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  93. SIGNIS Film Reviews: October 2014
  94. 20,000 Days on Earth
  95. Advanced Style
  96. Annabelle
  97. The Boxtrolls
  98. Dracula Untold
  99. The Equalizer
  100. The Giver
  101. Gone Girl
  102. The Grand Seduction
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  105. The Infinite Man
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  110. The Judge
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  113. The Little Death
  114. Locke
  115. The Maze Runner
  116. Planes: Fire and Rescue
  117. The Reckoning
  118. Siddharth
  119. The Skeleton Twins
  120. Son of a Gun
  121. Step Up All In
  122. Teenage Mutant Ninja Turtles
  123. Tusk
  124. Wetlands
  125. Wish I Was Here
  126. SIGNIS Film Reviews: Summer 2014
  127. The Hundred Foot Journey
  128. The 100-Year-Old Man who Climbed out a Window and Disappeared
  129. Begin Again
  130. Boyhood
  131. Charlie’s Country
  132. Devil’s Knot
  133. The Expendables 3
  134. Felony
  135. Freedom
  136. Get on Up
  137. God’s Not Dead
  138. God’s Pocket
  139. The Inbetweeners 2
  140. Magic in the Moonlight
  141. Night Moves
  142. Predestination
  143. Snowpiercer
  144. These Final Hours
  145. What We Do in the Shadows
  146. All this Mayhem
  147. And So It Goes
  148. Beatriz’s War
  149. Belle et Sebastien
  150. Bethlehem
  151. Deliver us from Evil
  152. Ernest et Celestine
  153. The French Minister/ Quai d’Orsay
  154. Galore
  155. Guardians of the Galaxy
  156. Hercules
  157. Jersey Boys
  158. The Keeper of Lost Causes
  159. Lucy
  160. The Lunchbox
  161. A Most Wanted Man
  162. Mrs Brown’s Boys, D’Movie
  163. Reaching for the Moon/ Flores Raras
  164. Rio 2
  165. Sex Tape
  166. The Selfish Giant
  167. Still Life
  168. Rising from the Ashes
  169. Transformers: Age of Extinction
  170. Venus in Fur/ Venus a la fourrure
  171. Volcano
  172. Words and Pictures
  173. 22 Jump Street
  174. Any Day Now
  175. Blended
  176. The Face of Love
  177. Edge of Tomorrow
  178. The Fault in our Stars
  179. Frank
  180. Good Vibrations
  181. The Last Impresario
  182. A Million Ways to Die in the West
  183. Omar
  184. Once My Mother
  185. The Rover
  186. The Trip to Italy
  187. X-Men Days of Future Past
  188. Yves Saint Laurent
  189. SIGNIS Film Reviews: June 2014
  190. 52 Tuesdays
  191. The Amazing Spiderman 2: Rise of Electro
  192. The Armstrong Lie
  193. The Babadook
  194. Bad Neighbours
  195. Belle
  196. Blue Ruin
  197. The Broken Circle Breakdown
  198. Canopy
  199. Captain America: Winter Soldier
  200. A Castle in Italy/ Un Chateau en Italie
  201. Chef
  202. Child’s Pose
  203. Divergent
  204. The Double
  205. Fading Gigolo
  206. Faith Connections
  207. Gore Vidal: the United States of Amnesia
  208. Gabrielle
  209. Gardening with Soul
  210. Grace of Monaco
  211. Godzilla
  212. Hannah Arendt
  213. Half of a Yellow Sun
  214. Healing
  215. Heaven is for Real
  216. How to Train Your Dragon 2
  217. Ida
  218. The Invisible Woman
  219. Like Father, Like Son
  220. Living is Easy with your Eyes Closed
  221. Man of Tai Chi
  222. Maleficent
  223. Miniscule: the Valley of the Lost Ants
  224. Missing Picture/ L’Image Manquant
  225. Mr Morgan’s Last Love
  226. Mr Peabody and Sherman
  227. Muppets Most Wanted
  228. My Sweet Pepper Land
  229. Need for Speed
  230. Next Goal Wins
  231. Noah
  232. Nymphomaniac Volume 2
  233. Only Lovers Left Alive
  234. The Other Woman
  235. Out of the Inferno
  236. Pompeii
  237. The Raid 2
  238. Ride Along
  239. Seduced and Abandoned
  240. Sunshine on Leith
  241. Transcendence
  242. Under the Skini
  243. Wadjda
  244. Jeune et Jolie/ Young and Beautiful
  245. The Zero Theorem
  246. SIGNIS Film Reviews: February/March 2014
  247. ’71
  248. Aloft
  249. Beauty and the Beast
  250. The Better Angels
  251. Black Coal, Thin Ice/ Bari Ri Yan Huo
  252. Blind Massage/ Tui Na
  253. Calvary
  254. The Darkside
  255. The Grand Budapest Hotel
  256. Historia do Meida/ History of Fear
  257. Jack
  258. Kraftidioten/ In Order of Disappearance
  259. Kreuzweg/ Stations of the Cross
  260. The Little House/ Chiisiai Ouochi
  261. Love is Strange
  262. Macondo
  263. The Monuments Men
  264. Mo Jing/ That Demon Within
  265. N - Madness of Reason
  266. No Man’s Land/ Wu Ren Qu
  267. Praira do futuro/ Beach of the Future
  268. Stratos/ The Storm Within
  269. Things People Do
  270. The Third Side of the River
  271. To Singapore, With Love
  272. The Two Faces of January
  273. Two Men in Town
  274. Unfriend
  275. Viharsorok/ Land of Storms
  276. Zwischen Welten/ Inbetween Worlds
  277. 3 Days to Kill
  278. 300: The Rise of an Empire
  279. All is Lost
  280. Chinese Puzzle/ Casse-tete chinois
  281. Dallas Buyers Club
  282. Endless Love
  283. The Grand Budapest Hotel
  284. I, Frankenstein
  285. In a world...
  286. The Monuments Men
  287. Non-stop
  288. Nymphomaniac Volume 1
  289. Out of the Furnace
  290. Robocop
  291. Romeo and Juliet
  292. Tracks
  293. Nebraska
  294. Vampire Academy
  295. A Winter’s Tale/ A New York Winter’s Tale
  296. Wolf Creek 2
  297. SIGNIS Film Reviews: Berlinale 2014
  298. SIGNIS Statement: Kreuzweg (Stations of the Cross)
  299. SIGNIS Statement: Calvary
  300. Labor Day
  301. Mandela: Long Walk to Freedom
  302. The Past/ Le Passe
  303. Blue is the Warmest Colour/ La Vie d’Adele - Chapitres 1 et 2
  304. 12 Years a Slave
  305. 47 Ronin
  306. Anchorman 2: The Legend Continues
  307. Are We Officially Dating?/ That Awkward Moment
  308. Drinking Buddies
  309. Free Birds
  310. La Grande Bellezza/ The Great Beauty
  311. Her
  312. Inside Llewyn Davis
  313. Jack Ryan: Shadow Recruit
  314. Lone Survivor
  315. Paranormal Activity: The Marked Ones
  316. Saving Mr Banks
  317. The Secret Life of Walter Mitty
  318. Short Term 12
  319. The Wind Rises/ Kaze Tachinu
  320. The Wolf of Wall Street
  321. 20 Feet from Stardom
  322. Apres Mai/ After May
  323. American Hustle
  324. August: Osage County
  325. Blackfish
  326. Backyard Ashes
  327. The Book Thief
  328. Carrie
  329. Cloudy with a Chance of Meatballs 2
  330. Delivery Man
  331. Fill the Void
  332. Filth
  333. Frozen
  334. The Gilded Cage/ La Cage Doree
  335. The Hobbit: The Desolation of Smaug
  336. Homefront
  337. How I Live Now
  338. Last Vegas
  339. Le Weekend
  340. One Chance
  341. The Railway Man
  342. Si Parla Italiano: Lygon Street
  343. Adoration
  344. Ain’t Them Bodies Saints
  345. Alan Partridge: Alpha Papa
  346. Austenland
  347. Big Ass Spider
  348. Blancanieves
  349. Captain Phillips
  350. Closed Circuit
  351. The Counselor
  352. Ender’s Game
  353. Enough Said
  354. Escape Plan
  355. The Fifth Estate
  356. Fruitvale Station
  357. The Hunger Games: Catching Fire
  358. Insidious Chapter 2
  359. Jackass Presents: Bad Grandpa
  360. Kill Your Darlings
  361. Machete Kills
  362. Magic Magic
  363. Mary Meets Mohammad
  364. Mr Pip
  365. SIGNIS Statement: "Philomena"
  366. SIGNIS Film Reviews: November/December 2013
  367. Mystery Road
  368. Patrick
  369. The Spectacular Now
  370. Thor: the Dark World
  371. Walesa - Man of Hope
  372. 2 Guns
  373. About Time
  374. The Act of Killing
  375. The Butler
  376. Diana
  377. The East
  378. Fallout
  379. The Family
  380. Gravity
  381. Grown Ups 2
  382. The Human Cargo/ La Nave Dolce
  383. I Am a Girl
  384. In Bob We Trust
  385. I’m So Excited
  386. The Interval/ L’Intervallo
  387. Lasseter’s Bones
  388. Paranoia
  389. Parker
  390. Percy Jackson: Sea of Monsters
  391. Planes
  392. Prisoners
  393. The Red and the Blue
  394. Renoir
  395. Riddick
  396. RIPD
  397. Runner Runner
  398. Rush
  399. Stories We Tell
  400. Thanks for Sharing
  401. Turbo
  402. The Best Offer
  403. Blue Jasmine
  404. Elysium
  405. Gambit
  406. The Gatekeepers
  407. A Hijacking/ Kapringen
  408. Jobs
  409. Kickass 2
  410. Mood Indigo/ L’Ecume des Jours
  411. The Mortal Instruments: City of Bones
  412. Much Ado About Nothing
  413. Pain & Gain
  414. Red 2
  415. Red Obsession
  416. The Rocket
  417. Stoker
  418. The Turning
  419. Upstream Color
  420. V/H/S/2
  421. We’re the Millers
  422. What Maisie Knew
  423. White House Down
  424. The World’s End
  425. You’re Next
  426. SIGNIS Film Reviews: July/August 2013
  427. 100 Bloody Acres
  428. After Earth
  429. The Audience
  430. Behind the Candelabra
  431. Beyond the Hills
  432. The Blind Detective
  433. The Bling Ring
  434. Cloudburst
  435. The Conjuring
  436. Despicable Me 2
  437. Epic
  438. Errors of the Human Body
  439. Everybody Has a Plan/ Todos Tenemos un Plan
  440. Furious 6/ The Fast and the Furious 6
  441. A Gun in Each Hand
  442. Happiness Never Comes Alone/Le bonheur n’arrive jamais a seul
  443. The Heat
  444. The Internship
  445. In the House/ Dans La Maison
  446. Lady in Paris/ Une Estonienne a Paris
  447. The Lone Ranger
  448. Man of Steel
  449. Metro
  450. Monsters University
  451. Now You See Me
  452. One Mile Above/ Kora
  453. Only God Forgives
  454. Pacific Rim
  455. Le Prenom/ What’s in a Name
  456. Reality
  457. Satellite Boy
  458. This is the End
  459. The Way, Way Back
  460. The Wolverine
  461. Still Mine
  462. To the Wonder
  463. World War Z
  464. You Ain’t Seen Nothin’ Yet
  465. The Big Wedding
  466. Broken
  467. The Call
  468. Camille Redouble/ Camille Rewinds
  469. Dead Man Down
  470. Evil Dead
  471. The Great Gatsby
  472. The Hangover Part III
  473. Jagten/ The Hunt
  474. Mud
  475. The Reluctant Fundamentalist
  476. Scary Movie 5
  477. Snitch
  478. Spring Breakers
  479. Star Trek Into Darkness
  480. Adventures in Zambezia
  481. Antiviral
  482. Chasing Ice
  483. Cheerful Weather for the Wedding
  484. The Company You Keep
  485. Drift
  486. Vic and Flo Meet a Bear
  487. Side Effects
  488. Promised Land
  489. Prince Avalanche
  490. Parde (Closed Curtain)
  491. Paradies
  492. Nobody’s Daughter Haewon
  493. Night Train to Lisbon
  494. The Necessary Death of Charley Countryman
  495. La religieuse (The Nun)
  496. Maladies
  497. Lovelace
  498. The Look of Love
  499. A Long and Happy Life
  500. In the Name of...
  501. Harmony Lessons
  502. The Grandmaster
  503. Gloria
  504. Gold
  505. Frances Ha
  506. An Episode in the Life of an Iron Picker
  507. Elle s’en va (On Her Way)
  508. Dark Blood
  509. The Croods
  510. Camille Claudel 1915
  511. Before Midnight
  512. Escape from Planet Earth
  513. First Position
  514. Haute Cuisine/ Les Saveurs de Palais
  515. Identity Thief
  516. Iron Man 3
  517. No
  518. Oblivion
  519. Olympus Has Fallen
  520. The Other Son/ Le Fils de L’Autre
  521. The Place Beyond the Pines
  522. Rust and Bone
  523. Le Skylab
  524. Sleepwalk with Me
  525. Song for Marion
  526. Therese Desqueyroux
  527. Trance
  528. SIGNIS Film Reviews: Berlinale 2013
  529. 21 and Over
  530. Blinder
  531. Broken City
  532. GI Joe: Retaliation
  533. Goddess
  534. A Good Day to Die Hard
  535. Hansel and Gretel: Witchhunters
  536. Hara-Kiri: Death of a Samurai
  537. The Host
  538. Hyde Park on Hudson
  539. The Incredible Burt Wonderstone
  540. In the Fog
  541. Jack the Giant Slayer
  542. Mama
  543. The Paperboy
  544. Performance/ A Late Quartet
  545. Return to Nim’s Island
  546. Underground: the Julian Assange Story
  547. SIGNIS Film Reviews: February 2013
  548. Zero Dark Thirty
  549. Anna Karenina
  550. Compliance
  551. Django Unchained
  552. Flight
  553. Gangster Squad
  554. The Impossible
  555. The Guilt Trip
  556. Last Dance
  557. Life of Pi
  558. Lincoln
  559. Parental Guidance
  560. Rise of the Guardians
  561. Save Your Legs
  562. The Silver Linings Playbook
  563. Wreck-it Ralph
  564. This is 40
  565. 2 Days in New York
  566. 360
  567. Alex Cross
  568. All the Way Through Evening
  569. American Mary
  570. The Angel’s Share
  571. Argo
  572. Bachelorette
  573. Back to 1942
  574. Beasts of the Southern Wild
  575. Breaking Dawn, Part 2
  576. Dangerous Liaisons
  577. Dead Europe
  578. The Do-Deca Pentathlon
  579. Dredd
  580. End of Watch
  581. Fun Size
  582. God Bless America
  583. Hail
  584. Here Comes the Boom
  585. Hitchcock
  586. The Hobbit, an unexpected journey
  587. Jack Reacher
  588. The Intouchables/ Les Intouchables/ Untouchables
  589. I Wish
  590. Killing Them Softly
  591. Lawless
  592. Les Miserables
  593. Liberal Arts
  594. Lockout
  595. Love is All You Need
  596. Lore
  597. The Man with the Iron Fists
  598. The Master
  599. Mental
  600. Miss Bala
  601. A Monster in Paris
  602. Paris - Manhattan
  603. The Odd Life of Timothy Green
  604. People Like US
  605. Pitch Perfect
  606. Paranormal Activity 4
  607. The Perks of Being a Wallflower
  608. SIGNIS Film Reviews: December 2012
  609. Quartet
  610. The Raven
  611. Robot & Frank
  612. Ruby Sparks
  613. The Sessions
  614. Seven Psychopaths
  615. Sinister
  616. Skyfall
  617. Savages
  618. Sound of My Voice
  619. Taken 2
  620. To Rome with Love
  621. Trouble with the Curve
  622. Tu seras mon fils/ You Will Be My Son
  623. The Words
  624. Wuthering Heights
  625. Wunderkinder
  626. "Aristides de Sousa Mendes": The Angel of Bordeaux
  627. On the Road
  628. Looper
  629. Damsels in Distress
  630. Holy Motors
  631. Arbitrage
  632. SIGNIS Film Reviews: September 2012
  633. Lore
  634. Chinese Take-away/ Un cuento chino
  635. Bait
  636. Hotel Transylvania
  637. The Watch
  638. Resident Evil: Retribution
  639. Barrymore
  640. Being Venice
  641. The Bourne Legacy
  642. Bully
  643. The Expendables 2
  644. Hope Springs
  645. Kath and Kimderella
  646. Madagascar 3: Europe’s Most Wanted
  647. Monsieur Lazhar
  648. Moonrise Kingdom
  649. Total Recall
  650. Your Sister’s Sister
  651. SIGNIS Film Reviews: July/August 2012
  652. SIGNIS Film Reviews: June 2012
  653. SIGNIS Film Reviews: May 2012
  654. Beauty/ Skoonheid
  655. The Sapphires
  656. Hysteria
  657. And if we all lived together/ Et si on vivait tous ensemble
  658. The Door
  659. Not Suitable for Children
  660. In Darkness
  661. Magic Mike
  662. The Dark Knight Rises
  663. The King is Dead!
  664. You Instead
  665. The Amazing Spiderman
  666. Where do we go now?
  667. The Three Stooges
  668. I Am Eleven
  669. Polisse
  670. Ted
  671. Ice Age: Continental Drift
  672. Snow White and the Huntsman
  673. Take This Waltz
  674. That’s My Boy
  675. Rock of Ages
  676. Comme un chef/ The Chef
  677. Brave
  678. Marley
  679. The Cabin in the Woods
  680. The Innkeepers
  681. Margaret
  682. What to Expect When You’re Expecting
  683. Elena
  684. Prometheus
  685. Anton Chekhov’s The Duel
  686. Friends with Kids
  687. Get the Gringo
  688. Game Change
  689. Declaration of War/ La guerre est declaree
  690. Men in Black 3
  691. Empire of Silver
  692. Silent Souls/ Ovsyenki
  693. The Dictator
  694. Swerve
  695. Once Upon a Time in Anatolia
  696. Careless Love
  697. Dark Shadows
  698. La Delicatesse/ Delicacy
  699. Iron Sky
  700. Trishna
  701. W./E
  702. 21 Jump Street
  703. Act of Valor
  704. Amour de Jeunesse/ Goodbye, First Love
  705. The Avengers
  706. Battleship
  707. Cafe de Flore
  708. The Deep Blue Sea
  709. Dr Seuss’ The Lorax
  710. The Footnote
  711. Ghost Rider: Spirit of Vengeance
  712. Hotel Lux
  713. The Hunger Games
  714. Irvine Welsh’s Ecstasy
  715. Kongen av Bastoy? King of Devil’s Island
  716. Kid with a Bike/ Le Gamin au Velo
  717. The Lady
  718. Le Havre
  719. The Lucky One
  720. Mirror, Mirror
  721. Les Neiges de Kilimandjaro/ The Snows of Kilimanjaro
  722. Pirates: Band of Misfits!
  723. The Raid
  724. Rebellion/ L’Ordre et La Morale
  725. The Rum Diary
  726. Romantics Anonymous/ Les Emotifs Anonymes
  727. Safe
  728. Salmon Fishing in the Yemen
  729. The Sorcerer and the White Snake
  730. La Source des femmes/ The Source
  731. Spud
  732. This Must be the Place
  733. Tomboy
  734. The Woman in Black
  735. Wish You Were Here
  736. La Femme de Vieme/ The Woman in the Fifth
  737. The Five-Year Engagement
  738. La Fille du Puisatier/ The Well Digger’s Daughter
  739. The Wrath of the Titans
  740. SIGNIS Film Reviews: March 2012
  741. Any Questions for Ben?
  742. 50/50
  743. The Artist
  744. The Best Exotic Marigold Hotel
  745. Buck
  746. Carnage
  747. Chronicle
  748. Contraband
  749. A Dangerous Method
  750. The Devil Inside
  751. Gone
  752. Headhunters/ Hodejegerne
  753. Project X
  754. John Carter
  755. One for the Money
  756. Safe House
  757. This Means War
  758. Tyrannosaur
  759. 1911
  760. 30 Minutes or Less
  761. Apollo 18
  762. A Better Life
  763. Everything Must Go
  764. A Few Best Men
  765. Flypaper
  766. The Grey
  767. Journey 2: The Mysterious Island
  768. J. Edgar
  769. Killer Elite
  770. Like Crazy
  771. Man on a Ledge
  772. My Week with Marilyn
  773. Retreat
  774. Shame
  775. Trespass
  776. The Vow
  777. A Moi Seule/ Coming Home
  778. Aujourd’hui/ Today
  779. Barbara
  780. Bel Ami
  781. Captive
  782. Cesare deve morire/ Caesar Must Die
  783. Cherry
  784. Dictado/ Dictation/ Childish Games
  785. Dollhouse
  786. Don 2: Don Must Die
  787. L’Enfant d’ en haut/ Sister
  788. Extremely Loud and Incredibly Close
  789. Flowers of War
  790. Flying Swords of Dragon Gate
  791. Gnade/ Mercy
  792. Haywire
  793. In the Land of Blood and Honey
  794. Jayne Mansfield’s Car
  795. Keep the Lights on
  796. Just the Wind/ Csalk a Szel
  797. La Mer a L’Aube/ Calm at Sea
  798. Meteora
  799. My Brother the Devil
  800. Postcards from the Zoo
  801. Rebelle/ War Witch
  802. A Royal Affair
  803. Shadow Dancer
  804. Tabu
  805. La Vierge, Les Coptes et Moi...
  806. Was Bleibt/ Home for the Weekend
  807. White Deer Plain
  808. Wilaya
  809. SIGNIS Film Reviews: Berlin 2012 Special Edition
  810. SIGNIS Film Reviews: January 2012
  811. Too Big to Fail
  812. The Descendants
  813. Arietty
  814. Autoluminiscent
  815. Hugo
  816. The Muppets
  817. Young Adult
  818. Sherlock Holmes: A Game of Shadows
  819. The Adventures of Tintin
  820. Waste Land
  821. Happy Feet Two
  822. We Bought a Zoo
  823. Dolphin Tale
  824. Albert Nobbs
  825. Courageous
  826. New Year’s Eve
  827. Restless
  828. The Tall Man
  829. The Skin I Live In
  830. Tower Heist
  831. We Need to Talk About Kevin
  832. Another Earth
  833. The Iron Lady
  834. Jack and Jill
  835. Melancholia
  836. Mission Impossible - Ghost Protocol
  837. The Orator/ O Le Tulafale
  838. The Yellow Sea/ Hwanghae
  839. Yes Madam, Sir
  840. SIGNIS Film Reviews: October/November 2011
  841. Breaking Dawn Part I
  842. Attack the Block
  843. The Debt
  844. Habemus Papam (We Have a Pope)
  845. The Ides of March
  846. Immortals
  847. I Don’t Know How She Does It
  848. The Inbetweeners
  849. Moneyball
  850. Puss in Boots
  851. Toomelah
  852. Machine Gun Preacher
  853. Ages of Love (Manuele d’ Am3re)
  854. Arthur Christmas
  855. Shark Night 3D
  856. L’Amour Fou
  857. Country Strong
  858. Oakie’s Outback Adventure
  859. Surviving Georgia
  860. Cedar Rapids
  861. Our Idiot Brother
  862. In Time
  863. The Cup
  864. Don’t be Afraid of the Dark
  865. Contagion
  866. What’s Your Number?
  867. The Three Musketeers
  868. Midnight in Paris
  869. Higher Ground
  870. The Thing
  871. Project Nim
  872. Footloose
  873. Take Shelter
  874. Crazy, Stupid, Love.
  875. The Whistleblower
  876. Monte Carlo
  877. Spy Kids 4: All the Time in the World
  878. Submarine
  879. The Eye of the Storm
  880. Fire in Babylon
  881. Tabloid
  882. Snow Flower and the Secret Fan
  883. Red State
  884. Real Steel
  885. Johnny English Reborn
  886. The Hunter
  887. Fright Night
  888. Abduction
  889. 13 Assassins
  890. Guilty Pleasures
  891. Client 9: the Rise and Fall of Eliot Spitzer
  892. Colombiana
  893. Zookeeper
  894. Final Destination 5
  895. The Change-Up
  896. Face to Face
  897. Win Win
  898. The Rise of the Planet of the Apes
  899. Horrible Bosses
  900. Hobo with a Shotgun
  901. The Help
  902. Conan the Barbarian
  903. Chalet Girl
  904. Beastly
  905. Priest
  906. The Woman
  907. The Greatest Movie Ever Sold
  908. Friends with Benefits
  909. Secuestrados (Kidnapped)
  910. Jane Eyre
  911. Big Mamma’s Boy
  912. Cowboys & Aliens
  913. Green Lantern
  914. Senna
  915. Tucker and Dale vs Evil
  916. The Illusionist
  917. The Conspirator
  918. Love Crime
  919. Captain America, the First Avenger
  920. Precious Life
  921. Bad Teacher
  922. The Eagle
  923. Five Days of August/ Five Days of War
  924. Mars Needs Moms
  925. Stake Land
  926. Beautiful Lies (De Vrais Mensonges)
  927. Meek’s Cutoff
  928. Cars 2
  929. The Last Circus (La Balada Triste de la Trompeta)
  930. Kung Fu Panda 2
  931. Harry Potter and the Deathly Hallows Part 2
  932. Larry Crowne
  933. The Trip
  934. Transformers: Dark of the Moon
  935. Special Treatment (Sans Queue ni Tete)
  936. Mr Popper’s Penguins
  937. Mozart’s Sister
  938. Love and Other Impossible Pursuits/ The Other Woman
  939. All Good Things
  940. Crazy on the Outside
  941. The Tree of Life
  942. SIGNIS Film Reviews: May/June 2011
  943. Faith, Fraud + Minimum Wage
  944. Super 8
  945. Blame
  946. Bridesmaids
  947. Little White Lies
  948. Here I Am
  949. X Men: First Class
  950. The Tunnel
  951. Babies
  952. The Hangover Part II
  953. Carlos
  954. Oceans
  955. Angele et Tony
  956. Soul Surfer
  957. Julia’s Eyes
  958. Mrs Carey’s Concert
  959. Pirates of the Caribbean: On Stranger Tides
  960. SIGNIS Statement: Oranges and Sunshine
  961. Burke and Hare
  962. Water for Elephants
  963. Hanna
  964. Source Code
  965. Hoodwinked Too: The Battle Between Hood and Evil
  966. Fast Five/ The Fast and the Furious 5
  967. Diary of a Wimpy Kid: Rodrick Rules
  968. Your Highness
  969. Thor
  970. Something Borrowed
  971. Snowtown
  972. Scream 4
  973. Rio
  974. La Rafle/ The Round Up
  975. Le Quattro Volte
  976. Paul
  977. Oranges and Sunshine
  978. Murundak
  979. Main Street
  980. Mad Bastards
  981. The Lost Bladesman
  982. Insidious
  983. Incendies
  984. The Human Resources Manager
  985. Get Low
  986. Catfish
  987. Arthur
  988. SIGNIS Film Reviews: March/April 2011
  989. Hop
  990. Sucker Punch
  991. Potiche
  992. Goethe!
  993. The Day I Wasn’t Born (Das lied in mir)
  994. Limitless
  995. Haevnen (In a Better World)
  996. A Heartbeat Away
  997. The Lincoln Lawyer
  998. The Reef
  999. Red Riding Hood
  1000. The Company Men
  1001. Battle Los Angeles
  1002. Just Go With It
  1003. Howl
  1004. The Girl Who Kicked the Hornet’s Nest
  1005. Almanya - Willkommen in Deutschland
  1006. Ausente (Absent)
  1007. Cave of Forgotten Dreams
  1008. Come Rain, Come Shine
  1009. Coriolanus
  1010. Dance Town
  1011. The Devil’s Double
  1012. Les Femmes du 6eme Etage (Women of the 6th Floor/ Service Entrance)
  1013. The Forgiveness of Blood
  1014. The Future
  1015. Griff the Invisible
  1016. The Guard
  1017. If Not Us, Who (Wer Wenn Nicht Wir)
  1018. Invisible (Lo Roim Alaich)
  1019. Late Bloomers
  1020. Margin Call
  1021. Mein Bester Feind (My Best Enemy)
  1022. Un Mondo Misterioso (A Mysterious World)
  1023. Nader and Simin: a Separation
  1024. Odem (Lipstikka)
  1025. SIGNIS Film Reviews: Berlinale 2011 Special Edition
  1026. Our Grand Despair
  1027. Pina
  1028. El Premio (The Prize)
  1029. Romeos
  1030. Schlafkrankheit (Sleeping Sickness)
  1031. Swans
  1032. Tambien la lluvia (Even the Rain)
  1033. Tropa de Elite 2 (Elite Squad 2 - The Enemy Within)
  1034. True Grit
  1035. Unknown
  1036. Utopians
  1037. Vampire
  1038. V Subottu (Innocent Saturday)
  1039. Wind and Fog
  1040. Yelling to the Sky
  1041. The Rite
  1042. La Tete en Friche (My Afternoons with Margueritte)
  1043. Rango
  1044. SIGNIS Statement: The Rite
  1045. The Way Back
  1046. Wasted on the Young
  1047. Secretariat
  1048. Season of the Witch
  1049. No Strings Attached
  1050. Never Let Me Go
  1051. Nenette
  1052. A LIttle Bit of Heaven
  1053. Inside Job
  1054. I Am Number Four
  1055. Hall Pass
  1056. Gnomeo and Juliet
  1057. Conviction
  1058. Big Momma. Like Father Like Son
  1059. The Adjustment Bureau
  1060. Rabbit Hole
  1061. Hereafter
  1062. SIGNIS Statement: Brighton Rock
  1063. Barney’s Version
  1064. The Green Hornet
  1065. The Next Three Days
  1066. Ramona and Beezus
  1067. SIGNIS Film Reviews: January 2011
  1068. The Mechanic
  1069. How Do You Know
  1070. The Romantics
  1071. 127 Hours
  1072. Black Swan
  1073. The Fighter
  1074. Burlesque
  1075. The Dilemma
  1076. Takers
  1077. Stone
  1078. Arctic Blast
  1079. Out Of The Silence
  1080. Helen
  1081. Morning Glory
  1082. Yogi Bear
  1083. Korkoro
  1084. Unstoppable
  1085. Tangled
  1086. The Tourist
  1087. Sarah’s Key (Elle s’appelle Sarah)
  1088. Gulliver’s Travels
  1089. Little Fockers
  1090. Love and Other Drugs
  1091. SIGNIS Film Reviews: December 2010
  1092. The King’s Speech
  1093. Heartbreaker (L’Arnacoeur)
  1094. Somewhere
  1095. Desert Flower
  1096. Tron: Legacy
  1097. Megamind
  1098. The Chronicles of Narnia: Voyage of the Dawn Treader
  1099. Devil
  1100. Rare Exports - A Christmas Tale
  1101. The Last Exorcism
  1102. Due Date
  1103. SIGNIS Film Reviews: October/November 2010
  1104. SIGNIS Film Reviews: September 2010
  1105. Beneath Hill 60
  1106. Monsters
  1107. Harry Potter and the Deathly Hallows Part I
  1108. Machete
  1109. Sisters of War
  1110. Wild Target
  1111. Skyline
  1112. The American
  1113. Winter’s Bone
  1114. The Loved Ones
  1115. Paranormal Activity 2
  1116. Saw 3D (Saw VII)
  1117. The Social Network
  1118. Gainsbourg
  1119. Detective Dee and the Phantom Flame
  1120. You Don’t Know Jack
  1121. Life as We Know It
  1122. Made in Dagenham
  1123. Red
  1124. Let Me In
  1125. The Town
  1126. Resident Evil: Afterlife
  1127. Copacabana
  1128. La Danse
  1129. The Human Centipede (First Sequence)
  1130. The Clinic
  1131. Eat Pray Love
  1132. Buried
  1133. Legend of the Guardians. The Owls of Ga’hoole
  1134. Dinner for Schmucks
  1135. The Least of These
  1136. The City of Your Final Destination
  1137. Sagan
  1138. Summer Coda
  1139. Diary of a Wimpy Kid
  1140. Cats and Dogs: the Revenge of Kitty Galore
  1141. I’m Still Here
  1142. The Other Guys
  1143. The Last Airbender
  1144. Easy A
  1145. Tomorrow When the War Began
  1146. Despicable Me
  1147. Letters to Father Jakob (Postia poppi Jaakobille)
  1148. The Sorcerer’s Apprentice
  1149. Salt
  1150. The Girl Who Played with Fire
  1151. Piranha 3D
  1152. Vampires Suck
  1153. Matching Jack
  1154. SIGNIS Film Reviews: Summer 2010
  1155. Cairo Time
  1156. Peepli [Live]
  1157. The Expendables
  1158. Second Hand Wedding
  1159. Splice
  1160. Step Up 3D
  1161. Scott Pilgrim vs. the World
  1162. The Special Relationship
  1163. South Solitary
  1164. Killers
  1165. Leaving (Partir)
  1166. Inception
  1167. Tinker Bell and the Great Fairy Rescue
  1168. Boy
  1169. The Waiting City
  1170. Knight and Day
  1171. L’Herisson (Hegehog)
  1172. The Runaways
  1173. Predators
  1174. The Karate Kid
  1175. Eclipse (The Twilight Saga: Eclipse)
  1176. Toy Story 3
  1177. New York, I Love You
  1178. The A-Team
  1179. Get Him to the Greek
  1180. Accidents Happen
  1181. L’Affaire Farewell
  1182. Animal Kingdom
  1183. City Island
  1184. Le Concert
  1185. I Love You Too
  1186. The Kings of Mykonos
  1187. Letters to Juliet
  1188. Mademoiselle Chambon
  1189. Mother and Child
  1190. Shrek Forever After
  1191. Valhalla Rising
  1192. SIGNIS Film Reviews: Cannes 2010 Special Edition
  1193. Abel
  1194. Les Amours Immaginaires
  1195. Another Year
  1196. Aurora
  1197. Biutiful
  1198. Blue Valentine
  1199. Burnt by the Sun 2: The Exodus
  1200. Carancho
  1201. Chonqing Blues (Rizhao Chongqing)
  1202. Copie Certifie (Certified Copy)
  1203. Des Hommes et des Dieux (Of Gods and Men)
  1204. Fair Game
  1205. Hahaha
  1206. L’homme qui crie (A Screaming Man)
  1207. Hors-la-loi (Outside the Law)
  1208. The Housemaid
  1209. Kaboom
  1210. Life, Above All
  1211. Lung Boonmee Rachuak Chat (Uncle Boonmee who can Recall Past Lives)
  1212. Marti, Dupa Craciun (Tuesday after Christmas)
  1213. My Joy
  1214. La Nostra Vita
  1215. SIGNIS Statement: "Des hommes et des dieux" (Of Gods and Men)
  1216. Octubre
  1217. Outrage
  1218. Poetry
  1219. La Princesse de Montpensier
  1220. Robin Hood
  1221. Rebecca H. (Return to the Dogs)
  1222. Route Irish
  1223. Simon Werner e Disparu... (Lights Out)
  1224. The Strange Case of Angelica
  1225. Szerid Teremtes - A Frankenstein Terv (Tender Son - the Frankenstein Project
  1226. Tamara Drewe
  1227. Tournee (On Tour)
  1228. The Tree
  1229. Wall Street: Money Never Sleeps
  1230. You Will Meet a Tall Dark Stranger
  1231. SIGNIS Film Reviews: April/May 2010
  1232. Brooklyn’s Finest
  1233. Tooth Fairy
  1234. Sex and the City 2
  1235. The Losers
  1236. Rec 2
  1237. Prince of Persia: the Sands of Time
  1238. Gentlemen Broncos
  1239. Cop Out
  1241. Hot Tub Time Machine
  1242. A Room and a Half
  1243. Psych 9
  1244. A Nightmare on Elm Street
  1245. Furry Vengeance
  1246. Four Lions
  1247. The Backup PLan
  1248. Iron Man 2
  1249. Revanche
  1250. The Last Song
  1251. The Disappearance of Alice Creed
  1252. SIGNIS Statement: Agora
  1253. SIGNIS Statement: The Calling
  1254. The Joneses
  1255. Dogtooth
  1256. Centurion
  1257. It’s a Wonderful Afterlife
  1258. Cherrybomb
  1259. Date Night
  1260. Io Sono L’Amore (I Am Love)
  1261. Pazar (The Market - a Tale of Trade)
  1262. City of Life and Death
  1263. Cemetery Junction
  1264. Ghost (The Ghost Writer)
  1265. Dear John
  1266. Repo Men
  1267. Crying with Laughter
  1268. Boogie Woogie
  1269. Donne-moi La Main (Give Me Your Hand)
  1270. Shelter
  1271. The Infidel
  1272. Whip It
  1273. I Know You Know
  1274. SIGNIS Statement: Lourdes
  1275. SIGNIS Statement: No Greater Love
  1276. Shank
  1277. How to Train Your Dragon
  1278. Clash of the Titans
  1279. Remember Me
  1280. Kick Ass
  1281. Nanny McPhee and the Big Bang
  1282. The Blind Side
  1283. I Love You, Phillip Morris
  1284. The Bounty Hunter
  1285. My Last Five Girlfriends
  1286. The Spy Next Door
  1287. Sons of Cuba
  1288. Salvage
  1289. The Scouting Book for Boys
  1290. House of the Devil
  1291. Green Zone
  1292. Hachi: a Dog’s Tale
  1293. Shutter Island
  1294. The Girl with the Dragon Tattoo
  1295. The Kreutzer Sonata
  1296. The Father of My Children (Le Pere de Mes Enfants)
  1297. Chloe
  1298. Battle for Terra
  1299. The Wolfman
  1300. Oorlogswinter (Winter in Wartime)
  1301. Valentine’s Day
  1302. Solomon Kane
  1303. Powder Blue
  1304. The Crazies
  1305. Case 39
  1306. Anonyma
  1307. Alice in Wonderland
  1308. Percy Jackson and the Olympians: the Lightning Thief
  1309. Ondine
  1310. Micmacs
  1311. Legion
  1312. Leap Year
  1313. From Paris with Love
  1314. Extraordinary Measures
  1315. Everybody’s Fine
  1316. Crazy Heart
  1317. SIGNIS Film Reviews: Berlin 2010 Special Edition
  1318. SIGNIS Film Reviews: January/February 2010
  1319. L’Arbre et La Foret (Family Tree)
  1320. L’Autre Dumas (The Other Dumas)
  1321. Bal (Honey)
  1322. David Wants to Fly
  1323. Exit Through the Gift Shop
  1324. En Familie (A Family)
  1325. Father of Invention
  1326. Die Fremde (When You Leave)
  1327. Greenberg
  1328. Jud Suss: Rise and Fall
  1329. The Kids are All Right
  1330. The Killer Inside Me
  1331. Mine Vaganti (Loose Cannons)
  1332. My Name is Khan
  1333. Na Putu (On the Path)
  1334. Otouto (About Her Brother)
  1335. Please Give
  1336. Red Hill
  1337. Shahada (Faith)
  1338. Son of Babylon
  1339. Submarino
  1340. When I Want to Whistle, I Whistle
  1341. A Woman, A Gun and a Noodle Shop
  1342. Invictus
  1343. The Book of Eli
  1344. Astro Boy
  1345. Youth in Revolt
  1346. Up in the Air
  1347. Tony
  1348. A Single Man
  1349. Romeo and Juliet (Indonesia)
  1350. Holy Water
  1351. Exam
  1352. It’s Complicated
  1353. 44 Inch Chest
  1354. Nine
  1355. St Trinians: the Legend of Fritton’s Gold
  1356. Ninja Assassin
  1357. Daybreakers
  1358. Armored
  1359. Edge of Darkness
  1360. Motherhood
  1361. Brothers
  1362. Breathless
  1363. Bran Nue Dae
  1364. All About Steve
  1365. The Princess and the Frog
  1366. Talentime
  1367. Troubled Water (De Usynlige)
  1368. Extract
  1369. Shrink
  1370. Sex & Drugs & Rock & Roll
  1371. Diamant 13
  1372. Old Dogs
  1373. Did You Hear about the Morgans?
  1374. Mao’s Last Dancer
  1375. Sherlock Holmes
  1376. The Lovely Bones
  1377. Prime Mover
  1378. The Brothers Bloom
  1379. Avatar
  1380. SIGNIS Film Reviews: October/November/December 2009
  1381. The Other Man
  1382. Post Grad
  1383. Unmade Beds
  1384. Where the Wild Things Are
  1385. Planet 51
  1386. Only When I Dance
  1387. Nowhere Boy
  1388. The Merry Gentleman
  1389. Me and Orson Welles
  1390. The Girlfriend Experience
  1391. Le Premier Jour du Reste de ta vie (The First Day of the Rest of Your Life)
  1392. The Descent: Part 2
  1393. Cracks
  1394. The Box
  1395. Nativity!
  1396. Paranormal Activity
  1397. Law Abiding Citizen
  1398. Bunny and the Bull
  1399. Machan
  1400. The Boys are Back
  1401. New Moon (The Twilight Saga: New Moon)
  1402. Glorious 39
  1403. A Serious Man
  1404. Examined Life
  1405. Un Barrage Contre le Pacifique (The Sea Wall)
  1406. Harry Brown
  1407. Amelia
  1408. 2012
  1409. The Fourth Kind
  1410. An Education
  1411. A Christmas Carol
  1412. The Men Who Stare at Goats
  1413. The Cove
  1414. The Horseman
  1415. Jennifer’s Body
  1416. Fantastic Mr Fox
  1417. Saw VI
  1418. Coffin Rock
  1419. Dead Man Running
  1420. Stone Bros.
  1421. Disgrace
  1422. My Year without Sex
  1423. This Is It
  1424. Blessed
  1425. Cirque du Freak: the Vampire’s Assistant
  1426. Cedar Boys
  1427. Beautiful Kate
  1428. 9
  1429. Pontypool
  1430. Couples Retreat
  1431. Halloween II
  1432. Ong Bak: the Beginning
  1433. Zombieland
  1434. Capitalism: A Love Story
  1435. The Informant!
  1436. Pandorum
  1437. My Life in Ruins (Driving Aphrodite)
  1438. Surrogates
  1439. The Invention of Lying
  1440. Whiteout
  1441. Sorority Row
  1442. The Soloist
  1443. Management
  1444. Julie & Julia
  1445. Jack Said
  1446. Gamer
  1447. The Firm
  1448. Fame
  1449. Dorian Gray
  1450. The Crimson Wing
  1451. Creation
  1452. Cloudy with a Chance of Meatballs
  1453. Blind Dating
  1454. Away We Go
  1455. Adventureland
  1456. SIGNIS Film Reviews: Summer 2009
  1457. District 9
  1458. (500) Days of Summer
  1459. The Red Baron
  1460. Sztuczki (Tricks)
  1461. Shorts
  1462. Funny People
  1463. The Time Traveler’s Wife
  1464. A Perfect Getaway
  1465. I Love You, Beth Cooper
  1466. The Final Destination
  1467. Dance Flick
  1468. Bandslam
  1469. Aliens in the Attic
  1470. Orphan
  1471. Adam
  1472. GI Joe: The Rise of Cobra
  1473. Home
  1474. The Ugly Truth
  1475. G-Force
  1476. The Taking of Pelham 123
  1477. Land of the Lost
  1478. Crossing Over
  1479. Mad, Sad and Bad
  1480. Coco Avant Chanel (Coco Before Chanel)
  1481. The Limits of Control
  1482. The Hurt Locker
  1483. Villa Amalia
  1484. Antichrist: An Essay/Review
  1485. The Proposal
  1486. Just Another Love Story
  1487. Charles Dickens’ England
  1488. Soul at Peace (Pokoj v Dusi)
  1489. Bist (Twenty)
  1490. Un Age a la Mer (Angel at Sea)
  1491. Tutta Colpa di Giuda
  1492. Swinki (Piggies)
  1493. Goodbye, Solo
  1494. Moon
  1495. Martyrs
  1496. The Informers
  1497. Lake Tahoe
  1498. Harry Potter and the Half-Blood Prince
  1499. Frozen River
  1500. Cold Souls
  1501. Bruno
  1502. Red Mist
  1503. Public Enemies
  1504. Ice Age 3: Dawn of the Dinosaurs
  1505. Shirin
  1506. Blood: the Last Vampire
  1507. My Sister’s Keeper
  1508. Sunshine Cleaning
  1509. Rudo y Cursi
  1510. Sin Nombre
  1511. Year One
  1512. The Last Thakur
  1513. The Last House on the Left
  1514. Doghouse
  1515. Everlasting Moments (Maria Larsson’s Everlasting Moments)
  1516. Telstar
  1517. Gigantic
  1518. Red Cliff
  1519. Helen
  1520. The Hangover
  1521. O’Horten
  1522. The Children of the Silk Road (The Children of Huang Shi/ Escape from Huang Shi)
  1523. Sex Drive
  1524. Terminator Salvation
  1525. Tormented
  1526. Sugar
  1527. Pour Elle (Anything for Her)
  1528. Max Manus
  1529. Last Chance Harvey
  1530. The Hide
  1531. Awaydays
  1532. Angels & Demons
  1533. Fighting
  1534. Drag Me to Hell
  1535. Night at the Museum: Battle for the Smithsonian
  1536. Endgame
  1537. Obsessed
  1538. Viva
  1539. French Film
  1540. Das Weisse Band (The White Ribbon)
  1541. Visage
  1542. Vincere
  1543. Vengeance
  1544. Up
  1545. The Tsar
  1546. The Time that Remains
  1547. Thirst: Ceci est mon Sang
  1548. Tales from the Golden Age
  1549. Taking Woodstock
  1550. The Silent Army
  1551. Samson & Delilah
  1552. Un Prophete
  1553. Precious
  1554. Police, Adjective
  1555. Nobody Knows About Persian Cats
  1556. My Neighbour, My Killer
  1557. Mother
  1558. Map of the Sounds of Tokyo
  1559. Manila
  1560. Looking for Eric
  1561. Jaffa
  1562. Kinatay
  1563. Irene
  1564. Inglourious Basterds
  1565. Independencia
  1566. The Imaginarium of Doctor Parnassus
  1567. La Fille du RER (The Girl on the Train)
  1568. Fish Tank
  1569. Eyes Wide Open
  1570. Enter the Void
  1571. Demain des L’Aube
  1572. Coco Chanel & Igor Stravinsky
  1573. Chun Fen Chen Zui De Ye Wan (Spring Fever)
  1574. Cendres et Sang (Ashes and Blood)
  1575. Bright Star
  1576. L’Armee du Crime
  1577. A L’Origine
  1578. Los Abrazos Rotos
  1579. SIGNIS Film Reviews: Cannes 2009 Special Edition
  1580. SIGNIS Statement: Angels and Demons
  1581. Good
  1582. Coraline
  1583. Star Trek
  1584. Wolverine: X Men Origins
  1585. SIGNIS Film Reviews: April 2009
  1586. Is Anybody There?
  1587. Momma’s Man
  1588. Shifty
  1589. Seraphine
  1590. Villa Jasmin
  1591. Snow (Snijeg)
  1592. Four Nights with Anna
  1593. Fermat’s Room (La habitacion de Fermat)
  1594. Wrong Rosary
  1595. Tear This Heart Out (Arrancame la vida)
  1596. Skin
  1597. Si Puo Fare (We Can Do It/ It Can Be Done)
  1598. Scratch (Rysa)
  1599. Hannah Montana: the Movie
  1600. Blue Eyelids (Parpados Azules)
  1601. Crank: High Voltage
  1602. The Empty Nest
  1603. The Market - a tale of Trade
  1604. Rain
  1605. The Necessities of Life (Ce qu’il faut pour vivre)
  1606. State of Play
  1607. Observe and Report
  1608. Outlander
  1609. Hassan and Morkos
  1610. Departures (Okuribito)
  1611. Dansen (Dancers)
  1612. Blind Sunflowers (Los Girasoles Ciegos)
  1613. 35 Rhums (35 Shots of Rum)
  1614. In the Loop
  1615. Not Easily Broken
  1616. Five Minutes of Heaven
  1617. Let the Right One In
  1618. I Love You, Man
  1619. Fifty Dead Men Walking
  1620. Dragonball: Evolution
  1621. 17 Again
  1622. Fast and Furious
  1623. Tony Manero
  1624. Race to Witch Mountain
  1625. SIGNIS Film Reviews: March 2009
  1626. SIGNIS Statement: Religulous
  1627. Cherry Blossoms (Kirschebluten/Hanami)
  1628. Monsters Vs Aliens
  1629. The Boat that Rocked
  1630. I Can’t Think Straight
  1631. The World Unseen
  1632. Religulous
  1633. The Uninvited
  1634. Little Ashes
  1635. The Haunting in Connecticut
  1636. Knowing
  1637. The Life Before Her Eyes
  1638. Traitor
  1639. Genova
  1640. The Damned United
  1641. Duplicity
  1642. Diminished Capacity
  1643. Paul Blart: Mall Cop
  1644. Lesbian Vampire Killers
  1645. The Age of Stupid
  1646. Flash of Genius
  1647. Bronson
  1648. Hush
  1649. The Great Debaters
  1650. The Young Victoria
  1651. Wendy and Lucy
  1652. Watchmen
  1653. Reverb
  1654. A Short Stay in Switzerland
  1655. Flammen & Citronen (Flame & Citron)
  1656. The Burning Plain
  1657. American Teen
  1658. SIGNIS Film Reviews: Berlin 2009 Special Edition
  1659. Yarwng (Roots)
  1660. The Crew
  1661. He’s Just Not That Into You
  1662. Push
  1663. Confessions of a Shopaholic
  1664. SIGNIS Film Reviews: February 2009
  1665. The International
  1666. New in Town
  1667. The Unborn
  1668. Franklyn
  1669. Cadillac Records
  1670. Hotel for Dogs
  1671. Friday the 13th
  1672. Gran Torino
  1673. All About Elly (Darbareye Elly)
  1674. Alle Anderen (Everyone Else)
  1675. An American in New York
  1676. Ander
  1677. Beast Stalker
  1678. The Bone Man (Der Knochenmann)
  1679. Burrowing (Man Tanker Sitt)
  1680. Cheri
  1681. The Countess
  1682. Deutschland 09
  1683. Eden a L’Ouest (Eden is West)
  1684. End of Love
  1685. The Fish Child (El Nino Pez)
  1686. Forever Enthralled
  1687. Gigante
  1688. Happy Tears
  1689. John Rabe
  1690. Just Walking (Solo Quiero Caminar)
  1691. Katalin Varga
  1692. Letters to the President
  1693. London River
  1694. Mammoth
  1695. The Messenger
  1696. Milk of Sorrow (La Teta Asustuda)
  1697. My One and Only
  1698. Pedro
  1699. The Private Lives of Pippa Lee
  1700. Rage
  1701. Ricky
  1702. Ruckenwind (Light Gradient)
  1703. Storm
  1704. Tatarak (Sweet Rush)
  1705. Welcome
  1706. Winterstilte (Winter Silence)
  1707. Notorious
  1708. The Pink Panther 2
  1709. The Spirit
  1710. The Square
  1711. Bottle Shock
  1712. Bolt
  1713. JCVD
  1714. Cronoscrimines (Time Crimes)
  1715. Valkyrie
  1716. Nick and Nora’s Infinite Playlist
  1717. Henry Poole is Here
  1718. The Broken
  1719. Battle in Seattle
  1720. Underworld: The Rise of the Lycans
  1721. Tokyo Sonata
  1722. The Punisher: War Zone
  1723. Who Killed Nancy?
  1724. My Bloody Valentine 3D
  1725. SIGNIS Film Reviews: January 2009
  1726. My Mom’s New Boyfriend
  1727. Lucky Miles
  1728. Marley and Me
  1729. Gabriel
  1730. Bride Wars
  1731. Monkey PUzzle
  1732. Doubt
  1733. Frost/Nixon
  1734. Defiance
  1735. Revolutionary Road
  1736. Roman de Gare
  1737. The Sisterhood of the Travelling Pants 2
  1738. Seven Pounds
  1739. Transsiberian
  1740. Garbage Warrior
  1741. Yes Man
  1742. The Grocer’s Son
  1743. Slumdog Millionaire
  1744. The Reader
  1745. Far North
  1746. Bedtime Stories
  1747. Beverley Hills Chihuahua
  1748. Newcastle
  1749. Fugitive Pieces
  1750. Gonzo, the Life and Times of Dr. Hunter S. Thompson
  1751. The Wrestler
  1752. A Bunch of Amateurs
  1753. Twilight
  1754. The Tale of Despereaux
  1755. Milk
  1756. The Curious Case of Benjamin Button
  1757. Australia
  1758. SIGNIS Film Reviews: December 2008
  1759. The Church in Transition: Doubt
  1760. Faintheart
  1761. Dean Spanley
  1762. Trade
  1763. The Stone of Destiny
  1764. Nordwand (North Face)
  1765. Love and Honour
  1766. Inkheart
  1767. The Day the Earth Stood Still
  1768. Choke
  1769. Madagascar Escape 2 Africa
  1770. My Best Friend’s Girl
  1771. The Secret Life of Bees
  1772. Quarantine
  1773. Summer
  1774. Julia
  1775. Four Christmases
  1776. Il Vento Va il Suo Giro (The Wind Blows Around)
  1777. Un Poco de Chocolade (A Little Bit of Chocolate)
  1778. Transporter 3
  1779. The Girl in the Park
  1780. Les Lignes du Sang (Rivals)
  1781. Bonneville
  1782. The Children
  1783. The Express
  1784. Lakeview Terrace
  1785. SIGNIS Film Reviews: October-November 2008
  1786. Body of Lies
  1787. The Oxford Murders
  1788. Flawless
  1789. Dialogue avec mon Jardinier (Conversations with My Gardener)
  1790. The Warlords
  1791. Easy Virtue
  1792. Fine, Totally Fine
  1793. Max Payne
  1794. Pride and Glory
  1795. Zach and Miri Make a Porno
  1796. Choking Man
  1797. The Baader Meinhof Complex
  1798. Scar 3D
  1799. W
  1800. Kit Kittredge: An American Girl
  1801. Quantum of Solace
  1802. High School Musical 3: Senior Year
  1803. Incendiary
  1804. Of Time and the City
  1805. Le Ring
  1806. A nyomozo (The Investigation)
  1807. Rumba
  1808. Saw V
  1809. Un Coeur Simple (A Simple Heart)
  1810. Non Pensarci (Don’t Think About It)
  1811. Eagle Eye
  1812. Igor
  1813. The Rocker
  1814. Free Jimmy
  1815. Young @ Heart
  1816. La Zona
  1817. Rachel Getting Married
  1818. Bigga than Ben
  1819. Vinyan
  1820. Nights in Rodanthe
  1821. City of Ember
  1822. Mirrors
  1823. Brideshead Revisited
  1824. Mutant Chronicles
  1825. The House Bunny
  1826. Fly Me to the Moon 3D
  1827. SIGNIS Statement: Brideshead Revisited and its Catholicism
  1828. SIGNIS Film Reviews: September 2008
  1829. Tropic Thunder
  1830. 88 Minutes
  1831. How to Lose Friends and Alienate People
  1832. Good Dick
  1833. Die Welle (The Wave)
  1834. Rocknrolla
  1835. Redbelt
  1836. Righteous Kill
  1837. The Foot Fist Way
  1838. Death Race
  1839. Bangkok Dangerous
  1840. Appaloosa
  1841. The Women
  1842. Taken
  1843. Eden Lake
  1844. Babylon AD
  1845. Live!
  1846. Burn After Reading
  1847. The Boy in the Striped Pyjamas
  1848. Disaster Movie
  1849. Myrin (Jar City)
  1850. Partition
  1851. The Strangers
  1852. Step-Brothers
  1853. SIGNIS Film reviews: August 2008
  1854. Puffball
  1855. Times and Winds (Bes Vakit)
  1856. The Wackness
  1857. Wild Child
  1858. Shoot on Sight
  1859. Daylight Robbery
  1860. El Cantante
  1861. Somers Town
  1862. You Don’t Mess with the Zohan
  1863. Get Smart
  1864. Ben X
  1865. College Road Trip
  1866. Hellboy II: the Golden Army
  1867. Man from Plains
  1868. Three and Out
  1869. Vexille
  1870. Angel
  1871. The Clone Wars
  1872. Miss Pettigrew Lives a Day
  1873. The Karamazovs
  1874. SIGNIS Statement: The X-Files: I Want to Believe
  1875. The Mummy: Tomb of the Dragon Emperor
  1876. CJ7
  1877. Make it Happen
  1878. Tropa de Elite (Elite Squad)
  1879. Renard et L’Enfant (The Fox and the Child)
  1880. The Love Guru
  1881. Cidade dos Homens (City of Men)
  1882. The X Files: I Want to Believe
  1883. Married Life
  1884. Cass
  1885. Blindsight
  1886. Paris
  1887. Before the Rains
  1888. Angus, Thongs and Perfect Snogging
  1889. Elle s’appelle Sabine (Her Name is Sabine)
  1890. Buddha Collapsed out of Shame
  1891. The Dark Knight
  1892. Baby Mama
  1893. Meet Dave
  1894. WALL.E
  1895. Donkey Punch
  1896. SIGNIS Film Reviews: July 2008
  1897. Journey to the Center of the Earth 3D
  1898. Mamma Mia
  1899. The Forbidden Kingdom
  1900. SIGNIS Film Reviews: June 2008
  1901. La Romance d’Astree et Celadon
  1902. Mad Detective
  1903. Mes Amis, Mes Amours
  1904. Kung Fu Panda
  1905. In Memory of My Father
  1906. Adulthood
  1907. El Bano del Papa (The Pope’s Toilet)
  1908. My Winnipeg
  1909. Les Femmes de l’Ombre (Female Agents)
  1910. Prince Caspian
  1911. Hancock
  1912. Wanted
  1913. Cassandra’s Dream
  1914. The Ruins
  1915. The Edge of Love
  1916. The Waiting Room
  1917. In Search of a Midnight Kiss
  1918. The Happening
  1919. The Incredible Hulk
  1920. Hors de Prix (Priceless)
  1921. Teeth
  1922. SIGNIS Film Reviews: Cannes 2008 Special Edition
  1923. The Escapist
  1924. Kamikaze Girls
  1925. Persepolis
  1926. Mongol
  1927. Ostrov (The Island)
  1928. Taxi to the Darkside
  1929. Balls of Fury
  1930. Mad Money
  1931. Anamorph
  1932. Filth: the Mary Whitehouse Story
  1933. Welcome Home Roscoe Jenkins
  1934. Sarkar Raj
  1935. Harold and Kumar Escape from Guantanomo
  1936. Caramel
  1937. Prom Night
  1938. Superhero Movie
  1939. Chemical Wedding
  1940. Indiana Jones and the Kingdom of the Crystal Skull
  1941. Sex and the City
  1942. Timber Falls
  1943. 24 City
  1944. Adoration
  1945. A Festa da Menina Morta (Dead Girl’s Feast)
  1946. Afterschool
  1947. Los Bastardos
  1948. Blindness
  1949. The Chaser
  1950. Che
  1951. Un Conte de Noel
  1952. Delta
  1953. Il Divo
  1954. Entre les Murs (The Class)
  1955. The Exchange (formerly Changeling)
  1956. La Frontiere de l’Aube (The Dawn Shore)
  1957. Gomorrah
  1958. The Good, the Bad and the Weird
  1959. Hunger
  1960. Johnny Mad Dog
  1961. Leonera (Lion’s Den)
  1962. Linha de Passe
  1963. Milh Hadha Al-Bahr (Salt of this Sea)
  1964. La Mujer sin Cabeza
  1965. My Magic
  1966. Ocean Flame
  1967. Versailles
  1968. De Ofrivilliga (Involuntary)
  1969. Palermo Shooting
  1970. Sanguepazzo (Wild Blood)
  1971. Serbis
  1972. Le Silence de Lorna (Lorna’s Silence)
  1973. Soi Cowboy
  1974. Surveillance
  1975. Synecdoche, New York
  1976. Tokyo!
  1977. UC Maymun (The Three Monkeys)
  1978. Ting Chi (Parking)
  1979. Tulpan
  1980. Two Lovers
  1981. Vicki Cristina Barcelona
  1982. La Vie Moderne
  1983. Waltz with Bashir
  1984. What Just Happened?
  1985. Wolke 9 (Cloud 9)
  1986. Bienvenue chez les Ch’its (Welcome to the Sticks)
  1987. The Black Balloon
  1988. Charlie Bartlett
  1989. Shutter
  1990. Tovarisch, I Am Not Dead
  1991. La Question Humaine (Heartbeat Detector)
  1992. Cashback
  1993. XXY
  1994. Where in the World is Osama Bin Laden?
  1995. Honeydripper
  1996. Un Secret
  1997. The Air I Breathe
  1998. SIGNIS Films Reviews: April 2008
  1999. The Eye
  2000. Speed Racer
  2001. What Happens in Vegas
  2002. Stop-Loss
  2003. [Rec.]
  2004. Iron Man
  2005. Manufacturing Landscapes
  2006. Made of Honour
  2007. Doomsday
  2008. In Bruges
  2009. Pathology
  2010. Street Kings
  2011. One Missed Call
  2012. P2
  2013. My Enemy’s Enemy
  2014. Nim’s Island
  2015. 21
  2016. Leatherheads
  2017. Flashbacks of a Fool
  2018. Deception
  2019. Fool’s Gold
  2020. Gone Baby Gone
  2021. Forgetting Sarah Marshall
  2022. The Mourning Forest
  2023. Boarding Gate
  2024. Death Defying Acts
  2025. Ballast
  2026. The Visitor
  2027. Smart People
  2028. The Mist
  2029. The King of California
  2030. Funny Games U.S.
  2031. Son of Rambow
  2032. Awake
  2033. How She Move
  2034. My Brother is an Only Child
  2035. Drillbit Taylor
  2036. First Sunday
  2037. The Go Master
  2038. Run, Fatboy, Run
  2039. The 11th Hour
  2040. Meet the Spartans
  2041. Lars and the Real Girl
  2042. The Spiderwick Chronicles
  2043. Step Up 2: The Streets
  2044. The Orphanage (El Orfanato)
  2045. Love in the Time of Cholera
  2046. Dr Seuss’s Horton Hears a Who
  2047. SIGNIS Film Reviews: March 2008
  2048. L’heure Zero (Towards Zero)
  2049. Avril
  2050. Sous Les Bombes (Under the Bombs)
  2051. Children of Glory
  2052. Out of the Blue
  2053. Miss Austen Regrets
  2054. Assembly
  2055. The Cottage
  2056. Beaufort
  2057. 10,000 BC
  2058. Vantage Point
  2059. Four Minutes (Vier Minuten)
  2060. La Grain et le mulet (The Secret of the Grain)
  2061. George A. Romero’s Diary of the Dead
  2062. Garage
  2063. Fade to Black
  2064. The Accidental Husband
  2065. The Baker
  2066. The Bank Job
  2067. The Bucket List
  2068. Mang Shan (Blind Mountain)
  2069. Mister Lonely
  2070. Rambo
  2071. Semi-Pro
  2072. Untraceable
  2073. Waz
  2074. SIGNIS Film Reviews: Berlin 2008 Special Edition
  2075. Tirador (Slingshot)
  2076. 3 Zan (3 Women)
  2077. Tatil Katibi (Summer Book)
  2078. Standard Operating Procedure
  2079. Sleep Dealer
  2080. Restless
  2081. The Other Boleyn Girl
  2082. Night and Day (Bam Gua Nat)
  2083. Man Jeuk (Sparrow)
  2084. Lemon Tree
  2085. Lady Jane
  2086. Katyn
  2087. Kabei - Our Mother
  2088. Jesus Christus Erloser (Jesus Christ Saviour)
  2089. Jerusalema
  2090. Il y a longtemps que je t’aime (I Have Loved You for So Long)
  2091. Hey Hey It’s Esther Blueburger
  2092. Happy-Go-Lucky
  2093. Fireflies in the Garden
  2094. Feuerherz (Heart of Fire)
  2095. Elegy
  2096. Dream Boy
  2097. Derek
  2098. Corroboree
  2099. Caos Calmo (Quiet Chaos)
  2100. Boy A
  2101. Be Kind Rewind
  2102. Balikbayan Box
  2103. Black Water
  2104. Jumper
  2105. SIGNIS Film Reviews: February 2008
  2106. There Will Be Blood
  2107. Juno
  2108. Definitely, Maybe
  2109. The Forest of Death
  2110. The Professor and his Beloved Equation
  2111. The Water Horse
  2112. Time to Die
  2113. The Matrimony
  2114. Penelope
  2115. Anche Libero va bene (Across the Ridge)
  2116. Le Scaphandre et Le Papillon (The Diving Bell and the Butterfly)
  2117. Margot at the Wedding
  2118. Things We Lost in the Fire
  2119. Over Her Dead Body
  2120. Italianetz (The Italian)
  2121. Cloverfield
  2122. Battle for Haditha
  2123. The Savages
  2124. Desaccord Parfait (Twice on a Lifetime)
  2125. Ensemble, C’est Tout (Hunting and Gathering)
  2126. Clubland
  2127. The Final Winter
  2128. Footy Legends
  2129. The Good Night
  2130. Kokoda
  2131. Sweeney Todd: the Demon Barber of Fleet Street
  2132. September
  2133. Asterix at the Olympic Games
  2134. St Trinians
  2135. Walk Hard: the Dewey Cox Story
  2136. Underdog
  2137. Charlie Wilson’s War
  2138. SIGNIS Film Reviews: January 2008
  2139. Alien versus Predator: Requiem
  2140. Dan in Real Life
  2141. PS I Love You
  2142. Before the Devil Knows You’re Dead
  2143. Romulus, My Father
  2144. Rogue
  2145. National Treasure: Book of Secrets
  2146. I Am Legend
  2147. Closing the Ring
  2148. The Man in the Chair
  2149. The Game Plan
  2150. The Bet
  2151. 27 Dresses
  2152. As It Is In Heaven
  2153. Arctic Tale
  2154. Youth without Youth
  2155. Mr Magorium’s Wonder Emporium
  2156. Weirdsville
  2157. My Kid Could Paint That
  2158. Infinite Justice
  2159. Chromophobia
  2160. Anna M
  2161. Bella
  2162. The Bee Movie
  2163. He Was a Quiet Man
  2164. SIGNIS Statement: The Golden Compass
  2165. 30 Days of Night
  2166. Brick Lane
  2167. Enchanted
  2168. A Very British Gangster
  2169. Code Name: The Cleaner
  2170. I’m Not There
  2171. SIGNIS Film Reviews: November 2007
  2172. Pret-moi la main (I Do)
  2173. Talk to Me
  2174. Rescue Dawn
  2175. Shrooms
  2176. Fred Claus
  2177. Hitman
  2178. This Christmas
  2179. August Rush
  2180. You Kill Me
  2181. Stellet Licht
  2182. Silk
  2183. Into the Wild
  2184. The Lookout
  2185. Good Luck Chuck
  2186. Beowulf
  2187. I Served the King of England
  2188. The Jane Austen Book Club
  2189. Redacted
  2190. The Magic Flute
  2191. American Gangster
  2192. The Assassination of Jesse James by the Coward Robert Ford
  2193. Lions for Lambs
  2194. SIGNIS Statement: Elizabeth - The Golden Age
  2195. Once
  2196. Black Sheep
  2197. Nancy Drew
  2198. Mr Brooks
  2199. The Last Legion
  2200. Resident Evil: Extinction
  2201. The Invasion
  2202. Razzle Dazzle
  2203. Interview
  2204. Stardust
  2205. Rendition
  2206. Ratatouille
  2207. The Nines
  2208. In the Valley of Elah
  2209. The Hunting Party
  2210. Eastern Promises
  2211. The Dark is Rising
  2212. The Darjeeling Limited
  2213. Daddy Day Camp
  2214. Blame it on Fidel
  2215. SIGNIS Film Reviews: October 2007
  2216. Rocket Science
  2217. Shoot ’em Up
  2218. Mr Woodcock
  2219. Across the Universe
  2220. Halloween
  2221. Sleuth
  2222. Death at a Funeral
  2223. Syndromes and a Century
  2224. Lust, Caution
  2225. It’s a Free World
  2226. War
  2227. The Nanny Diaries
  2228. And When Did You Last See Your Father
  2229. Control
  2230. Dnevnoy Dozor (Day Watch)
  2231. Feast of Love
  2232. The Heartbreak Kid
  2233. Hot Rod
  2234. I Now Pronounce You Chuck and Larry
  2235. The Kingdom
  2236. The Brave One
  2237. Die Falscher (The Counterfeiters)
  2238. In Memoria di Me
  2239. Takva
  2240. Superbad
  2241. Le Serpent
  2242. Michael Clayton
  2243. Irina Palm
  2244. Georgia Rule
  2245. The Ex (Fast Track)
  2246. SIGNIS Films Reviews: August/September 2007
  2247. Atonement
  2248. 3:10 to Yuma
  2249. No Reservations
  2250. Death Sentence
  2251. 1408
  2252. December Boys
  2253. 2 Days in Paris
  2254. Year of the Dog
  2255. Buy it Now
  2256. Quelques Jours en Septembre
  2257. Hallam Foe
  2258. We are all Christs (Wszyscy Jestesmy Chrystusami)
  2259. Sugarhouse
  2260. Waitress
  2261. Seraphim Falls
  2262. Lady Chatterley
  2263. Knocked Up
  2264. Evening
  2265. Eagle vs Shark
  2266. 12.08, East of Bucharest
  2267. The Bourne Ultimatum
  2268. Sparkle
  2269. Bratz the Movie
  2270. Ecoute le temps
  2271. Mee Shee: the Water Giant
  2272. Marigold
  2273. Copying Beethoven
  2274. Surf’s Up
  2275. Rush Hour 3
  2276. License to Wed
  2277. Happily N’Ever After
  2278. Wind Chill
  2279. SIGNIS Film Reviews: June-July 2007
  2280. Tales from Earthsea
  2281. Gandhi my Father
  2282. Evan Almighty
  2283. The Hoax
  2284. I Have Never Forgotten You: the Life and Legacy of Simon Wiesenthal
  2285. Transformers
  2286. In the Land of Women
  2287. The Walker
  2288. The Simpsons Movie
  2289. Disturbia
  2290. Daratt
  2291. Macbeth
  2292. The Priestess
  2293. The Lark Farm
  2294. Harry Potter and the Order of the Phoenix
  2295. Hairspray
  2296. A Story of People in War and Peace
  2297. Screamers
  2298. SIGNIS Statement: Sinner
  2299. The War on Democracy
  2300. Die Hard 4.0
  2301. Dead Silence
  2302. The Flying Scotsman
  2303. Hostel 2
  2304. Sketches of Frank Gehry
  2305. Shrek the Third
  2306. Grow Your Own
  2307. Ne le dis a personne (Tell No One)
  2308. Lucky You
  2309. Captivity
  2310. PTU
  2311. The Fantastic Four: Rise of the Silver Surfer
  2312. Water
  2313. Vacancy
  2314. Are We Done Yet?
  2315. Frankie
  2316. SIGNIS Film Reviews: Cannes 2007 Special Edition
  2317. SIGNIS Film Reviews: May 2007
  2318. SIGNIS Film Reviews: April 2007
  2319. The Wild Blue Yonder
  2320. Messages
  2321. Black Gold
  2322. Nuovomondo (Golden Door)
  2323. Turistas (Paradise Lost)
  2324. Je Suis Pas La Pour Etre Aime (Not Here to be Loved)
  2325. The Tiger’s Tail
  2326. Oceans 13
  2327. Pirates of the Caribbean 3: At World’s End
  2328. The Chumscrubber
  2329. The City of Violence
  2330. The Hitcher
  2331. We Own the Night
  2332. Naissance des Pieuvres (Water Lilies)
  2333. Une Vielle Maitresse (An Old Mistress)
  2334. Triangle
  2335. Terror’s Advocate
  2336. Tehilim
  2337. La Soledad
  2338. Sicko
  2339. Secret Sunshine
  2340. Savage Grace
  2341. Paranoid Park
  2342. No Country for Old Men
  2343. My Blueberry Nights
  2344. Munruyangabo
  2345. A Mighty Heart
  2346. The Man from London
  2347. Import/Export
  2348. Go Go Tales
  2349. The Flight of the Red Balloon (Le Voyage de Ballon Rouge)
  2350. Death Proof
  2351. Les Chansons d’Amour (Love Songs)
  2352. Chacun Son Cinema
  2353. Centochiodi (A Hundred Nails)
  2354. Breath (Soom)
  2355. Boxes
  2356. The Banishment
  2357. The Band’s Visit
  2358. Auf der Anderen Seite (The Edge of Heaven)
  2359. Apres Lui
  2360. Alexandra
  2361. L’Age des Tenebres (The Age of Ignorance)
  2362. 4 Months, 3 Weeks & 2 Days
  2363. Lovewrecked
  2364. Conversations with Other Women
  2365. Like Minds
  2366. Mon Meilleur Ami (My Best Friend)
  2367. Dans Paris
  2368. 28 Weeks Later
  2369. Black Snake Moan
  2370. Spiderman 3
  2371. La Noche de los Girasoles (The Night of the Sunflowers)
  2372. Goya’s Ghosts
  2373. Beyond the Gates of Splendor
  2374. End of the Spear
  2375. Goodbye Bafana
  2376. The Breed
  2377. This is England
  2378. The Painted Veil
  2379. The Last Mimzy
  2380. Next
  2381. Reno 911!: Miami
  2382. Straightheads
  2383. Away from Her
  2384. Scott Walker: 30 Century Man
  2385. The Puffy Chair
  2386. Fracture
  2387. Fur: an Imaginary Portrait of Diane Arbus
  2388. The Jesus Project
  2389. Half Nelson
  2390. The Pathfinder: An Untold Legend
  2391. The Reaping
  2392. Reign over me
  2393. Son of Man
  2394. Perfect Stranger
  2395. Edmond
  2396. La Mome (La Vie en Rose)
  2397. Unknown
  2398. Shooter
  2399. Provoked (Provoked: a True Story)
  2400. Das Leben der Anderen (The Lives of Others)
  2401. One Night with the King
  2402. Wild Hogs
  2403. The Bridge to Terabithia
  2404. SIGNIS Film Reviews: February/March 2007
  2405. Meet the Robinsons
  2406. Sunshine
  2407. Blades of Glory
  2408. The Messengers
  2409. The Namesake
  2410. Curse of the Golden Flower
  2411. Stomp the Yard
  2412. Stay (Sleeping Dogs)
  2413. Mr Bean’s Holiday
  2414. The Hills Have Eyes II
  2415. Factory Girl
  2416. Deliver Us from Evil: SIGNIS Statement
  2417. Catch a Fire
  2418. L’Amico di famiglia (The Family Friend)
  2419. The Last Sineater
  2420. Catch and Release
  2421. Amazing Grace
  2422. TMNT (Teenage Mutant Ninja Turtles)
  2423. I Want Candy
  2424. The Ultimate Gift
  2425. Premonition
  2426. Sherrybaby
  2427. Facing the Giants
  2428. Breach
  2429. Zodiac
  2430. Sheitan
  2431. The Astronaut Farmer
  2432. Outlaw
  2433. After the Wedding (Efter Brylluppet)
  2434. Norbit
  2435. Becoming Jane
  2436. The Good German
  2437. Gone
  2438. Kardia
  2439. Music and Lyrics
  2440. 300
  2441. Bamako
  2442. Hot Fuzz
  2443. Eklavya: the Royal Guard
  2444. Middletown
  2445. A Guide to Recognising Your Saints
  2446. Alpha Dog
  2447. Material Girls
  2448. Inland Empire
  2449. Fauteuils d’Orchestre (Orchestra Seats)
  2450. The Number 23
  2451. Because I Said So
  2452. School for Scoundrels
  2453. Arthur and the Invisibles (Arthur et les Minimoys)
  2454. Blood and Chocolate
  2455. Goal 2! Living the Dream
  2456. Hannibal Rising
  2457. Epic Movie
  2458. The Reef
  2459. The Good Shepherd
  2460. Ghost Rider
  2461. SIGNIS Film Reviews: January 2007
  2462. Dreamgirls
  2463. Notes on a Scandal
  2464. Letters from Iwo Jima
  2465. Kenny
  2466. Welcome to Dongmakgol
  2467. The Last King of Scotland
  2468. For Your Consideration
  2469. Irresistible
  2470. Little Red Flowers
  2471. The Illusionist
  2472. Freedom Writers
  2473. Smokin’ Aces
  2474. Ghosts
  2475. Venus
  2476. Flyboys
  2477. Ils (Them)
  2478. Suburban Mayhem
  2479. Gridiron Gang
  2480. Miss Potter
  2481. The Return
  2482. Zwartboek (Black Book)
  2483. Charlotte’s Web
  2484. Flicka
  2485. Boytown
  2486. The Fountain
  2487. Bobby
  2488. 3 Needles
  2489. Last Train to Freo
  2490. Scoop
  2491. La Doublure (The Valet)
  2492. SIGNIS Film Reviews: December 2006
  2493. Flags of our Fathers
  2494. Night at the Museum
  2495. Rocky Balboa
  2496. Perfume: the Story of a Murderer
  2497. Zoom
  2498. Kabul Express
  2499. It’s a Boy/Girl Thing
  2500. Employee of the Month
  2501. "The Nativity Story" Seen from the Philippines
  2502. Running With Scissors
  2503. Blood Diamond
  2504. Unaccompanied Minors (Grounded)
  2505. Eragon
  2506. Deja Vu
  2507. Black Christmas
  2508. SIGNIS Film Reviews: November 2006
  2509. A Prairie Home Companion
  2510. The Pursuit of Happyness
  2511. Apocalypto
  2512. The Holiday
  2513. Frostbiten (Frostbite)
  2514. London to Brighton
  2515. Die Grosse Stille (Into Great Silence)
  2516. Happy Feet
  2517. Jackass Number Two
  2518. Deck the Halls
  2519. The Covenant
  2520. Suburban Mayhem
  2521. Zemastan (It’s Winter)
  2522. Pan’s Labyrinth
  2523. Shortbus
  2524. Tenacious D and the Pick of Destiny
  2525. The Santa Clause 3: The Escape Clause
  2526. Flushed Away
  2527. Stranger Than Fiction
  2528. Big Nothing
  2529. All the Invisible Children
  2530. Antikorper (Antibodies)
  2531. Twelve and Holding
  2532. The Nightmare Before Christmas 3D
  2533. Breaking and Entering
  2534. Heroes and Villains
  2535. Special (RX) Specioprin Hydrochloride
  2536. Casino Royale
  2537. Puritan
  2538. The Host (Gue-Mool)
  2539. The Prestige
  2540. Waist Deep
  2541. Little Children
  2542. The Nativity Story
  2543. Earthlings (Ugly Bags of Mostly Water)
  2544. All the King’s Men
  2545. The Last Kiss
  2546. Saw III
  2547. Mischief Night
  2548. Borat Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
  2549. Sixty Six
  2550. The Great Ecstasy of Robert Carmichael
  2551. Gypo
  2552. La Tourneuse de Pages (The Page Turner)
  2553. Peaceful Warrior
  2554. Driving Lessons
  2555. Wordplay
  2556. SIGNIS Film Reviews: October 2006
  2557. Idlewild
  2558. The Grudge 2
  2559. Stick It
  2560. New Police Story
  2561. Step Up
  2562. Infamous
  2563. The History Boys
  2564. Tais Toi (Shut Up)
  2565. Starter for Ten
  2566. Open Season
  2567. The Texas Chainsaw Massacre: The Beginning
  2568. The Aryan Couple
  2569. Scenes of a Sexual Nature
  2570. A Good Year
  2571. The Guardian
  2572. SIGNIS Film Reviews: September 2006
  2573. Quinceanera (Echo Park LA)
  2574. Man Push Cart
  2575. Accepted
  2576. The Departed
  2577. Johanna
  2578. Life and Lyrics
  2579. Nina’s Heavenly Delights
  2580. Hoodwinked
  2581. DOA: Dead or Alive
  2582. A Guide to Recognising Your Saints
  2583. Kekexili (Mountain Patrol)
  2584. Click
  2585. Dirty Sanchez - the Movie
  2586. Keane
  2587. The U.S. vs. John Lennon
  2588. Hollywoodland
  2589. Clerks II
  2590. An Inconvenient Truth
  2591. Talladega Nights: the Ballad of Ricky Bobby
  2592. Snow Cake
  2593. Little Miss Sunshine
  2594. The Wicker Man
  2595. The Devil Wears Prada
  2596. SIGNIS Film Reviews: August 2006
  2597. World Trade Center
  2598. The Black Dahlia
  2599. Children of Men
  2600. The Queen
  2601. The Sentinel
  2602. Crank
  2603. This Film is not yet Rated
  2604. The Benchwarmers
  2605. Over the Hedge
  2606. Severance
  2607. Adrift
  2608. Marilyn Hotchkiss’ Ballroom Dancing and Charm School
  2609. You, Me and Dupree
  2610. Right at Your Door
  2611. Snakes on a Plane
  2612. Akeelah and the Bee
  2613. Harsh Times
  2614. A Scanner Darkly
  2615. John Tucker Must Die
  2616. Tideland
  2617. Monster House
  2618. Garfield 2: A Tale of Two Kitties
  2619. The Death of Mr Lazarescu
  2620. Bee Season
  2621. Angel-A
  2622. Ellie Parker
  2623. C.S.A. The Confederate States of America
  2624. Warrior-King
  2625. Alpha Male
  2626. Wilderness
  2627. The Night Listener
  2628. Lady in the Water
  2629. Nacho Libre
  2630. Tarfaya
  2631. Paper Clips
  2632. 11:14
  2633. Cars
  2634. Stay Alive
  2635. The Break-Up
  2636. My Super Ex-Girlfriend
  2637. The Notorious Bettie Page
  2638. Trust the Man
  2639. Miami Vice
  2640. Who Killed the Electric Car?
  2641. Omkara
  2642. The Ant Bully
  2643. SIGNIS Film Reviews: June/July 2006
  2644. Ultraviolet
  2645. The Thief Lord
  2646. District 13 (Banlieue 13)
  2647. Fearless
  2648. Half Light
  2649. Hard Candy
  2650. Imagine You and Me
  2651. The Fast and the Furious: Tokyo Drift
  2652. Dumplings
  2653. Curious George
  2654. 36 Quai des Orfevres
  2655. Aquamarine
  2656. The Lake House
  2657. Thank You for Smoking
  2658. Superman Returns
  2659. Vers le Sud (Heading South)
  2660. Pirates of the Caribbean: Dead Man’s Chest
  2661. Stormbreaker
  2662. An Unfinished Life
  2663. Love + Hate
  2664. Ju On 2 (The Grudge 2)
  2665. Secuestro Express
  2666. El Lobo (The Wolf)
  2667. Little Manhattan
  2668. Poseidon
  2669. Friends with Money
  2670. X Men 3: The Last Stand
  2671. Forty Shades of Blue
  2672. Just My Luck
  2673. The Cave of the Yellow Dog
  2674. Reeker
  2675. Pretty Persuasion
  2676. King Kong
  2677. Ask the Dust
  2678. Wah Wah
  2679. Voces Innocentes (Innocent Voices)
  2680. RV
  2681. Best Wishes! (Czech Republic)
  2682. SIGNIS Statement: The Omen
  2683. SIGNIS Film Reviews: Cannes 2006 Special Edition
  2684. 2:37
  2685. Babel
  2686. The Caiman
  2687. Cronica de una Fuga
  2688. Fast Food Nation
  2689. Flanders
  2690. Climates
  2691. Indigènes
  2692. Jindabyne
  2693. Lights in the Dusk
  2694. Marie Antoinette
  2695. Paris je t’aime
  2696. Red Road
  2697. Southland Tales
  2698. Volver
  2699. Summer Palace
  2700. Ten Canoes
  2701. El Violin
  2702. The Wind that Shakes the Barley
  2703. Z Odzysku (Retrieval)
  2704. Shooting Dogs

SIGNIS Film reviews - January 2016

January 5th, 2016.
Find below film reviews written by Peter Malone.

  • BIG SHORT, The
  • JOY
  • PROGRAM, The
  • ROOM

US, 2015, 130 minutes, Colour.
Christian Bale, Ryan Gosling, Steve Carell, Brad Pitt, Marisa Tomei, Rafe Spall, Hamish Linklater, John Magaro, Melissa Leo, Margot Robbie, Selena Gomez.
Directed by Adam McKay.

The Big Short has been receiving award nominations for its screenplay. This is not surprising. It is both interesting and engaging script, very serious in its subject and issues, but interlaced with some broad humour, some caustic humour, some satire, which tends to make the serious message even more serious.

There have been a number of films about the Global Financial Collapse, a very interesting television movie about the banks, the government, the key players portrayed by very strong cast of character actors, Too Big to Fail (2011). Then there was the extravaganza of extravagance in The Wolf of Wall Street (2012). And audiences will bring their response to these films their own experience of the repercussions of the GFC.

This one opens in 2005 and shows four individuals who are very wary about the financial situation in the US and the possibilities for a financial collapse and the consequences for the rest of the world. They are looked on by the establishment as eccentric if not foolish, their criticisms of banking methods, investments in hedge funds is, the industry of buying and selling on mortgages…

For the impact of the film, four serious actors bring these men to life.

We have come to rely on Christian Bale to portray complex characters on screen. He does it again with Michael Burry, a medical doctor with an interest in finance, his own company, very diligent in research, acting on his intuitions that something was very wrong, coming to bankers who politely listen to him, then impolitely laugh at him – until they are caught up in banking collapses. His investors are often very worried, especially as Michael Burry is an unconventional character, in what he wears and what he doesn’t wear (including shoes) and his seemingly cavalier belief in his own reading of situations.

Then there is Ryan Gosling, younger banker, who turns to comment to the audience now and again to confide in them. He is not lacking in’s self-assurance either, talking up his capacities, very much involved in persuading others to follow his lead.

One of those who does is a financial expert, Mark Baum. He is played with extraordinary intensity by Steve Carell who, over many years, has proven himself as an expert comedian, Bruce Almighty, The Office, 40 Here Old Virgin, the Ron Burgundy films, but has shown in recent years a capacity for a variety of serious roles: Foxcatcher, Freeheld, and this banker, with some righteous beliefs in justice, but impatient in his confrontations with everyone, especially his collaborators, and forthright in giving speeches to groups and to individuals, who is prepared to face the risks and is proven correct.

The fourth character, quite subdued in contrast, is a bearded, bespectacled, not immediately recognisable Brad Pitt, a man of sound sense, good advice, who encourages some young upstarts in their theories and speculations, who are looked down on but proven correct although they have to face the social and justice consequences of their success.

As with all these films, there is a fine supporting cast, rather eclectic including British Rafe Spall along with Hamish Linklater as collaborators of Mark Baum, and Marisa Tomei as his patient wife.

This is not to say that the film is easy to follow. One has to take on faith a lot of the dialogue from the four central characters and trust that they know what they are talking about. But, in some moments, the screenplay introduces celebrity characters to do a bit of explaining, although Margot Robbie (the wife of The Wolf of Street) is somewhat distracting doing her seductive speech in a bubble bath but Selena Gomez, watching gamblers in a casino and showing how onlookers bet amongst themselves, bets increasing in size, almost distracted from the initial bet at the table, indicates some of the risks that financial players undertake.

Film buffs will be surprised when they see the name of the director and the co-writer of this film, Adam McKay. He is best known for his work in broad American comedies, often with Will Ferrell, including the Ron Burgundy comedies and as producer of Daddy’s Home. Whatever his talents with comedy, he has used them with great effect in combination with the serious financial issues of this film.

The characters are so well drawn and performed, the dialogue so much a blend of the witty and the harsh, the issues so serious in recent financial history, that the film probably repays a second viewing.

At the end, the voice-over says that many of the bankers went to jail for their misdeeds – and then adds, “just kidding!”. For anyone who is intrigued by The Big Short, see the film 99 Homes showing the disastrous result of the GFC on homeowners unable to pay their mortgages and their loans, ousted from their houses, will find it is a sobering postscript to The Big Short.


Ireland/UK/Canada, 2015, 111 minutes, Colour.
Saiorse Ronan, Emory Cohen, Jim Broadbent, Julie Walters, Domnhall Gleeson, Fiona Glascott, Jane Brennan, Eileen O’HiggIns, Peter Campion, Jessica Pare, Maeve McGrath.
Directed by John Crowley.

Yes, it is the Brooklyn of New York City, but the title of the film might also have been called the name of any town in Ireland. The setting is 1952. The prospects for young women in Ireland at the time were very limited and so quite a number of them migrated from the Irish towns to the United States and found success there, especially in New York City, especially in Brooklyn.

A lot of audiences who like good cinema will enjoy this film very much.

With the first part of the film in Ireland, the focus on a family, an older sister, Rose (Fiona Glascott) an accountant with a local firm as well is something of a golf champion, the mother (Jane Brennan) rather dependent on her daughters and Ellis, the younger daughter whose only job is on Sundays at the local bakery for the women coming out of mass, subject to the dictates of the owner, Miss Kelly, something of a snob as well as a gossip. It seems important that Ellis go to the United States – and Rose, with a priest friend in Brooklyn, Father Flood (a sympathetic Jim Broadbent) is able to arrange a ticket, accommodation and a job in an upmarket New York store.

Ellis has her friends, but is ready to go, something of a wrench from her family, are reserved and shy young woman venturing to a new world – especially the hard and seasick voyage.

Word needs to be said about the leading actress, Saoirse Ronan. She made quite an impact as a child actor, even getting an Oscar nomination for Atonement. She appeared in Peter Jackson’s The Lovely Bones and Peter Weir’s The Way Back. She now is in her 20s and has made the transition to adult actress with great skill and screen presence, communicating often with her expressions and body language rather than through words. She has received nominations for her performance as Ellis.

It is not as if high profile events happen in Ellis’s life. This is a story of ordinary people. Audiences will enjoy the scenes at the meal table at the boarding house, presided over by Mrs Keogh (Julie Waters at her best, controlling, religiously earnest, and chuckling at the boarders’ lives). Then there are the scenes in the shop with Ellis rather awkward at first, commanded by her supervisor (Jessica Pare) always to be smiling to attract customers back. At one moment, overcome by homesickness, Father Flood comes to the shop and he and the supervisor show concern for her – as they do later when news comes of Rose’s sudden death.

Ellis goes down to the parish dance on a Saturday night, a local parish, an Irish enclave, only to find a young man attracted to her, wanting to dance, talk, walk her home. He is Brooklyn plumber, Tony (Emery Cohen) – but an Italian! There is a nice courtship, Ellis gradually overcoming some awkwardness, dressing a little more colourfully, coming out of herself, even practising eating spaghetti as she is invited to Tony’s home and family.

There are some dramatic moments for Ellis, including Tony’s proposal for a marriage at City Hall, as well as Ellis’s return home, Rose’s funeral, meeting her old friends, mothers not resisting the urge to be matchmakers and introducing Ellis to a fine young man, Domnhall Gleeson. Which means that Ellis, in many ways enjoying being back in Ireland, has to make a decision as to whether she will stay or not, return to Tony…

While there are many serious undertones, this is a very likeable film, likeable and interesting characters – and, surprisingly these days, a very sympathetic picture of the Catholic Church and priests in the early 1950s, the Ministry and concern, not like those old parish priests back home in Ireland.


US, 2015, 118 minutes, Colour.
Cate Blanchett, Rooney Mara, Kyle Chandler, Sarah Paulson, Jake Lacy, John Magaro.
Directed by Todd Haynes.

It is something of a surprise to find that the novel on which this film is based is by Patricia Highsmith, best known for her thrillers, including Strangers on a Train, filmed in 1951 by Alfred Hitchcock, the period in which this story is set.

The early 1950s were considered to be a rather calm period in American society – at least with what was to follow in the 1960s. Sexual orientation was not an issue that was discussed in public. This is the context of Carol’s story.

Carol is a wealthy middle-aged woman, divorced but with a little daughter, in some ways subdued by her dominant husband and his family, but seeking some kind of independence, especially in a relationship with Abby, a friend from school days. Her husband and his parents see this as an aberration and encourage her to therapy.

The other central character is a younger woman, Therese, who works in a department store. One day she is attracted by the very well-dressed, demure but assured Carol, sells her a train set as a gift and contrives to return to her the gloves that Carol had misplaced in the store. This leads to a meeting, to a lunch, to a relationship that is significant for both women.

Her husband is able to hold over Carol the threat of not being able to see her daughter. Nevertheless, she goes on a cross-country car ride with Therese. Her husband has not given up on her and the couple is surprised at a motel in the midwest. Carol is compliant, wanting to see her daughter, and her friend, Abby, flies out to bring Carol back to New York.

Can there be a future for the couple? Can Carol be assertive about herself as well as her demands on seeing her daughter? Can Therese move on and find a life on her own?

Over the years, director Todd Haynes has explored aspects of sexual orientation and relationships, especially in Far From Heaven with Julianne Moore and Dennis Quaid, again set in the 1950s and, as with this film, styled, costumes and decor and make up, and photographed in the modes of the period. In some ways this distances the audience from the situation, looking back and making responsive judgements and only then reflecting on the issues of same-sex relationships in the 21st century.

Rooney Mara as Therese won the best actress award at the 2015 Cannes film Festival. But, it is Cate Blanchett who is centre screen as Carol, which many say is Cate Blanchett’s career-best (but they tend to say that about each of her performances). Sarah Paulson is Abby.

The film is meticulously produced, very fine in its performances, paced in a way that allows us to enter into the two characters, appreciate their needs, their attitudes, their relationship.


US, 2015, 133 Minutes, Colour.
Michael B.Jordan, Sylvester Stallone, Tessa Thompson, Phylicia Rashad, Tony Bellew,Graham McTavish.
Directed by Ryan Coogler.

Those who saw the original Rocky film might scarcely believe that it is almost 40 years since it was released, was extraordinarily popular, won the Oscar for best film. Sylvester Stallone invested a lot of in this character, not only in performance, but writing the screenplay and writing sequels and directing some of them? He even made a comeback in 2006 with Rocky Balboa.

Somebody had the bright idea – and, box-office wise, it is a bright idea – to imagine that Apollo Creed, Carl Weathers in the original films, had an illegitimate son who found out who his father was and wanted to become a boxer, had successful fights under the radar in Mexico, had grown up after his time in juvenile detention to become a successful businessman. But, he wants to give up all this in order to box, to make his own way in the tradition of his father, but using his mother’s name to avoid capitalising on his father’s reputation. He is played by Michael B.Jordan who was the star of the director, Ryan Coogler’s social drama, Fruitvale Station.

So, off he goes to Philadelphia to track down Rocky – Sylvester Stallone at 69. He finds him in his restaurant, but Rocky feels that he is old and cannot consent to train the young man. But, his memories come back, remembering Apollo Creed and his death, but also remembering Adrian his wife and Paulie his trainer, even going to the cemetery to sit with them at their graves and read the news to them. And so, of course, he does decide to train the young man, and there are plenty of vigorous training sequences – vigorous for Adonis Creed, calling himself Donnie Johnson, from his mother’s name, not so vigorous for Rocky himself.

Rocky is not as healthy as he might have imagined and, remembering the death of Adrian and the ineffectiveness of chemotherapy, he decides against it until Adonis challenges him to fight and win with him.

The screenplay, of course, works in a romance, featuring Tessa Thompson as a singer in a club whose loud music in her apartment disturbs Adonis but, when he sees and hears her singing, falls for her and she for him. They get on well together, though there is a falling out when Adonis, angry at Rockies illness, loses his temper with one of her support band members and it looks as if there may might be a serious break.

A Rocky film would not be a Rocky film without a final 12 round boxing battle. This time it is in England, in Liverpool, with the world heavyweight champion, “Pretty” Ricky Conlon. Adonis is the underdog but, by the 12th around, even non-boxing fans will be on his side.

Of course, the screenplay is open to a sequel, to Creed 2 – and initial box office results should be strong enough to persuade Hollywood to make the sequel.


US, 2015, 96 minutes, Colour.
Will Ferrell, Mark Wahlberg, Linda Cardellini, Thomas Hayden Church, Scarlett Estevez, Owen Vaccaro, Bobby Cannavale, Hannibal Buress.
Directed by Steven Anders.

Over the years Will Ferrell has become a household name for broad American comedies, relying on his capacity for big and exaggerated characters, generally overbearing with the touch of the obnoxious – like Ron Burgundy. Mark Wahlberg on the other hand, has moved over several decades from Calvin Klein model and musician to a skill with all kinds of films, especially action films. They appeared together in the police comedy, The Other Guys.

In this film, they both play fathers – well, Will Ferrell plays a stepfather.

His character, Brad, is rather the opposite of the big, booming characters. This time, he is a very nice man who narrates the story and the place who finds himself in, having fallen in love and married Sara, Linda Cardellini, but also inheriting her two young children with whom he is desperate to bond. They feel no such desperation. When there seems to be some kind of movement, the little girl not drawing him as dead already but only being killed in one of her drawings and her brother confiding that he is bullied at school.

But, Brad‘ hopes are somewhat stymied by a phone call from Dusty, Mark Wahlberg, the ex-husband and father who decides that he will return and take over his paternal role. He barges past Brad, intrudes into the household, tries to play with everybody’s mind, but the children delighted to see him, his ex-wife not.

What follows is a series of comic episodes where the two men try to outdo each other, Dusty with the tough stance (the screenplay makes him unexpectedly articulate with a strong vocabulary in the intellectual sense, probably Special Ops), Brad always being very nice, falling into the victim role. They vie with the children’s attentions in reading a bedtime story which parallels home situation. Brad tries to ride Dusty’s bike only to find himself crashing through the house, upstairs, stuck on the wall while the bike flies out of the window, crashing and crushing the roof of his car. Dusty claims he can do the repairs and suggests that Brad fire the carpenter, a black man, Griff. Brad seems to be a racist – and then Dusty and Griff complete the treehouse the Brad was working on and Griff becomes part of the household. And so on.

Audience sympathy is with Brad, who takes Dusty to his work at a Smooth Jazz radio station when they are auditioning for talent – and, Dusty sings their identification jingle and gets the job instantly which pays more than Brad’s salary. His boss, played dryly by Thomas Hayden Church, is taken with Dusty.

One of the characteristics of an American comedy is that it can be loud, very loud, embarrassing events taking place in public, the kind of boisterous exhibitionism which can seem very silly. The big example of this takes place in a basketball arena with Brad making an extreme fool of himself. There is another scene at the end, at a daughter-father dance where Dusty is put to the test as a father, and Brad’s theory that instead of fighting, conflict might be solved by dancing. And, pleasantly, it is.

There is an amusing postscript where all seems happy ending, Brad and Sara have, more than they expected, a new baby. And Dusty has a new wife and has inherited a daughter – whose real father turns up on a huge bike and reacts to Dusty as Dusty had reacted to Brad!


UK, 2015, 120 minutes, Colour.
Eddie Redmayne, Alicia Vikander, Matthias Schoenaerts, Ben Whishaw, Sebastian Koch, Amber Heard.
Directed by Tom Hooper.

An emotional and challenging film.

The screenplay is based on actual characters and events, with a setting in Copenhagen in 1926. It is the story of Einar and Gerda Wegener and issues of gender and transgender surgery. This was rare in the 1920s as well as in succeeding decades but the issues are relevant today.

This is a very handsome film to look at, beautiful photography recreating the period, using Norwegian locations for coastal sequences, views of Copenhagen at the time, some time spent in Paris, Dresden as the scene for the surgery.

The Danish Girl has been directed by Tom Hooper, who made a television impact with his series on Elisabeth I, who won an Oscar for directing The King’s Speech and was also nominated for Les Miserables.

The successful impact of the film depends on the central performance by Eddie Redmayne. Tom Hooper had directed him as Marius in Les Miserables. And then, surprisingly, Redmayne won the Oscar for best actor, 2014, for his portrayal of scientist Stephen Hawking in The Theory of Everything. His performance here has Oscar and other awards potential.

Not every actor could be cast as Einar Wegener. Redmayne has a slight build and so makes the gender issues credible, observing his body, speculating on what it would like to be female. But, with the first part of the film, he has to play the Danish artist, Einar Wegener, and establish that he was male. However, because the film is not a documentary but a drama, the screenplay has to make suggestions that Einar is not comfortable in his body, that he has had some female feelings, posing for his wife, Gerda, wearing stockings and a dress, feeling the texture of the materials, becoming more and more comfortable as female, appearing as female, dressing as female. This is tested out, Gerda doing the dressing and the make up, when he goes to a party and is taken for a woman. Lili is the name that he chooses for this inner self.

While Gerda, a beautiful performance by Alicia Vikander (her films of 2015 include The Testament of Youth, Ex Machina, Burnt), is supportive of her husband, his withdrawing from being Einar and allowing his inner Lili to emerge, finds it difficult, has a need for her husband. She paints and sketches him as Lili and her agent arranges for her to go to paint and exhibit in Paris. Lili is very comfortable in Paris, not painting, working as a shop girl in a store.

Childhood friend, Hans (Matthias Schoenaerts, Gabriel Oak in Far from the Madding Crowd) comes to visit and offers his help. Doctors examining the case offer frightening solutions including electric shock, holes in the head, straitjacket internment in an institution… However, a German doctor in Dresden has developed procedures for transgender surgery and Lili agrees to undergo the changes.

Statistics indicate that there are many transgender people in society but most people do not encounter them, learning about the situation principally from the media. The film offers a significant opportunity for reflecting on this gender situation, its consequences on the psyche of a person, on their social place in the world, on the desire for some kind of solving of the personal dilemmas. With its setting of the 1920s, audiences will find the film easier to look at and reflect on, a touch more detachment because of the past – but still the challenge is in the present.

Over the decades, there have been a number of films about transgender surgery including: The Christine Jorgensen Story, 1970, based on a real life situation in Denmark in the 1950s; I Want what I Want, 1972, with Anne Heywood; Second Serve, 1986, with Vanessa Redgrave as Dr Renée Richards, the tennis champion and surgeon, and Carlotta, with Jessica Marais, about the entertainer from King’s Cross, screened on ABC television in 2014. Unlike The Danish Girl, the last three films featured an actress portraying a man becoming a woman.


US, 2014, 98 minutes, Colour.
Peter Sarsgaard, Winona Ryder, Anthony Edwards, Jim Gaffigan, Kellan Lutz, Dennis Hayesbert, Anton Yelchin, John Leguizamo, Lori Singer, Vondie Curtis-Hall, Josh Hamilton.
Directed by Michael Almereyda.

Perhaps you too had to ask, who is Stanley Milgram. And why a film about him?

The first answer is that he was the son of Jewish migrants who made their way to the United States, who was well educated and, by the beginning of the 1960s, with his interest in sociology and psychological ramifications, began a series of experiments at Yale University. Hence the title of this film.

While the film is a biography, it is something more of a portrait, not a particularly long running time, so dipping into Milgram’s experiences, his initial tests, reactions to his tests, some favourable, some unfavourable, and then other investigations that he conducted. More of an academic, with the touch of introversion, there are some glimpses of his personal life, especially his initial encounter in an elevator and then, awkwardly, at a party, with the young woman who was to become his wife, mother of his children. There are glimpses as the years go on, she sometimes working with him, some tensions with the children. But this is always secondary to his experiments. It is good to see Winona Ryder as Milgram’s wife.

We are introduced to the experiment where two people volunteer to be teacher and pupil and waivers are signed about their free participation in the experiments. The pupil goes into a room where there is machinery while the teacher stays outside, observed by the supervisor and Milgram and others behind a glass panel. The aim of the exercise is for the teacher to test the pupil and, after experiencing an electric shock himself so that he knows what it feels like, to give the pupil and electric shock for every mistake made, the intensity of the shock increasing every time.

The aim of the experiment is to show how most people are conditioned to obey authorities, even to inflicting punishments when their feelings are against doing this. The film offers a collage of quite a number of teachers, the variety of their reactions, yet their always following through. One of the main connections made, with some visuals in the film of Adolf Eichmann and his defence in his trial in Israel and the memory of what Hannah Arrendt called “the banality of evil”. Ordinary people obeyed authorities and inflicted pain on others.

Not everyone agreed with Milgram and some said that he was crawl, actually inflicting pain, and were critical of his experiments.

One of the devices of the film is to have the actor Peter Sarsgaard, who plays Milgram, turning to camera and often communicating his thoughts and reactions to the audience, involving them more in the action, for and against his experiments. Another interesting device is the filming of his experiment for the television program, with William Shatner and Ossie Davis playing teacher and pupil, discussing how they will perform the experiment – which we, the audience, have also seen in performance than making the assumption that we have seen the real experiment.

Two other experiments are dramatised, one familiar where a person stands in the street staring into the sky and through conscious or unconscious peer pressure, people start to look up into the sky for no reason at all except that others are doing it. In another experiment, people are photographed and their reactions to examining the portrait of themselves become the subject of research.

Milgrom died at the age of 51 in 1984 after work at Yale, Harvard, in New York City – and the film makes an interesting point at the end when he is taken to hospital, his wife urging the receptionist for a doctor, the receptionist interested first in the filling out of every form, which his wife does.

The Experimenter offers audiences quite a lot to think about in terms of responsibility, decisions, expectations of authority and fulfilling those expectations.

  • JOY

US, 2015, 124 minutes, Colour.
Jennifer Lawrence, Robert De Niro, Bradley Cooper, Edgar Ramirez, Diane Ladd, Virginia Madsen, Isabella Rossellini, Dascha Polanco, Elizabeth Rohm, Susan Lucci, Laura Wright, Ken Howard.
Directed by David O. Russell.

Joy is a rather generic name for a film. We might expect experiences of joy and, by contrast, experiences of sadness. But Joy is the name of the central character, based on actual person, Joy Mangano. With her invention of the squeezing mop, the title of the film could have been Mop.

Audience expectation is high with Jennifer Lawrence in the central role. She had worked with the director, David O. Russell on The Silver Linings Playbook and won an Oscar for best actress. She also worked with him on American Hustle, a small role, striking and Oscar-nominated. Here she is the central character. She also works again with Bradley Cooper as she did in the previous Russell films as well in the period drama, Serena.

In fact, the film begins with sequences from a black and white, very stolidly photographed and performed, soap opera. The audience needs to keep this in mind as we watch because Russell is very serious with his American dream drama, with its touches of nightmares, contrasting with the soap operas. Indeed, the soap opera continues throughout the film, later developments in colour and more sophisticated filmmaking, constantly watched by Joy’s mother, Terry, Virginia Madsen, a recluse after her divorce, living in her room, dependent on her television program.

We see Joy as a child, with her half-sister, Peggy, friends but with a touch of rivalry. Their father, Rudi, who owns a repair business, is played by Robert De Niro.

The screenplay then cuts out a lot of information (later to be taken up in flashbacks) and we find Joy, married and divorced, a mother of two children, working for an airline, a mortgage on her house, living with her grandmother and her reclusive mother, not many prospects in life. As she meets with her best friend, Marie, Dascha Polanco, we are treated to flashbacks about Joy, going to a bar, meeting the singer, Tony (Edgar Ramirez), then bonding, marriage, the years going past, two children, his not getting a satisfactory job, his living in the basement, Joy and Tony still good friends. And then her father wants somewhere to live and is put in the basement where he fights continually with Tony.

There is a development when Rudi makes an online dating connection, a widow called Trudi (Isabella Rossellini) and they hit it off. It is on a yacht cruise where they are forbidden to drink red wine which could stain the teak wood work, where they do drink it, spill it, and Joy mops it up, cutting her hand – but, having invented things in her childhood, gets her thinking about a mop that one needn’t have to handle but could be squeezed by an inner mechanism.

Audiences may be surprised that they are spending so much time in the development of the Mop, the production of the Mop, money loans, promotion of the Mop.

Trudi does give a loan although she has fixed ideas about business. When Joy tries to demonstrate the use of the mop outside K Mart, she is arrested. The local parish priest has gathered together a number of Hispanic women who need work and they combine to become the company who makes the Mops.

Tony has a connection with a producer at a television shopping channel, Neil, played by Bradley Cooper. By insistence and force of personality, Joy demonstrates the mop for Neil, persuades him to let her advertise – with the screenplay giving us an idea about the origins of these channels, the developments, the revolving stages, the process of filming, the number of phone calls, the business success.

The American dream becomes a nightmare when the salesman spoils the whole demonstration – with Joy then determined to do it herself, defying the advice for make-up and clothes, freezing at first, and then warming to the situation and the sales rocket.

That would be too good to be true. As has been said, the American dream has nightmares and there are all kinds of clashes, especially with her sister Peggy who wants to control things with the support of her father, and issues of bankruptcy especially with Trudi, confrontation of the factory owners in California, the discovery of fraud from Texas – and Joy, studying the documentation, confronting the enemy, succeeds and her dreams come true.

Whether they had been put off by a such a study of Mops, a number of commentators decided that the film was rather trivial and silly – but, it seems they have underestimated Jennifer Lawrence’s screen presence and performance, the strength of the supporting cast, the value of the American dream for someone who might have been very ordinary and unachieving American housewife.


Australia, 2015, 83 minutes, Colour.
Dougie Baldwin, Joel Lok Rahart Adams, Matt Testro, Darci Mc Donald, Sean Rees- Wemyss, Angourie Rice, Tamara Shelton.
Directed by David Caesar.

Created by Tony Ayres (The Home’s Song Story), The Slap, Cut Snake), The Nowhere Boys was a very popular television series on the ABC, screened in Australia and overseas. It ran for 26 episodes and was critically received and won awards.

This is the spinoff which will appeal to the young fans of the television series.

There is some recapitulation of the plot of the series for those not familiar with it. The four boys, on a bush excursion, get lost in another time dimension, experience good and evil, magic, and eventually return to their country town of Bremin.

It is now a year later and the group have tended to split, some involved with there own magic (like Andy, the Asian Australian student); like Jake, who is wanting to win a scholarship because of his football talent; like Sam, rather self-centred, skateboard champion, modelling some of the clothing gear and sought after for autographs. Still focused on the magic is Felix who works with his wheelchair-bound brother, Oscar. The four have magic powers and they represent Earth, Air, Fire, Water.

The two brothers are examining a lair that they have found with all kinds of magic and, when they discover a book hidden under the floorboards which they cannot open, it is time to get the full group together for combined magic – which works but at the cost of surrendering the talisman they found in the other world, dividing it into four, but giving each magical powers.

In case this looks to male-oriented, the boys have girlfriends in the school, Mia likes Sam but is irritated by his vanity, Ellen likes Felix, and Andy’s sister is exasperated with his imposing on her to take photos of his magic exploits.

But then comes Tegan from another world whose quest is to recover the magic book and destroy it. She becomes friends with the other girls and enables them to have powers – not above some “mean girls” upsetting other students at school and tipping the boys over and mocking them.

Obviously, it is all building up to a confrontation, also involving the brothers’ father who seems to have magic connections, some protectors from the other world who try to get order out of confusion, and some popping back into the alternate world by Andy to see a girlfriend; Sam is lost in “negative space” and its darkness, before all combine to overcome the dark side.

There are some references to Harry Potter – and so this is kind of Antipodean variation on Harry Potter stories and magic.


Germany, 2013, 150 minutes, Colour.
Tom Payne, Stellan Skarsgaard, Ben Kingsley, Olivier Martinez, Emma Rigby, Makram Khouriy.
Directed by Philip Stolzl.

The physician is based on a large historical novel by Noah Gordon, adapted for the screen in a German production by Philip Stoltzl. The film is reminiscent of those long and large spectacles from the 1950s and 1960s, taking audiences into distant times, exotic lands and cultures, opening horizons into the past.

The film opens in England in 1020, in the harsh villages of the mining communities, with a young boy who sees his mother die of the “side sickness” and who cannot be adopted as are his younger siblings because he’s too old. He runs after the travelling Barber who accepts him, especially in his performances, spruiking his wares and medicines. But the young man has a great desire to heal people, and hears of a famous physician in Persia, in the city of Isfahan, Ibn Sinna, and decides to travel there in the company of a caravan of Jewish migrants. He becomes a student in Isfahan were rich in his ruled by a self-indulgent Shah who (Olivier Martinez) experiences an uprising against him. Plenty of drama, plenty of action – and a romance where the young would-be physician encounters the attractive Rebecca who is betrothed to an elderly man but…

While the title says The Physician, there are three candidates for the role of physician. At first, it is the Barber, the rough and ready type travelling England, cutting people’s hair, advocating medicines, involved in some kinds of surgery. He is called The Barber and is played with the bumptious energy by Stellan Skarsgaard. The second candidate is the young man, played by British actor Tom Payne, who has a skill for healing, a desire for healing, who goes on his travels, becomes an apprentice, and eventually a master physician. The third candidate is Ibn Sinna himself, known in the Western world and in the history of philosophy as Avicenna. He is what is later called a “Renaissance man”, interested in medicine, anatomy, physiology, as well as the deeper philosophical questions. He is played with strong gravitas by Ben Kingsley.

The film is a celebration of knowledge and the acquiring of knowledge. It pays homage to the Muslim philosophers like Averroes and Avicenna who developed philosophical questioning as well as practical applications. One feature of this story is that the three major religions in Isfahan, Muslims, Jews and some Christians, feel that it is against their faith to conduct autopsies. The young student disobeys his master and investigates the inner workings of the human body – to the fascination of his master, and with a practical application for surgery when the Shah himself suffers from “side sickness”.

While the film has a great deal of spectacle, especially the troublesome travel through the desert and the huge desert storms, as well as some battle sequences at the end, the Seljuks rising against the Shah in Isfahan and doing battle (with some sequences in the Madrassa with an imam rousing students to a kind of fundamentalist faith and sense of revolt).

But, the film is mainly drama, the odyssey of the young man, Rob Cole from England who, to the shame of his faith, decides to pretend to be Jewish so that he can travel to Isfahan and study.

There is a very pleasing sequence where Cole returns to England and The Barber comes to the market place in London looking for his usual customers only to be told that there is a hospital, with personal care and a devoted physician. (When one looks at the history of hospitals in the 18th and 19th centuries in England, there seems to have been a great reversion from these breakthroughs in the Middle Ages.)


UK, 2015, 103 minutes, Colour.
Ben Foster, Chris O’Dowd, Jessie Plemons, Lee Pace, Guillaume Canet, Dustin Hoffman.
Directed by Stephen Frears.

One of the biggest sports scandals in recent years was the unmasking of cycling champion, Lance Armstrong, who had built up extraordinary popularity over many years, and his successive wins in the Tour de France. He was a very public personality, was well-known because of his bout with cancer, his overcoming it, and his foundation with his charitable outreach.

It seems quite early to have a feature film on the Lance Armstrong story and the exposé. This is true because Academy Award-winning documentary maker, Alex Gibney, jas already produced the very telling film, The Armstrong Lie, going into the visual archives of Armstrong’s early life, marriage and family, cancer and treatment, as well as in detail of training and the champion rides, success despite some of the journalists being wary of his abilities. Gibney’s film also treats the exposé, or the evidence against Armstrong and his team, against Doctor Ferrari who supplied medications, and the finale where Armstrong confessed publicly on the Oprah Winfrey Show.

So, why a feature film?

Audiences respond to a documentary, listening to and looking at the facts, looking at the images, the body language, Armstrong and his denials. But, in a fiction based on fact, there can be some exploration of the character, interactions, the effect of enquiry and criticism, and some insight into the compulsions which drive a celebrity into cheating and denials.

The Program has the advantage of being directed by British director, Stephen Frears, who, for over 40 years, has made a wide range of films, tackling many subjects, serious and comic, a vast amount of experience in storytelling. In recent years he was well known for directing the true-life story, Philomena, and the impressive but less-seen story of the boxer facing the Supreme Court of the US, Mohammed Ali’s Greatest Fight.

This film also has the advantage of having Ben Foster playing the central role. Foster has built up a career of playing many unpleasant characters, unsympathetic characters, villains. Because the general public does not necessarily know Ben Foster, the actor is able to incarnate Armstrong, young, ambitious, experiencing the cancer, even exploiting incidents during his hospital time, training, defying the critics who claim that he was good at one day races but not a long competitive race.

The film then takes us behind-the-scenes, Armstrong’s ambitions and his visits to and discussions with Doctor Ferrari, his collaboration with his coach, building up a team who would support him during the races, especially Floyd Landis who later spoke out against him. Foster is also able to convey the inner intensity, more dramatically than might be possible in a documentary, the obsessive wanting to win at all costs, the consequent ruthlessness.

The film was based on a book by Irish journalist, David Walsh, who was suspicious of Armstrong early in the piece but was scoffed at by fellow journalists and editors alike – who has some ironic enjoyment at the end when Armstrong has to pay back money to The Times which had received because of a court case. Walsh is played by the always engaging Chris O’Dowd.

There is a good supporting cast including Jesse Plemons as Floyd Landis and a cameo role for Dustin Hoffman as an adviser to an insurance company, also suspicious of Armstrong.

There are many sayings, even cliches, pride coming before a fall, how the mighty have fallen… And this film dramatically illustrates them.

  • ROOM

Canada/Ireland, 2015, 118 minutes, Colour.
Brie Larson, Jacob Tremblay, Joan Allen, Tom McCamus, Sean Bridgers, Wendy Crewson, William H.Macy.
Directed by Lenny Abrahamson.

Room is quite an ambiguous title. Audiences may be expecting The Room or A Room. But, with the simplicity of Room, it may indicate some spaciousness, room to move, or it may indicate lack of room, confinement. In the first part of the film, we discover just how confining Room actually is. It is one room. There are no windows to look out of, only a skylight.

We have read, over the last several years, stories of women being abducted by predatory men, virtually imprisoned in their house, disappearing from their relatives and families, confined as playthings or sex slaves for the men. Some of the women have escaped and have told their sad stories. This is one of them.

Brie Larson plays Joy, a comparatively young woman who lives in this single room with her young son, Jack, turning 5. While they have television, Jack has no real idea of the outside world, it is a fantasy, one with the images from television and apprehended by a little boy. He knows nothing outside the room and himself is quite joyful and, as a goes to bed, he says good night to every aspect of his room, his home. Sometimes Old Nick, as they call him, turns up with some food, some presents like toys, and spends the night with Joy and then goes off again.

This is a difficult film to review without indicating some of the plot developments. Most audiences will know that, eventually, mother and son do come out of the room, quite a dramatic experience for both, a relief for the mother, quite some bewilderment of the boy.

Joy’s parents have not known where she has been. Her mother, Joan Allen, tries her best to help her daughter and her grandson. Her husband, Joy’s father, has left home and lives a long way away, presumably unable to face what has happened. He is played by William H. Macy, appearing only in a few scenes but a very telling and disturbing performance. At home, Joy’s mother’s new partner tries his best with the boy, making some breakthroughs.

Clearly, not everything will go as everyone wants, including the audience hopes for Joy and Jack, which makes the latter part of the film quite tense, Joy having to deal with the trauma and coming back to real life, Jack catching up on life with other people.

Brie Larson is excellent in the role. And the performance by the young actor, Jacob Tremblay, is quite astounding, so convincing he is. This is an Irish-Canadian coproduction which, inexplicably, is set in the United States. It is the work of the Irish director, Lenny Abrahamson, who has made some very striking films: some with comic touches, Adam and Paul, Garage, and some with more serious touches, What Richard Did, Frank. He has built up already a serious body of cinema work.


US, 2015, 128 minutes, Colour.
Mark Ruffalo, Michael Keaton, Rachel Mc Adams, Liev Schreiber, John Slattery, Brian d’Arcy James, Stanley Tucci, Jamey Sheridan, Billy Crudup, Paul Guilfoyle, Len Cariou.
Directed by Thomas Mc Carthy.

[For a fuller commentary, see SIGNIS Statement, Spotlight.]

Spotlight is primarily a film about investigative journalism, the work of the Boston Globe in 2001. Memories of this kind of film go back to 1976 and the Watergate exposé in All the Presidents Men. At the same time as the release of Spotlight, there was a very powerful film on investigative journalism that is well worth seeing, Truth, about the NBC investigation of George W. Bush’s going into the National Guard to avoid service in Vietnam – showing the detail of investigation but also highlighting the need for consistent verification otherwise the investigation is not credible.

The Boston Globe’s investigation focused on sexual abuse, clergy and survivors. This means that it is a film of particular Catholic interest. Cardinal Sean O’ Malley, Archbishop of Boston and a member of the papal committee on sexual abuse, wrote a statement in October, acknowledging the realities of abuse in the church, acknowledging that the film treats an important subject. Again, see below.

There have been films on clerical sexual abuse since 1990, quite a number, documentaries and feature films. They have been serving as a contribution to an examination of conscience by the church, an acknowledgement of realities for victims and survivors, a critique of the behaviour of church authorities, the need for a recognition of sinfulness in the church. And, in their ways, they have contributed to a better, even wiser, understanding.

Reviews of Spotlight have been very favourable. The screenplay, co-written by Josh Singer and the director, Thomas Mc Carthy, is carefully and strongly written. Performances are quite powerful. The film keeps audience interest. The four journalists in the Spotlight investigative team are played by Michael Keaton, Mark Ruffalo, Rachel Mc Adams, Brian d’Arcy James. At one stage it emerges that each of the four was Catholic educated but no longer practising, some “pissed off” at the church and one of them, after reading the documents, saying that he had hoped to return to the church, but now… There is of course, a sad emotional impact, audiences identifying with the journalists in their quest, disgust at the stories that are revealed, compassion for those who have suffered.

One of the difficulties about the film is its setting in 2001. Because the film is focused on Boston and the Spotlight team who undertake the investigation, the film gives an impression, a kind of American triumphalism, that it was the Boston Globe which was the first to do this kind of investigation. In many ways, the American church was slow off the mark in acting (admitted by the journalists in the film), while investigations were under way, led by Canada, and making progress in such countries as the UK, Ireland, Australia, in the first half of the 1990s. Investigations in European countries came later. A government enquiry in Ireland was to be inaugurated not so many years after the work of the Boston Globe. In Australia, the documents Towards Healing (and the Melbourne Response) were launched at the end of 1996.

It is interesting to note that there is little or no reference to the police and their enquiries into complaints about sexual abuse. There is no discussion of reporting to the police. Investigations preceded the Spotlight investigations because Father Geoghan was arrested the same month as the first article appeared in the Boston Globe.

Reference is made in the screenplay of Spotlight to material being sent to the paper as early as 1993 and then in 1996 but the paper did not follow through at the time. The Boston story, according to the film, went into action with the appointment of the new editor, Marty Baron, who had noticed a column about offender Father John Geoghan and suggested to his team that it needed following up, asking about knowledge by the hierarchy, including Cardinal Bernard Law, and an investigation that would expose any systematic faults, rather than an attack on individual church hierarchy.

There had been a film, Our Fathers, 2005, where there was a focus on Boston victims of abuse, their telling their stories, the work of lawyers, encounters of some of the victims with the perpetrators, and meetings with Cardinal Law who was played by Christopher Plummer. Spotlight has very few images of priests themselves, concentrating on interviews with the survivors with their harrowing stories. There is a brief prologue in 1976, complaints against Father Geoghan, the child, parents, and a reassuring priest helping the family, suggestions that information was given to the hierarchy but not followed on up, highlighting the transfer of offending priests from one parish to another.

In fact, the main priest in this film is Cardinal Law himself, receiving Marty Baron in his house, offering to collaborate with the media, Baron assuring him of the independence of the press, and the Cardinal giving him a gift of the Catholic Catechism. He is also related glimpsed as a Catholic Charities function. But, there is a great deal of talk about him, what he knew and what he didn’t know about abusive priests, the considerable number, his working in-house on cases, working with various lawyers for settlements and their keeping all this information confidential. The documents were sealed and it is only when the Boston Globe intervenes that a judge allows them to be released. A letter written by one of the auxiliary bishops of Boston years earlier, maintaining secrecy and confidentiality, becomes part of the screenplay.

There is one priest in the film, Father Richard Paquin, who lives with his sister in retirement, interviewed by a journalist – who admits to her the truth of his experience with the boys but emphasises several times that he got no gratification from the experiences. One of the journalists discovers to his horror that his house is not very far from one of the houses designated for treatment of priests. At the end he is seen delivering a big number of papers with the article at this house.

As has been mentioned, more vivid pictures of the priests emerge from the interviews with the survivors, with the head of the organisation, SNAP (Survivor’s Network of those Abused by Priests), Paul Saviano who had sent material to the paper in 1996 and felt frustrated at their lack of action. Listening to his description of his own experiences, his age, the grooming, the process of trust, leading to the physical, sexual and psychological abuse, makes the point very strongly. An interview with an awkward man, groomed by Father Shanley who was later arrested, highlights once again grooming, the use of pornography, nudity and sexual gratification for a young boy who is discovering his homosexual orientation. A third man, Patrick, explains the process of the priest singling him out, the affirmation felt, and then the touch and his freezing, and the abuse. The drug scars in his arm are quite evident.

The sequences of interviews are possibly stronger in their impact, the audience listening to the words and seeing the body language of the survivors, than if there were visuals of the abuse.

The work of the investigative team is meticulous, painstakingly followed through over a very long period, checking sources, persuading interviewees to speak and be recorded, checking clips from the vast archives of Globe, trolleys and folders of them, searching in the Catholic Directories of these years and discovering so many priests listed as sick or absent or on leave. The journalists were able to make a list of 87 clergy through this method of discovery. (In 2011, Cardinal O’Malley? made public the release of a list of offending clergy in Boston, their names, 159 of them.) Emotionally, the audience is invited to identify with the journalists. The targets of their research tend to be seen as villains, especially when the verification is clinched, the ‘Gotcha’ moments.

In the film, there are many sequences where the journalists make contact with lawyers handling victims cases, knowing that there was a great deal of confidentiality, but continually checking with them as more information became available. It is one of the Catholic lawyers who had been defending the Church’s silence who is finally overwhelmed by what has been uncovered and, emotionally reluctant, does indicate the truth about the list of abusive priests.

One of the experts over many decades is the former priest, Richard Sipe, who has written extensively on these issues. His book becomes one of the sources for information and for the journalists to try to understand the mentality of the abusers, issues of infantile sexuality, sexual orientation, issues of clerical celibacy. He becomes a character in the film, voiced by actor Richard Jenkins, in a number of phone interviews.

Cardinal Law was transferred to Rome at the end of 2002. The film also lists a number of places and countries where abuse has taken place. In 2002, the American Catholic Bishops Conference affirmed a policy of zero tolerance in abuse cases.


US, 2015, 135 minutes, Colour.
Daisy Ridley, John Boyega, Oscar Isaac, Harrison Ford, Carrie Fisher, Mark Hamill, Adam Driver, Lupita Nyong’o, Andy Serkis, Domnhall Gleeson, Anthony Daniels, Max von Sydow, Peter Mayhew, Simon Pegg, Harriet Walter, Warwick Davis.
Directed by J.J.Abrams.

A review is the least necessary reference for filmgoers – but rather, something to check after audiences see the film.

For those familiar with the films, especially the first trilogy and its opening, there is a frisson of emotion and delight as we see the familiar words about long ago in a faraway galaxy and the introduction to this film makes its climb from bottom screen upwards towards outer space and John Williams’or familiar score begins its rousing cords and melody.

Most fans were not great enthusiasts for the second trilogy and most have been reassured that the series is back on track. Since there are a great many parallels to Episode IV, there is the comfort of familiarity and memory making connections – although some diehards have been dissatisfied and or upset that there are too many similarities.

We are introduced to a character, a pilot, somewhat in the vein of Han Solo, Poe Dameron (Oscar Isaac). We find him in deep discussion with a wise elder, Max von Sydow channelling the style of Alec Guinness as Obi-Wan Kenobi, and we learn that Luke Skywalker has disappeared. This time there is a new droid, B-88 (though, rest assured that later in the film we will find 3-CPIO and R2-D2). But, no sooner than we are wondering about battles, the Storm troopers invade, massacring inhabitants, capturing Poe Dameron but not his droid. One of the storm troopers is upset at the killing, takes off his helmet, has no wish to be part of this killing, and helps free and then takes off with Poe Dameron and the droid who has the information as to Luke’s whereabouts.

One of the things about this film is that its hero, Finn (John Boyega) and the more than feisty heroine, Rey (Daisy Ridley who is just right) are ordinary citizens, not the royalty of Luke and Leia (though some wonder). No mention is made of it, anti-racism without comment, but Finn is black (the British actor using an American accent).

On the scavenger planet, where Poe and Finn crash land, Finn survives and it is there that he comes across Rey who has recovered the Droid. Well that leads to all kinds of adventures, especially an escape in an old starship which is captured by a bigger starship managed by – yes, Han Solo and Chewbacca. Harrison Ford is in good form as Han Solo (and a distraction indicates that, even though he is moving towards his mid-70s, there still could be an Indiana Jones adventure for him). Fans of Chewbacca will be glad of the considerable attention given to him.

The enemy is not exactly the Evil Empire, but The First Order, overseen by an evil Supreme Leader (Andy Seriks) who relies on General Hux (Domnhall Gleeson) and his military command as well as his disciple,Kilo Ren ((Adam Driver).

We are rather glad when, eventually, we find that Poe Dameron is not dead, that Princess Leia is now a general (and a substantial role for Carrie Fisher 30 years on). But, where is Luke, and how to get the final information as to his whereabouts in the galaxy?

This leads to a visit to a canteen, reminiscent of those in the old films with their bizarre characters, but this time the female equivalent of Yoda, Maz Kanata (Lupita Nyong’o of 12 Years a Slave). While Finn is the hero, it is Rey was given the laser sword and is meant to reawaken the force within her. So, there are some good adventures as they go to another planet where a vast weapon, absorbing energy from the sun, is being refuelled to destroy the Resistance.

There are fights, a shock to the system and audience sensibilities it if they have not heard about the twist, and a laser sword fight, once again, Rey versus the inheritor of Darth Vadern’s heritage and the Dark side, Kilo Ren.

Obviously, there must be a new trilogy – and the final sequence, Rey searching for Luke and a glimpse of Luke means that we can look forward to the next film which is already in production, in mid-2017.


UK, 2015, 106 minutes,Colour.
Carey Mulligan, Helena Bonham Carter, Anne-Marie Duff, Brendan Gleeson, Ben Wishaw, Geoff Bell, Natalie Press, Samuel West, Finbar Lynch, Meryl Streep.
Directed by Sarah Gavron.

One of the surprises of Suffragette is the listing before the final credits of the dates when and where women received the vote, significantly New Zealand in 1893, Australia in 1902, with Mrs Pankhurst and her suffragette movement in the second decade of the 20th century – and then information about Britain in 1928, France in 1944 and, very surprisingly, Switzerland and the vote for women as late as 1971.

This film is very much a women’s film, a female director, Sarah Gavron(Brick Lane), writer Abi Morgan (The Iron Lady) and a strong female cast led by Carey Mulligan, Helena Bonham Carter and Anne-Marie Duff, with a strong cameo by Meryl Streep as Mrs Emmeline Pankhurst. There are some interesting performances by men as well, Brendan Gleeson as the chief of police, suspicious of the women, upholding the law, with Ben Whishaw as Carey Mulligan’s husband proving to be chauvinist in his attitudes towards his wife, and Geoff Bell as the unscrupulous manager of the Bethnal Green laundry.

The film focuses on a small group of women, symbolising the whole suffragette movement. At its centre is Maud Watts, Carey Mulligan, a young woman who has worked in the laundry since she was a child, seeing her mother die at work, now married, her husband also working in the laundry, and with a young son, living in a working class street in East London. She encounters a member of the movement, Violet, Anne-Marie Duff, strong but frail, whom Maud helps, especially gaining a job for her daughter who is sexually harassed by the manager of the laundry. When her son is ill, she goes to the local pharmacist, Edith, Helena Bonham Carter, whose father prevented her from becoming a doctor but who are still skilled at helping people. Both women are heavily involved in the suffragette movement, Edith having gone to prison several times (but supported strongly by her husband).

Through unforeseen circumstances, Maud finds herself delivering a speech in the House of Commons, members of parliament led by Lloyd George listening to the experiences of women. The audience listens attentively, as do the parliamentarians, when Maude outlines the hard life that she has led, the hard work, the family struggle, the lower pay…

As Maude becomes more involved with the suffragettes, she is present at a rousing speech given by Mrs Pankhurst, is impressed, becomes committed, cannot agree with her husband and finds that she is ousted from her own home, having to live in an old church. One of the most moving and emotional scenes concerns Sonny deciding that they should give up their son for adoption.

The suffragette movement was quite vigorous, not just with protests (with police exercising brutality to put the women down, arresting them, imprisoning them) but with acts of sabotage, ranging from throwing stones in shop windows in Regent Street to a demonstration that leads to a fatality at the race track in the presence of King George V.

With such commitment and energy, audiences may be expecting the film to show that the suffragettes won their voting rights and other rights immediately – but this is not the case, many years before success.

The film is rousing, focuses on a small group who represent the whole movement. And, of course, it reminds us of causes and protests in the present – and our wondering how they will be represented in 100 years time.


Italy/UK, 2015, 124 minutes, Colour.
Michael Caine, Hartley Keitel, Rachel Weisz, Paul Dano, Jane Fonda, Alexander McQueen, Paloma Faith, Ed Stoppard.
Directed by Paolo Sorrentino.

Youth won an award for the European film of the year and Michael Caine as best actor and life achievement.

In seeing that Michael Caine is the star of the film and is supported by Hartley Keitel, prospective audiences might be wondering about the title, the blunt statement of youth. As might be expected, Youth does not feature so explicitly but, rather, youth is a time in memory, in nostalgia, in happiness, in regrets.

This is a film by Italian director Paolo Sorrentino who made a breakthrough in Italian Cinema at the beginning of the century, then developed an international reputation, especially with Il Divo, portrait of the Italian politician,. He then made a film in English, This is The Place, with Sean Penn and Frances McDormand, an interesting if sometimes bizarre portrait of a rock singer searching for his family and background in the United States. Then he won the Academy Award for Best Foreign Language film in 2012 for The Great Beauty. This was quite an extraordinary film about an ageing Italian, Italian society, a background of decadence, of affluence, of ecclesiastical patronage, something of a narrative, something of an essay, something of a poeml on about Italian life. Many noticed reminiscences of the work of Federico Fellini, especially seeing this film as an update, so to speak, of La Dolce Vita.

The influence of Fellini comes to mind also with Youth. This time it is with Fellini’s 8 ½, the story of an artist in a resort, reflecting on his life, his relationships – amid some of Fellini-like grotesques at a resort with its baths.

This time the resort is in the mountains of Switzerland, beautiful locations, a haven for affluent customers, hotel luxury rooms, dining, constant masseuses according to a health program, the baths, walks in the countryside. There is a wide range of clients, ordinary people, a Hollywood star, a large sports celebrity, Miss Universe…

The main focus is on Fred, Michael Caine, a retired composer and conductor, there for his health. He is pursued by an emissary from Queen Elizabeth with the request that he come to conduct a performance of his Simple Songs for herself and the Duke of Edinburgh and to have him to receive a knighthood. He is strongly against the idea, the songs only for himself and for his wife, who sang them. Also with him is his assistant, his daughter Lena, Rachel Weisz, who works with her father but has bad memories of his neglect in her childhood, the treatment of her mother, and she has several scenes where she upbraids him. At this time, she is being dumped by her husband for a younger woman, a pop star, Paloma Faith. Her husband is the son of Fred’s best friend, Michael, Harvey Keitel, who is also at the resort, this time with some ambitions, his final film and discussions with his collaborative team of five, a film that would be his life’s testament. Fred is over 80, Michael almost 80.

Also at the resort is a Hollywood star, Jimmy, played by Paul Dano, relaxing and having treatment as he thinks over his interpretation of his next film role. As with the audience, he is an observer of what goes on at the resort and of the characters.

There is a lot of talk, a lot of walking, a lot of reminiscing, Fred thinking about a girl who he was in love with and Michael’s behaviour with her, as well as reflection on his wife and her descent into dementia.

And as if this was not enough old people reflecting on youth, suddenly Jane Fonda appears in a show-stopping performance as a ravaged ageing actress who starred in Michael’s films, won awards, but has become disillusioned with him, thinks his recent films rubbish, refuses to act in his current film, is going into television and moves into a tirade against him and his pretensions. This is quite a performance with quite a lot to say about movie stars, careers and age.

There is a salvation moment for Fred, a repeat of the invitation from the Queen – and some kind of peace for Fred, his daughter, the memory of his wife, his music.

Some people have described some of Sorrentino’s films as cinema poems – but another reviewer, taking a cue from the music theme, suggests that we might consider them, and Youth, as cinema symphonies.


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