldness and taking off his hairpiece.

Just when Aaron is wanting something better in his life, the call comes through from North Korea official to say that the President, Kim Jung Un, is a great fan of the program and that an interview in North Korea would be welcome.

And this is where the spoof becomes serious, as the two go to the CIA and are granted permission as long as they agree to assassinate the President. While this might seem to be funny and satiric in its way, there seems to be a subtext which is very pro-American, taking for granted that this kind of assassination behaviour is reasonable, given the enemy status of a particular country.

The rest of the shenanigans are in North Korea, the couple’s arrival, being settled in a lavish hotel, checking whether it was bugged or not, having meals, when, suddenly, a particularly serious authority sees the means of poisoning the President and is told it is chewing gum, which he immediately choose (death throes are delayed till the next day). The television producer assigned the program is particularly serious though she has a change of head and heart, falling for Aaron, falling out of devotion to the President.

One of the most effective sequences is Dave Skylark being called to chat with Kim, being shown the inside of an old tank, learning that the president likes Katy Perry’s music and lyrics, has had difficulties with his father, and is prone to a tear or two. Dave is drawn in as, perhaps, we are. It doesn’t always remain that way, once Dave discovers with plastic fruit which means that, probably, the President is lying and is as bad as he has been painted and that life in Korea is terrible.

While the interview goes ahead, Dave is much more serious than in his usual program which means then the soldiers are anxious to cut the program, the president is limited by what is happening, soldiers have the guns at the ready, and Aaron and the producer have to cut and run.

There is always a place for spoof, and, if the North Koreans had a good sense of humour, they could obviously make a parody of American government. But, the American assumption, that heads of state can be eliminated when necessary, means that below the surface, there is some serious and ruthless American patriotism.


US, 2015, 100 minutes, Colour.
Maika Monroe, Keir Gilchrist, Daniel Zovatto, Jake Weary.
Directed by David Robert Mitchell.

On the one hand, this teenage horror thriller has received accolades from critics and has been popular with the target audience. On the other hand, there have been quite a lot of criticisms that the film is a poor example of what it sets out to be.

A film which has a title It Follows should make logical sense. This is not true of so much of the screenplay here, sometimes giving the impression that the makers were making it up as they went along, not plotting cause and effect, simply offering sequences and moving on to another whether it made sense or not. It might be argued that that the film is a subjective perspective from the central character, sometimes hallucinating, sometimes dreaming - which might give some explanation to scenes that seemed to have no connection at all (the heroine fleeing from her pursuer in the house, driving away intensely, then found sleeping on the top of her car near the beach, then seeing three men in a boat and stripping to her bathing suit - and a sudden cutting to her sleeping on the floor of the house!).

Once again, those in favour of the film have referred to the performances as “understated”. This reviewer, thought that they were barely stated at all, not very convincing performances and not helped by the rather flat dialogue.

What was stated, or overstated, was a loud and strident discordant musical score from a group called Disasterpeace.
There is a prologue which seems to indicate much more than what follows, a terrified woman running in the streets, getting into the her car, ruminating on the beach, a sense of something dreadful; morning comes and there is her body lying on the beach, limbs distorted, some broken. No other reference made to this throughout the film, simply a suggestion that something fearful could be following.

The main characters are teenagers seemingly in high school, perhaps the final year. One is a visiting male character who is referred to as being 21. Parents seem to be absent, a glimpse or two, and the final glimpse of a murderous mother, but, otherwise, where were they, especially as some of the characters spend some time in hospital with only their friends waiting around?

The central character, Jay, has some girlfriends (one, bespectacled, reading continually from a Kindle which looks like a compact case and quoting Dostoevsky) and an admirer, a kind of dorky character called Paul. She is going out with the 21-year-old visitor who sees a girl in a cinema which his girlfriend doesn’t see. He then becomes pretty nervy, but they do have a sexual encounter in his car, with his running off without explanation. The apologising when they track him down. Later, we discover that this sense of dread, with a sense of someone following, can be passed on through sexual encounter, some noting this as an allegory of STDS (though film reviewer, Alan Frank, thought this meant Sexually Transmitted Demons).

There are many more sequences, some isolated, with a kind of cumulative effect of horror and fear, and an attempt at STDing bringing death to a young man, and a final attempt, which seems rather inconclusive - leaving the heroine and the dork still possessed and doing the following, when the film just stops.

As regards youth films, despite the STDS, the film is rather ordinary, the setting being somewhere out of Detroit - although a climactic scene takes place in a dilapidated suburb (or is that just the perspective of the heroine?) in a large, old and neglected building which, inside, says Detroit Pool, quite a good looking and well-kept swimming pool, where a confrontation with an anonymous Follower takes place. This is the blood scene, no gore!

This review is not a fan’s response, but rather an expression of exasperation and disappointment.


UK, 2014, 129 minutes, Colour.
Colin Firth, Taron Egerton, Samuel L. Jackson, Mark Strong, Mark Hamill, Sofia Boutella, Michael Caine, Sophie Cookson, Jack Davenport.
Directed by Matthew Vaughan.

A surprisingly popular film at the beginning of 2015, not only in the UK where it originated, but also in other English speaking countries, including the US.

Writer-director, Matthew Vaughan, and his co-writer, Jane Goodman, have worked on a number of films including Stardust as well as Kick Ass. They draw on graphic novels, finding cinematic equivalents both visually and verbally, hyper-real, colourful, and with touches of parody. This is certainly the same here.

The Kingsman Secret Service organisation allegedly originated at the time of the Napoleonic wars, with wealthy men gathering together and forming this agency for England and patriotism’s sake. As time went on, the organisation went underground, using a fashionable tailor’s store and service as a cover - and, covering quite a bit, as the lift goes down and the underground, as shuttles go through tunnels to open up on a vast arsenal and training facilities for this espionage elite.

As the film opens, and an agent is being held by a deranged scientist, Kingsman agents arrive to save confidently the day, only they don’t. But an apprentice saves the suave and gentlemanly agent, played by Colin Firth, falling into the hands of no, rather, the stiletto shoes of quite a vicious martial arts femme fatale.

The principal action takes place 17 years later, where it is revealed that the Kingsman group models itself on the Knights of the Round Table, with Michael Caine as the leader, Arthur, with Colin Firth’s Harry Hart’s codename, Galahad. Mark Strong, who has appeared so effectively in many films, often as the villain, is the instructor and trainer for Kingsman, codenamed, Merlin.

Harry is on the lookout for further recruits and has his eye on the sound of the agent who saved his life years earlier. The boy, who is called, of all names, Eggsy, (Tamsin Egerton) has had a pretty unhappy life, his slovenly mother taking up with a local brute, his opting out of education despite his intellectual and physical capabilities, running with the local gang. When Galahad arrives to save him, Colin Firth is doing an impersonation both of James Bond as well as John Steed, Patrick Macnee’s top-hatted and caned character in The Avengers from the 1960s. The local toughs are no match for him. Eggsy, meanwhile and his pals have been going around stealing cars, joyriding so Galahad has to rescue him from prison with the guarantee that Eggsy will train for Kingsman.

There is a lot of rivalry amongst the trainees, who really do have a strict regime, the toffs from British public schools looking down on Eggsy. But, they lose.

It is just as well that Eggsy has been recruited because there is our larger-and-life in the offing, a very insane type who might aspire to be a Bond villain, Valentine, who wants to control the population, giving away free Sim cards with implants to rouse anger so that everyone attacks each other and it won’t be too long before the apocalypse. Even world leaders play into his plans and Eggsy’s mother, along with millions of others, lines up for the free Sim card.He is played He is played for laughs and mockery by Samuel L.Jackson - and who should be one of his assistants but the stiletto shoes assailant!.

This leads to a whole series of surveillance sequences, Kingsman and the villain having the technology to spy on each other, a rather dramatic confrontation with unexpected ending in a revivalist church in the United States. But, it is finally up to Eggsy, now a suave personality, and James Bond Jr, to use his wits and the advice of Merlin to drum up a dramatic confrontation with Valentine.

Audiences seem to have enjoyed the paralleling of this film with the Bond films, the elements of parody and spoof, the drawing on the Knights of the Round Table imagery, the fact that so many people are mind-affected, the confrontations leading to potential disaster, and the young hero saving the day.

Lots of action, lots of special effects, lots of humorous dialogue - but, it is probably about time that screenwriters gave us a break from not intermittent, but incessant, crass language which is very weary and offputting to some of the audiences who might enjoy this kind of film - we need a break. And Colin Firth, despite his Oscar, seems very awkward in delivering four letter words!


US, 2014, 122 minutes, Colour.
Oscar Isaac, Jessica Chastain, Albert Brooks, Alessandro Nivola, Catalina Sandena Moreno, Peter Geraty.
Directed by J. C. Chandor.

Many of us would think that in any year could be well named a most violent year. For the film makers, the choice is 1981, New York City.

This is very interesting drama, taking us into industrial issues in the United States, the ambitions of big companies, wheeler-dealing, the use of violence to put competition out of action. This has been a long time theme in American films, considering the 1950s and the look at unions and workers and power struggles in On the Waterfront, or in the 1980s, the biography of the teamsters boss, Jimmy Hoffa, with Jack Nicholson as Hoffa.

This film has been written by J.C.Chandor, who made his mark with a very interesting film about Wall Street, financial deals, speculations and risks, covert action in Margin Call. While expectations might have been that he would made another intense drama, he did do so, but confined his action to a yacht in trouble in the Indian Ocean, and one sailor battling the elements, Robert Redford in All is Lost. Now, he has moved back to New York City and strong drama.

The focus of the struggles is the trucking industry and the transportation and distribution of fuel. Oscar Isaac, becoming well known as a leading actor (Inside Lewynn Davis, X Marking), plays Abel Morales, a man of principle, who wants to do the right thing, but finds himself and his trucks and drivers targets of unknown boxes and their thugs, intimidating and bashing the drivers, stealing the fuel. At the same time, the industry is under investigation by the authorities, especially in the person of DA, Lawrence, played by David Oyelowo, the British actor, settled in the United States, appearing frequently in all kinds of films including The Butler, The Paperboy, his acclaimed performance as Martin Luther King in Selma.

Behind Abel is his strong-minded wife, and business partner, played by Jessica Chastain. A major complication is that Abel’s plan is to buy an abandoned terminal to turn it into a centre for his oil distribution. Negotiations are well under way with the Jewish community who own the property. He makes the required deposit, has 30 days to pay the rest of the money or he will lose the deposit. With the complications of the attacks on his trucks, the suspicions of the investigating authorities, it would seem that he will not be able to find the money, despite his sounding out various friends and associates, and will lose the edge on his business.

Part of the complications for Abel as well as for the audience is that it is not clear who are the powers-that-be behind the attacks on the trucks, the thugs just being hired without knowledge of who was really employing them. Another complication is Abel’s helping a young man in his work, the young man fearful, carrying a gun against the thugs and running away, compromising Abel.

On the one hand, this is an interesting drama about social issues in the American context. On the other hand, it is an interesting drama about a good man trying to do his best in the capitalistic world, becoming a victim, the whole process causing great personal and physical tension, complicated by the influence of his wife.

A Most Violent Year might well be called an adult drama in the best possible sense.


US, 2015 106 minutes, Colour.
Jonny Weston, Sofia Black-D’Elia, Sam Lerner, Allen Evangeliste, Virginia Gardner, Amy Landecker.
Directed by Dean Israelite.

One can’t complain about a story which shows teenagers enthusiastic about science, engaging in projects, looking for scholarships so that they can continue study. In this case, the hero wants to be accepted to MIT and we see him, at the opening of the film, controlling quite elaborate experiment to submit for a scholarship. He is joined by his two friends, enthusiastic as he is, as well as his sister who is ever ready with the video camera to record everything.

This is one of those films where everything is recorded, hand-held camera even in the least likely situations, straining the credibility sometimes, using the found-footage conventions so popular since The Blair Witch Project. Sometimes this is giddiness-inducing and we might be much happier with more conventional camera work.

David (Jonny Weston) is an enthusiastic scientist, with very happy memories of his dead father who was an expert in technology. The interesting plot device, very evident in the trailers for the film, is that in looking at the video of his seventh birthday, his teenage self appears in the mirror. How could this be? Time-travel, of course!

There is also teenage romance, David admiring, from a distance, the girl of everyone’s dreams, Jessie. Fortunately, despite the reticence, she is attracted to him and joins in the development of the time travel technology. After some experiments, returning objects to one minute earlier, they are ready for the big travel. Being teenagers, or, at least, now being made to look like teenagers in American teenage movies, they opt for some silly adventures, lottery winning, exercising grudges at school and the decision to go back to a music festival and kicking up their the heels. To contribute to the romantic development, David and Jessie go to a wall where people have put answers to the question, “Before the world ends...”. This is where the two really bond. But there is a certain coolness between the two when they return.

Where is the plot to go? Obviously, David wants to remedy the situation between himself and Jessie, which leads to his continued return to the past, by himself, which is against the rules because everybody has to go together. As might be expected, especially thinking of the butterfly effect, one small change causes a chain reaction, including plane crashes and deaths...

The film gets serious at the end, the group realising the risks in going back into the past, the risks in changing things, discovering consequences - and the need to take responsibility. And no one could question this.


US, 2014, 105 minutes, Colour.
Gael Garcia Banal, Kim Bodnia, Dimitri Leonidas, Haluk Bilginer, Shoreh Agdashloo, Golshifteh Farahani, Claire Foy.
Directed by Jon Stewart.

Rosewater sounds too sweet a name to describe the serious events in this film. Before the final credits, there is a comment about rosewater, its being sprinkled on pilgrims during pilgrimages when they are particularly sweaty - and then there is a pretty picture of collecting roses and extracting the rosewater and scent from them.

But, it all becomes very serious, as an Iranian-born journalist returns home, covering the 2009 elections, staying with his mother, but suddenly accosted at her home and arrested.

He is Maziar Bahari, played with sympathetic intensity by Gael Garcia Bernal. Then the film goes into flashback, 11 days earlier when Maziar is packing in London, farewelling his pregnant wife in some tender scenes and flying to Tehran for his assignment. He is met at the airport by one of those enthusiastic taxidrivers who insists that you go with them. He is sympathetic to the opposition candidate, standing against the famous President, Ahmajinedad.

Maziar is taken on a ride around the city (with some genuine vistas of Tehran mixed with performance footage filmed in Jordan) and meets with a conservative young enthusiast for the President, with students who are not, who are lamenting their experience of repression and unemployment.

There are scenes of the election day, crowds and riots in the city, again some actual footage from the period intermingled with the performances. Maziar keeps filming and sends the material through to London, with the help of Lindsay Hilsum, BBC correspondent of the period, here playing herself.

And then we’re back to the arrest, which means that the second half of the film focuses on Maziar in prison, confined in solitary for almost 4 months, the film using the device of naming the number of days of his being in prison. He is interrogated in a cruel and violent way (but with the caution that his face not be damaged if he has to appear on television). He is also interrogated in a ludicrous way, the authorities having taken several DVDs including Pasolini’s Teorema, the Sopranos, a CD of Leonard Cohen songs, all of which are deemed pornographic. The food is poor and he is for a large part of each day blindfolded. The interrogations are held with him blindfolded.

The authorities, one of whom wears Rosewater scent, which covers the sweat of Maziar in his suffering, want him to admit that he is a spy, something which seems quite bizarre in the context, and especially for journalists working in such magazines as Newsweek as he was. The world knows that his confession is only a show trial confession - with footage added in of news coverage from around the world as well as footage of Hillary Clinton commenting on the situation.

The film uses a clever device of having Maziar’s father present in the cell, conversing with his son, becoming the consciousness of the son, offering standards, because he himself had been imprisoned because of Communist sympathies but had given the authorities nothing. The father advises his son to play on the weaknesses of his interrogators - and does so, quite comically, eliciting their curiosity about sexual massage descriptions. At another stage, his sister appears in his cell - she had been executed.

While the story is interesting in itself, a lot of detail is given so that we share the experience. It is a strong critique of repressive measures, legislation, imprisonment in Iran.

The film has been written and directed by television host for The Daily Show for so many years, John Stewart. In the film there is a scene, made for The Daily Show, where Maziar has a mock interview in Tehran with a comedian posing as a spy journalist which the authorities take up, believing it is actually true. Later, Maziar was to write a memoir of his going to Iran, his time in prison, his return to journalism and the birth of his child. John Stewart is drawing on his experience as a television current affairs host, the episode on his program, and adapting as Bahari’s book.

This is quite compelling, all the more so because it is based on reality, but a reminder of what so many journalists experience in the contemporary world, arrest and imprisonment, even torture and execution, by repressive powers.


US, 2014, 134 minutes, Colour.
Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave, Sienna Miller, Anthony Michael Hall, Guy Boyd.
Directed by Bennett Miller.

Foxcatcher has been very well reviewed and nominated for many awards. It certainly is a very interesting and well-made film, worth seeing for its characters, power plays, American wealth and a film about Olympic wrestling.

There is an opening scene with people riding to hounds in pursuit of a fox. There is both realism and symbolism. Foxcatcher is the name of a company, set up by John du Pont, the heir to the du Pont business millions. It was a company for the training of wrestlers, with the intention of training athletes for the 1988 Seoul Olympics, Team Foxcatcher.

At the centre of the film is a young man, Mark Schultz, quite a single-minded young man, intent on his wrestling. He is something of a loner, goes to training in a gym and is managed by his older brother, Dave. The two brothers had won Olympic called at the 19th 84 Los Angeles Games.There is a certain rivalry but Dave is a more assured man, happily married with children.

Into their lives comes John du Pont, multimillionaire, with an interest in wrestling and especially in Mark Schultz and a summons to his Pennsylvania estate, plane ticket and helicopter reception provided. He makes Mark an offer which he cannot and does not refuse, coming to Pennsylvania, joining Team Foxcatcher, working with a number of elite wrestlers. While the film is about wrestling and there are quite a number of sequences which illustrate techniques, this is not solely a sports film. Soon John du Pont is inviting Dave Schultz to join the group. He is reluctant but is finally persuaded.

While the director, Bennett Miller, won the best director award at the 2014 Cannes film Festival, this is very much an actors’ film. Channing Tatum is quite intense as Mark Schultz, one of his best performances, a serious young man, not relating very well to others, finding in John du Pont not only a sponsor but something as a father-figure. Mark Ruffalo, a fine actor in many a film, is certainly very good as Dave Schultz, happy to work with his brother, wary of John du Pont, yet working within the Foxcatcher Team, only to be the victim of the intensity.

The surprise is the performance of Steve Carell, best known as a comedian, often zany and loopy, but here very serious as John du Pont. His make up, especially his nose, given great prominence and often filmed from a low angle, suggest, at times, a bird of prey. Humour is not one of his qualities. Everything is serious, everything is intense, including his exercise of power to persuade athletes to join his Team, his joining in in their training, fancying himself as one of them. He is not only a father figure for Mark but also a sinister mentor.

The du Pont family traced its lineage back to the War of Independence, with pictures and other mementos in their mansion. John du Pont takes wealth for granted, has a range of assistants who do his bidding, summoning people to meetings, enforcing his regimes. He has a strong and strange relationship with his dominant mother, played by Vanessa Redgrave, who considers wrestling a lowly sport, herself very involved with horse breeding and training.

But, it becomes all too much for John du Pont, leading, for those who do not know the true story, to a surprising and jolting ending.

While the film is a picture of the sport of wrestling in the United States, it is also a significant piece of Americana, the status and power of the wealthy, exercise of dominance, with tragic results.


US, 2014, 107 minutes, Colour.
Johnny Depp, Gwyneth Paltrow, Ewan McGregor, Paul Bettany, Olivia Munn, Michael Culkin, Ulrich Thomsen, Jeff Goldblum.
Directed by David Koepp.

Twit? Twittiest!

This is certainly an oddball comedy, a star vehicle for Johnny Depp to do one of his impersonations. He is Lord Mortdecai, allegedly British aristocracy, with country mansion, with a trophy wife who is smarter than he is, Joanna (Gwyneth Paltrow), an art dealer who gets himself involved in frauds. Depp portrays him as one of those silly-ass Englishman, accent, vocabulary-a-twitter, all that can be spoofed about the upper-class.

How his fans might find this a bit difficult to predict - and his wife later in the film remarking that sometimes he can be irritating. However most audiences will become used to this kind of performance - as we have with his Jack Sparrow.

As the film opens, he is involved in double-crossing some Chinese art dealers - but, as always, his loyal, ultra-loyal, manservant, with a gangster’s voice and tone, comes to his rescue, throws the punches, takes the shots, is ever ready to come to the aid of his respected boss. This is Jock, played with an amusing consistency and loyalty by Paul Bettany.

When an art restorer is murdered, and the main suspect is a Latin American terrorist who wants to finance his groups by art sales and who keeps reappearing during the film, a murder or two more, some mayhem, and suffering all kinds of shock tactics during a car chase, Mortdecai is asked to get involved by MI5, represented by Ewan McGregor, playing straight man to Johnny Depp’s antics.

Mortdecai’‘s adventures include his abduction by a Communist art connoisseur and his interrogation in Moscow - with Jock, once again, to the rescue. Then he is off to LA to sell his car to another art connoisseur, Jeff Goldblum. Who has an intriguing daughter who gets up to all kinds of intrigue. Everybody turns up in’s LA, Joanna, the MI5 agent, the terrorist, and Jock, once again to the rescue.

The fraud involves a painting by Goya which seems to have disappeared but has an art history of disappearance, acquisition by Goerring, and several fakes - all of which is exposed in a finale at a London auction.

While watching it, older audiences may be reminded of The Pink Panther, then of Peter Sellers who might have taken on the role had the script been available in his day - and then, there are many Terry-Thomas mannerisms, with Depp even having the gap teeth. Probably Peter sellers would have done the role with much more ease and aplomb.


Australia, 2014, 97 minutes, Colour.
Damon Gameau, Hugh Jackman, Stephen Fry, Brenton Thwaites, Isabel Lucas, Jessica Marais and many medical experts.
Directed by Damon Gameau.

It might sound like this film will have a sweet taste but it is designed to make audiences concerned about their propensity for sweet tastes and, especially, for consumption of sugar and fructose. This is a documentary, a very entertaining one, that examines the role of sugar in our diet, in our metabolism, and the consequences - with a look at how sugar is so strongly promoted in our commercial culture.

Some years ago, American documentary-maker, Morgan Spurlock, decided that he would film an experiment about diet and takeaway food, especially at McDonald’s and other such franchises. It was called Supersize Me. He decided that the focus of the experiment would be his Supersizing every order and eat just this for a month to see what happened to him. Needless to say, he put on weight became unwell, certainly needed some medical checkups and processes for getting back to normal.

Damon Gameau is an actor who has been a number of Australian and television programs, generally the cheeky and cheerful character, quick on the draw with his remarks and cracks. This means that he is very well suited to the role he has set up for himself, not exactly doing a Spurlock, but something very similar with sugar.

He genially introduces himself and his girlfriend who is pregnant. Since he wrote the film as well as directing, it is clear that he has strong views on sugar intake and its results. He does get a panel of experts, blood, the diet, the general health, who are interviewed during the film - and they are introduced with our bit of animation and giving them superhero names. They are wary about his experiment.

The film uses an entertaining device for the expert talking heads, and there are many of them, but he generally has quick bites which bring home the points - but they all appear and are seen within frameworks, machines, which can be moved, turned over... So we are continually alert to what these experts have two offer.

The film uses a number of celebrities to give us background, and sugar information. Hugh Jackman turns up and does some sand drawings to illustrate the origins of sugar in this part of the world, eventually going to India, making its way to Europe where a couple of centuries ago it was looked on as a specialty by the wealthy. Stephen Fry turns up to give us a humorous talk about the different kinds of sugar, the glucose that put energy into our system, the sucrose and its effects and a warning about fructose and its absorption in the liver, turning to fat, increasing at triglycerides... Later, up-and-coming Australian actor, Brenton Thwaites serves as a model to indicate what is happening in our interiors and the damage that too much sugar can do to the liver, to the heart, to the bloodstream.

The information Gameau gets for the experiment is that the sugar intake will be the equivalent of 40 teaspoonfuls of sugar per day. And it is immediately alarming as he begins, that his first breakfast cereal and juice is more than a third of the teaspoonfuls already. As he continues, he finds ways of adding the sugar even to a chicken lunch! Within some days he is put on several kilos and finds his mood is changing, some lethargy...

Over a decade ago he had contact with a group of aboriginal people at Mia Wiru in the Northern Territory, especially in a community whose medical adviser had changed their diet, especially as regards sugar. But, with the advent of the supermarkets and the bombarding advertising, the increased intake of sugar was doing harm.

Next, he went off to the United States and, while obesity had been mentioned, there are quite a few off-putting close-ups of obesity. He is still having the equivalent of 40 teaspoonfuls a day, finding smoothies, drinks, and, alarmingly finding that such a drinks Mountain Dew has more sugar than Coke or Pepsi and more caffeine. In fact, he accompanies a dentist who travels around the state of Kentucky working with locals, including a young man who has been drinking an enormous amount of Mountain Dew since he was a little child and his teeth have either fallen out or rotted. We may not want to look at the close-ups of his mouth, but this is a salutary tale. Gameau also finds a pill that one can put in one’s mouth which will sweeten food with a more savoury taste - he even tries it with a chilli but says it doesn’t work.

In fairness, he decides to interview a scientist who has been working on sugar research for some time. He is not alarmed, and it seems his studies have been financed by Coca-Cola.

He has been keeping in touch with his girlfriend by Skype and, on his return, as large, he suggests, as she is in her pregnancy, she gives birth and he is delighted with his daughter. With the help of the experts, he gets back to normal size, and gets to editing this film so that we can share his extremely cautionary experience.

Older people probably need to see this film and act on it. Parents certainly need to see the film to check on their children’s diets and the effect, especially of their brain capacities and attention at school. (A school kit is available.)


UK, 2014, 123 minutes, Colour.
Eddie Redmayne, Felicity Jones, Simon McBurney, Emily Watson, David Thewlis.
Directed by James Marsh.

While Stephen Hawking may not have developed a theory of everything, he was certainly one of the major science theoreticians of the 20th century. Because of his book, A Brief History of Time, he became more than celebrated and has continued famous, this film reinforcing audience knowledge of him and admiration for him.

It is not the first time that Hawking has appeared in a biographical film. In 2004, he was portrayed in a film and television by the then comparatively-unknown, Benedict Cumberbatch. The film treated his early years, the onset of motor neuron disease and his marriage to Jane.

Since then, there have been documentary films and television programs, on his science, on his personality, on his coping with his illness. American documentary-maker, Errol Morris, also made a film of A Brief History of Time. Audiences coming to see The Theory of Everything, may well have some idea, many ideas, about Hawking and his life and work.

The major challenge for any actor portraying Hawking is to communicate his experience of motor neuron disease, its gradual debilitating effect, the initial anticipation that he would have only two years to live, his being reduced to travelling in a wheelchair, less able to speak, undergoing surgery and a tracheotomy which meant them that he had to use a computer simulation speech to communicate by word. All this, and more, are extraordinarily communicated by Eddie Redmayne (who had been Marius in the film version of Les Miserables).

The early part of the film is set in the 1960s with Hawking as a student at Oxford, seemingly casual with his approach to studies, having an extraordinarily quick brain and an ability to penetrate and solve mathematical problems. With his doctorate, he was interested in old stars and the collapsing in on themselves, theories of black holes. Later, he was to change his opinions and return to the beginnings of the universe and explorations of the Big Bang Theory. He continued to think, write, speculate on physics questions and draw on mathematical theory.

In case anyone thinks that the film is overloaded with scientific information that does not communicate well to the general audience, they are only partly right. There are sufficient indications of Hawking’s thinking and some explanations, but not overly tasking for a general audience. Scientists might think it is theory-light.

While the film Is about science and mathematics, It Is also tells the story of a man who in his early 20s was diagnosed with motor-neuron disease. The beginnings are suggested, and then Hawking collapses, is diagnosed by the doctors and, often reluctantly, has to come to terms with his condition. In fact, it is quite extraordinary to see what happened to Hawking in terms of the disease, the gradual degeneration, but his extraordinary survival.

The film also has a love story. Stephen met Jane, a devout Church of England young woman compared to his atheistic stances. They meet, date, some courting and then the crisis of his illness. In retrospect, audiences may well know the Jane spent 25 years of her life looking after Hawking, bearing three children and bringing them up, a lifetime of generosity. But, it all became too much for both of them, Jane experiencing the toll on her life with and for Stephen, his becoming dependent on his nurse, whom he married after divorcing Jane. While this might be the sensationalism of headlines, it is important to see just what happened with each of the two, hardships, regrets, the experience of a long time. (the screenplay for this film is based on Jane’s book about her life with Stephen Hawking, the second book she wrote, it seems less angry than the first one - and both Stephen and Jane approved of this screen version.

For anyone expecting something of a scientific treatise, they will be disappointed. For those who find the screen portrayal of serious illness demanding but informative, there will be much to offer in this film. And for all who get caught up in the love story, live through the hardships of the decades and see a marriage collapsing, it will seem more realistic than they might have thought, yet still very disappointing in its finish.

Which means, on the whole, this is a moving experience for a general audience.


US, 2015, 101 minutes, Colour.
Kevin Hart, Josh Gadd, Kaley Cuoco-Sweeting, Jorge Garcia, Dan Gill, Ken Howard, Chloris Leachman, Jenefer Lewis, Mimi Rogers, Olivia Thirlby.
Directed by Jeremy Garelick.

It is not as if they have not been enough films about weddings,: Wedding Planet, Wedding Singer, Wedding, Wedding Crashers, Big Wedding, American Wedding, Four Weddings and... So, here is another.

This is a star vehicle for Kevin Hart, a short, African-American comedian, with unbelievable rapid delivery, a whole stack of double takes and patter that get him into all kinds of trouble as well is out of all kinds of trouble. Hart is an acquired taste, irritating in Ride Along, almost unbearable in the remake of About Last Night. Actually, in The Wedding Ringer, on the whole, he or is rather good.

Doug (Josh Gadd) is a rather big lump of a man, bespectacled, not a prospect for a quick marriage to a glamorous wife. But, here he is engaged to Gretchen (Kaley Cuoco-Sweeting) whose main aim in life seems to be to get married, have something of an up-market, extravagant wedding ceremony and wedding breakfast. And her whole family are right behind her, her concerned mother, her homophobic football-loving husband, and grandma (Chloris Leachman) who, at one stage of a family dinner, begins to go up in flames.

The wedding planner knows that Doug has no friends and no best man. He refers him to Jimmy (Kevin Hart) who runs a company to find best men as well as groomsmen. We see him in operation, very smooth talking, much appreciated, but only doing the work as business and not wanting to have any personal friendships or attachments afterwards.

Most of the film is about his setting up Doug with a best man, himself, and the oddest-looking lot of groomsmen, who all polish up rather better than expected, and providing Doug with a past history of extraordinary exploits including skydiving, climbing mountains in Patagonia...

When Doug and Jimmy go to the family dinner, the family is under the impression that Jimmy is a priest, not only a priest, but a military chaplain, providing opportunity for lots of doubletalk, improvisation, and, something of a compliment to priests and expectations of them, often credible enough, even to the wedding ceremony.

Eventually the friends are prepared with their back stories, rehearse them, have their own particular acts for when the going goes badly. They do take Doug for a night on the town, which liberates him (although his mother had him do dancing lessons when he was young and he excels at this), but he is the victim of the kind of joke that was funny in There’s Something About Mary, this time with a tenacious dog.

There is a touch of suspense throughout: will Gretchen and the family cotton on to what is happening, will the wedding go ahead, will Doug want to tell the truth? All these questions are answered, and Doug seems to be the better man for the whole experience - mainly liberated from his inhibitions.

Of course, there are some crass jokes, but fewer than usual and there are more amusing moments than might be expected.


US, 2014, 115 minutes, Colour.
Reese Witherspoon, Laura Dern, Thomas Sadowski, Gaby Hoffmann.
Directed by Jean-Marc Vallee.

How well an audience enjoys this film will probably depend on how quickly it can identify with the central character, Cheryl Strayed. At once we see her on a mountain, pulling off her boots, footsore, the boots being knocked over and careering down the mountainside, to her pained exasperation. The question is what did she do, go down, recover the boots, keep walking...? But, the screenplay does not return to the scene at all, so no specific answer.

But we do get answers, at least some of them, to why Cheryl was in the wilderness at all. The film is called Wild, a focus on the wilderness that Cheryl travels through along the west side of the United States. As the flashbacks increase in number, we see that her life prior to this trek had been very wild at times.

It is the Pacific Crest Trail, PCT, that Cheryl decides to walk along, over 1000 miles, from the Mexican border, through the Mojave Valley, to the mountains of California, into Oregon and into the North. It becomes pretty evident, almost immediately, that she is not well prepared at all for this trek, which may make some audiences who like things organised, rather irritated, especially when it appears she bought the wrong gas that her stove and she has to eat cold mash for several days before she gets to a house where she can get some help.

This, perhaps, is the point. We learn from the flashbacks that she has gone on this walk in some desperation, the breakup of her seven-year marriage (all her fault) and the death of the mother whom she loved dearly. At the beginning, she does not really know why she is walking except that she wants the time, to be alone, to reflect, to remember, to read some poetry, to write in a journal. And that is what she does - and not always engrossingly for the audience. It is a long walk for her, and for us.

The film runs for almost 2 hours but this reviewer for one, would have appreciated some longer time given to flashbacks because there are just glimpses, not always connected, the audience trying to work out the causal link in the episodes in her life, but not enough information or dramatisation being offered. We can feel sorry for her ex-husband, both of them getting tattoos to celebrate their separation, but he still loving her, she going off on promiscuous adventures, and yet he had a letter and a parcel for her at the key posts along the Crest Trail.

There are a number of flashbacks to Cheryl and her little brother and their relationship with their mother, most engagingly played, optimistic even in physical abuse, by Laura Dern. She had married an alcoholic and abusive husband, had left, brought up the children, shown them great love and tenderness. At one point, she goes to college to study, exhilarating by the amount of learning before her, coping with the rather prim and judgmental Cheryl at this stage of her life. How Cheryl goes off the tracks is not explained, quite wild, casual affairs, one night stands, led into drugs, resolving not to inject heroin but doing it, doing a waitressing job, with sexual favours out the back of the diner. These aspects of the character are quite clear.

Cheryl is portrayed by Reese Witherspoon (and the actual Cheryl Strayed accompanied her to the Golden Glowed Globe awards). She gives it all she can, having to show a rather wide range of emotional responses, in her past, in her grief for and memories of her mother, in her uncertainties along the track, the physical hardships, the encounters with male walkers and some hunters, mainly fearful. She does have some friends, especially a good friend played by Gaby Hoffmann, who challenges her and who supports her.

And then the film ends, with some verbal information about what would happen to her in the coming years, all of it positive, marriage and family and the writing and publishing of a successful book.

Some audiences will enjoy Cheryl’s history, her response to challenges, the physical and psychological and emotional impact of her walk. Others may find it something of an endurance, not just the walk, but in the puzzle about Cheryl’s character, what really was the influence of the past, why she went so wild, why exactly she went, so unprepared, on this walk - which, in fact, did change her life.

Peter Malone

print the article