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  93. SIGNIS Film Reviews: October 2014
  94. 20,000 Days on Earth
  95. Advanced Style
  96. Annabelle
  97. The Boxtrolls
  98. Dracula Untold
  99. The Equalizer
  100. The Giver
  101. Gone Girl
  102. The Grand Seduction
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  105. The Infinite Man
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  110. The Judge
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  113. The Little Death
  114. Locke
  115. The Maze Runner
  116. Planes: Fire and Rescue
  117. The Reckoning
  118. Siddharth
  119. The Skeleton Twins
  120. Son of a Gun
  121. Step Up All In
  122. Teenage Mutant Ninja Turtles
  123. Tusk
  124. Wetlands
  125. Wish I Was Here
  126. SIGNIS Film Reviews: Summer 2014
  127. The Hundred Foot Journey
  128. The 100-Year-Old Man who Climbed out a Window and Disappeared
  129. Begin Again
  130. Boyhood
  131. Charlie’s Country
  132. Devil’s Knot
  133. The Expendables 3
  134. Felony
  135. Freedom
  136. Get on Up
  137. God’s Not Dead
  138. God’s Pocket
  139. The Inbetweeners 2
  140. Magic in the Moonlight
  141. Night Moves
  142. Predestination
  143. Snowpiercer
  144. These Final Hours
  145. What We Do in the Shadows
  146. All this Mayhem
  147. And So It Goes
  148. Beatriz’s War
  149. Belle et Sebastien
  150. Bethlehem
  151. Deliver us from Evil
  152. Ernest et Celestine
  153. The French Minister/ Quai d’Orsay
  154. Galore
  155. Guardians of the Galaxy
  156. Hercules
  157. Jersey Boys
  158. The Keeper of Lost Causes
  159. Lucy
  160. The Lunchbox
  161. A Most Wanted Man
  162. Mrs Brown’s Boys, D’Movie
  163. Reaching for the Moon/ Flores Raras
  164. Rio 2
  165. Sex Tape
  166. The Selfish Giant
  167. Still Life
  168. Rising from the Ashes
  169. Transformers: Age of Extinction
  170. Venus in Fur/ Venus a la fourrure
  171. Volcano
  172. Words and Pictures
  173. 22 Jump Street
  174. Any Day Now
  175. Blended
  176. The Face of Love
  177. Edge of Tomorrow
  178. The Fault in our Stars
  179. Frank
  180. Good Vibrations
  181. The Last Impresario
  182. A Million Ways to Die in the West
  183. Omar
  184. Once My Mother
  185. The Rover
  186. The Trip to Italy
  187. X-Men Days of Future Past
  188. Yves Saint Laurent
  189. SIGNIS Film Reviews: June 2014
  190. 52 Tuesdays
  191. The Amazing Spiderman 2: Rise of Electro
  192. The Armstrong Lie
  193. The Babadook
  194. Bad Neighbours
  195. Belle
  196. Blue Ruin
  197. The Broken Circle Breakdown
  198. Canopy
  199. Captain America: Winter Soldier
  200. A Castle in Italy/ Un Chateau en Italie
  201. Chef
  202. Child’s Pose
  203. Divergent
  204. The Double
  205. Fading Gigolo
  206. Faith Connections
  207. Gore Vidal: the United States of Amnesia
  208. Gabrielle
  209. Gardening with Soul
  210. Grace of Monaco
  211. Godzilla
  212. Hannah Arendt
  213. Half of a Yellow Sun
  214. Healing
  215. Heaven is for Real
  216. How to Train Your Dragon 2
  217. Ida
  218. The Invisible Woman
  219. Like Father, Like Son
  220. Living is Easy with your Eyes Closed
  221. Man of Tai Chi
  222. Maleficent
  223. Miniscule: the Valley of the Lost Ants
  224. Missing Picture/ L’Image Manquant
  225. Mr Morgan’s Last Love
  226. Mr Peabody and Sherman
  227. Muppets Most Wanted
  228. My Sweet Pepper Land
  229. Need for Speed
  230. Next Goal Wins
  231. Noah
  232. Nymphomaniac Volume 2
  233. Only Lovers Left Alive
  234. The Other Woman
  235. Out of the Inferno
  236. Pompeii
  237. The Raid 2
  238. Ride Along
  239. Seduced and Abandoned
  240. Sunshine on Leith
  241. Transcendence
  242. Under the Skini
  243. Wadjda
  244. Jeune et Jolie/ Young and Beautiful
  245. The Zero Theorem
  246. SIGNIS Film Reviews: February/March 2014
  247. ’71
  248. Aloft
  249. Beauty and the Beast
  250. The Better Angels
  251. Black Coal, Thin Ice/ Bari Ri Yan Huo
  252. Blind Massage/ Tui Na
  253. Calvary
  254. The Darkside
  255. The Grand Budapest Hotel
  256. Historia do Meida/ History of Fear
  257. Jack
  258. Kraftidioten/ In Order of Disappearance
  259. Kreuzweg/ Stations of the Cross
  260. The Little House/ Chiisiai Ouochi
  261. Love is Strange
  262. Macondo
  263. The Monuments Men
  264. Mo Jing/ That Demon Within
  265. N - Madness of Reason
  266. No Man’s Land/ Wu Ren Qu
  267. Praira do futuro/ Beach of the Future
  268. Stratos/ The Storm Within
  269. Things People Do
  270. The Third Side of the River
  271. To Singapore, With Love
  272. The Two Faces of January
  273. Two Men in Town
  274. Unfriend
  275. Viharsorok/ Land of Storms
  276. Zwischen Welten/ Inbetween Worlds
  277. 3 Days to Kill
  278. 300: The Rise of an Empire
  279. All is Lost
  280. Chinese Puzzle/ Casse-tete chinois
  281. Dallas Buyers Club
  282. Endless Love
  283. The Grand Budapest Hotel
  284. I, Frankenstein
  285. In a world...
  286. The Monuments Men
  287. Non-stop
  288. Nymphomaniac Volume 1
  289. Out of the Furnace
  290. Robocop
  291. Romeo and Juliet
  292. Tracks
  293. Nebraska
  294. Vampire Academy
  295. A Winter’s Tale/ A New York Winter’s Tale
  296. Wolf Creek 2
  297. SIGNIS Film Reviews: Berlinale 2014
  298. SIGNIS Statement: Kreuzweg (Stations of the Cross)
  299. SIGNIS Statement: Calvary
  300. Labor Day
  301. Mandela: Long Walk to Freedom
  302. The Past/ Le Passe
  303. Blue is the Warmest Colour/ La Vie d’Adele - Chapitres 1 et 2
  304. 12 Years a Slave
  305. 47 Ronin
  306. Anchorman 2: The Legend Continues
  307. Are We Officially Dating?/ That Awkward Moment
  308. Drinking Buddies
  309. Free Birds
  310. La Grande Bellezza/ The Great Beauty
  311. Her
  312. Inside Llewyn Davis
  313. Jack Ryan: Shadow Recruit
  314. Lone Survivor
  315. Paranormal Activity: The Marked Ones
  316. Saving Mr Banks
  317. The Secret Life of Walter Mitty
  318. Short Term 12
  319. The Wind Rises/ Kaze Tachinu
  320. The Wolf of Wall Street
  321. 20 Feet from Stardom
  322. Apres Mai/ After May
  323. American Hustle
  324. August: Osage County
  325. Blackfish
  326. Backyard Ashes
  327. The Book Thief
  328. Carrie
  329. Cloudy with a Chance of Meatballs 2
  330. Delivery Man
  331. Fill the Void
  332. Filth
  333. Frozen
  334. The Gilded Cage/ La Cage Doree
  335. The Hobbit: The Desolation of Smaug
  336. Homefront
  337. How I Live Now
  338. Last Vegas
  339. Le Weekend
  340. One Chance
  341. The Railway Man
  342. Si Parla Italiano: Lygon Street
  343. Adoration
  344. Ain’t Them Bodies Saints
  345. Alan Partridge: Alpha Papa
  346. Austenland
  347. Big Ass Spider
  348. Blancanieves
  349. Captain Phillips
  350. Closed Circuit
  351. The Counselor
  352. Ender’s Game
  353. Enough Said
  354. Escape Plan
  355. The Fifth Estate
  356. Fruitvale Station
  357. The Hunger Games: Catching Fire
  358. Insidious Chapter 2
  359. Jackass Presents: Bad Grandpa
  360. Kill Your Darlings
  361. Machete Kills
  362. Magic Magic
  363. Mary Meets Mohammad
  364. Mr Pip
  365. SIGNIS Statement: "Philomena"
  366. SIGNIS Film Reviews: November/December 2013
  367. Mystery Road
  368. Patrick
  369. The Spectacular Now
  370. Thor: the Dark World
  371. Walesa - Man of Hope
  372. 2 Guns
  373. About Time
  374. The Act of Killing
  375. The Butler
  376. Diana
  377. The East
  378. Fallout
  379. The Family
  380. Gravity
  381. Grown Ups 2
  382. The Human Cargo/ La Nave Dolce
  383. I Am a Girl
  384. In Bob We Trust
  385. I’m So Excited
  386. The Interval/ L’Intervallo
  387. Lasseter’s Bones
  388. Paranoia
  389. Parker
  390. Percy Jackson: Sea of Monsters
  391. Planes
  392. Prisoners
  393. The Red and the Blue
  394. Renoir
  395. Riddick
  396. RIPD
  397. Runner Runner
  398. Rush
  399. Stories We Tell
  400. Thanks for Sharing
  401. Turbo
  402. The Best Offer
  403. Blue Jasmine
  404. Elysium
  405. Gambit
  406. The Gatekeepers
  407. A Hijacking/ Kapringen
  408. Jobs
  409. Kickass 2
  410. Mood Indigo/ L’Ecume des Jours
  411. The Mortal Instruments: City of Bones
  412. Much Ado About Nothing
  413. Pain & Gain
  414. Red 2
  415. Red Obsession
  416. The Rocket
  417. Stoker
  418. The Turning
  419. Upstream Color
  420. V/H/S/2
  421. We’re the Millers
  422. What Maisie Knew
  423. White House Down
  424. The World’s End
  425. You’re Next
  426. SIGNIS Film Reviews: July/August 2013
  427. 100 Bloody Acres
  428. After Earth
  429. The Audience
  430. Behind the Candelabra
  431. Beyond the Hills
  432. The Blind Detective
  433. The Bling Ring
  434. Cloudburst
  435. The Conjuring
  436. Despicable Me 2
  437. Epic
  438. Errors of the Human Body
  439. Everybody Has a Plan/ Todos Tenemos un Plan
  440. Furious 6/ The Fast and the Furious 6
  441. A Gun in Each Hand
  442. Happiness Never Comes Alone/Le bonheur n’arrive jamais a seul
  443. The Heat
  444. The Internship
  445. In the House/ Dans La Maison
  446. Lady in Paris/ Une Estonienne a Paris
  447. The Lone Ranger
  448. Man of Steel
  449. Metro
  450. Monsters University
  451. Now You See Me
  452. One Mile Above/ Kora
  453. Only God Forgives
  454. Pacific Rim
  455. Le Prenom/ What’s in a Name
  456. Reality
  457. Satellite Boy
  458. This is the End
  459. The Way, Way Back
  460. The Wolverine
  461. Still Mine
  462. To the Wonder
  463. World War Z
  464. You Ain’t Seen Nothin’ Yet
  465. The Big Wedding
  466. Broken
  467. The Call
  468. Camille Redouble/ Camille Rewinds
  469. Dead Man Down
  470. Evil Dead
  471. The Great Gatsby
  472. The Hangover Part III
  473. Jagten/ The Hunt
  474. Mud
  475. The Reluctant Fundamentalist
  476. Scary Movie 5
  477. Snitch
  478. Spring Breakers
  479. Star Trek Into Darkness
  480. Adventures in Zambezia
  481. Antiviral
  482. Chasing Ice
  483. Cheerful Weather for the Wedding
  484. The Company You Keep
  485. Drift
  486. Vic and Flo Meet a Bear
  487. Side Effects
  488. Promised Land
  489. Prince Avalanche
  490. Parde (Closed Curtain)
  491. Paradies
  492. Nobody’s Daughter Haewon
  493. Night Train to Lisbon
  494. The Necessary Death of Charley Countryman
  495. La religieuse (The Nun)
  496. Maladies
  497. Lovelace
  498. The Look of Love
  499. A Long and Happy Life
  500. In the Name of...
  501. Harmony Lessons
  502. The Grandmaster
  503. Gloria
  504. Gold
  505. Frances Ha
  506. An Episode in the Life of an Iron Picker
  507. Elle s’en va (On Her Way)
  508. Dark Blood
  509. The Croods
  510. Camille Claudel 1915
  511. Before Midnight
  512. Escape from Planet Earth
  513. First Position
  514. Haute Cuisine/ Les Saveurs de Palais
  515. Identity Thief
  516. Iron Man 3
  517. No
  518. Oblivion
  519. Olympus Has Fallen
  520. The Other Son/ Le Fils de L’Autre
  521. The Place Beyond the Pines
  522. Rust and Bone
  523. Le Skylab
  524. Sleepwalk with Me
  525. Song for Marion
  526. Therese Desqueyroux
  527. Trance
  528. SIGNIS Film Reviews: Berlinale 2013
  529. 21 and Over
  530. Blinder
  531. Broken City
  532. GI Joe: Retaliation
  533. Goddess
  534. A Good Day to Die Hard
  535. Hansel and Gretel: Witchhunters
  536. Hara-Kiri: Death of a Samurai
  537. The Host
  538. Hyde Park on Hudson
  539. The Incredible Burt Wonderstone
  540. In the Fog
  541. Jack the Giant Slayer
  542. Mama
  543. The Paperboy
  544. Performance/ A Late Quartet
  545. Return to Nim’s Island
  546. Underground: the Julian Assange Story
  547. SIGNIS Film Reviews: February 2013
  548. Zero Dark Thirty
  549. Anna Karenina
  550. Compliance
  551. Django Unchained
  552. Flight
  553. Gangster Squad
  554. The Impossible
  555. The Guilt Trip
  556. Last Dance
  557. Life of Pi
  558. Lincoln
  559. Parental Guidance
  560. Rise of the Guardians
  561. Save Your Legs
  562. The Silver Linings Playbook
  563. Wreck-it Ralph
  564. This is 40
  565. 2 Days in New York
  566. 360
  567. Alex Cross
  568. All the Way Through Evening
  569. American Mary
  570. The Angel’s Share
  571. Argo
  572. Bachelorette
  573. Back to 1942
  574. Beasts of the Southern Wild
  575. Breaking Dawn, Part 2
  576. Dangerous Liaisons
  577. Dead Europe
  578. The Do-Deca Pentathlon
  579. Dredd
  580. End of Watch
  581. Fun Size
  582. God Bless America
  583. Hail
  584. Here Comes the Boom
  585. Hitchcock
  586. The Hobbit, an unexpected journey
  587. Jack Reacher
  588. The Intouchables/ Les Intouchables/ Untouchables
  589. I Wish
  590. Killing Them Softly
  591. Lawless
  592. Les Miserables
  593. Liberal Arts
  594. Lockout
  595. Love is All You Need
  596. Lore
  597. The Man with the Iron Fists
  598. The Master
  599. Mental
  600. Miss Bala
  601. A Monster in Paris
  602. Paris - Manhattan
  603. The Odd Life of Timothy Green
  604. People Like US
  605. Pitch Perfect
  606. Paranormal Activity 4
  607. The Perks of Being a Wallflower
  608. SIGNIS Film Reviews: December 2012
  609. Quartet
  610. The Raven
  611. Robot & Frank
  612. Ruby Sparks
  613. The Sessions
  614. Seven Psychopaths
  615. Sinister
  616. Skyfall
  617. Savages
  618. Sound of My Voice
  619. Taken 2
  620. To Rome with Love
  621. Trouble with the Curve
  622. Tu seras mon fils/ You Will Be My Son
  623. The Words
  624. Wuthering Heights
  625. Wunderkinder
  626. "Aristides de Sousa Mendes": The Angel of Bordeaux
  627. On the Road
  628. Looper
  629. Damsels in Distress
  630. Holy Motors
  631. Arbitrage
  632. SIGNIS Film Reviews: September 2012
  633. Lore
  634. Chinese Take-away/ Un cuento chino
  635. Bait
  636. Hotel Transylvania
  637. The Watch
  638. Resident Evil: Retribution
  639. Barrymore
  640. Being Venice
  641. The Bourne Legacy
  642. Bully
  643. The Expendables 2
  644. Hope Springs
  645. Kath and Kimderella
  646. Madagascar 3: Europe’s Most Wanted
  647. Monsieur Lazhar
  648. Moonrise Kingdom
  649. Total Recall
  650. Your Sister’s Sister
  651. SIGNIS Film Reviews: July/August 2012
  652. SIGNIS Film Reviews: June 2012
  653. SIGNIS Film Reviews: May 2012
  654. Beauty/ Skoonheid
  655. The Sapphires
  656. Hysteria
  657. And if we all lived together/ Et si on vivait tous ensemble
  658. The Door
  659. Not Suitable for Children
  660. In Darkness
  661. Magic Mike
  662. The Dark Knight Rises
  663. The King is Dead!
  664. You Instead
  665. The Amazing Spiderman
  666. Where do we go now?
  667. The Three Stooges
  668. I Am Eleven
  669. Polisse
  670. Ted
  671. Ice Age: Continental Drift
  672. Snow White and the Huntsman
  673. Take This Waltz
  674. That’s My Boy
  675. Rock of Ages
  676. Comme un chef/ The Chef
  677. Brave
  678. Marley
  679. The Cabin in the Woods
  680. The Innkeepers
  681. Margaret
  682. What to Expect When You’re Expecting
  683. Elena
  684. Prometheus
  685. Anton Chekhov’s The Duel
  686. Friends with Kids
  687. Get the Gringo
  688. Game Change
  689. Declaration of War/ La guerre est declaree
  690. Men in Black 3
  691. Empire of Silver
  692. Silent Souls/ Ovsyenki
  693. The Dictator
  694. Swerve
  695. Once Upon a Time in Anatolia
  696. Careless Love
  697. Dark Shadows
  698. La Delicatesse/ Delicacy
  699. Iron Sky
  700. Trishna
  701. W./E
  702. 21 Jump Street
  703. Act of Valor
  704. Amour de Jeunesse/ Goodbye, First Love
  705. The Avengers
  706. Battleship
  707. Cafe de Flore
  708. The Deep Blue Sea
  709. Dr Seuss’ The Lorax
  710. The Footnote
  711. Ghost Rider: Spirit of Vengeance
  712. Hotel Lux
  713. The Hunger Games
  714. Irvine Welsh’s Ecstasy
  715. Kongen av Bastoy? King of Devil’s Island
  716. Kid with a Bike/ Le Gamin au Velo
  717. The Lady
  718. Le Havre
  719. The Lucky One
  720. Mirror, Mirror
  721. Les Neiges de Kilimandjaro/ The Snows of Kilimanjaro
  722. Pirates: Band of Misfits!
  723. The Raid
  724. Rebellion/ L’Ordre et La Morale
  725. The Rum Diary
  726. Romantics Anonymous/ Les Emotifs Anonymes
  727. Safe
  728. Salmon Fishing in the Yemen
  729. The Sorcerer and the White Snake
  730. La Source des femmes/ The Source
  731. Spud
  732. This Must be the Place
  733. Tomboy
  734. The Woman in Black
  735. Wish You Were Here
  736. La Femme de Vieme/ The Woman in the Fifth
  737. The Five-Year Engagement
  738. La Fille du Puisatier/ The Well Digger’s Daughter
  739. The Wrath of the Titans
  740. SIGNIS Film Reviews: March 2012
  741. Any Questions for Ben?
  742. 50/50
  743. The Artist
  744. The Best Exotic Marigold Hotel
  745. Buck
  746. Carnage
  747. Chronicle
  748. Contraband
  749. A Dangerous Method
  750. The Devil Inside
  751. Gone
  752. Headhunters/ Hodejegerne
  753. Project X
  754. John Carter
  755. One for the Money
  756. Safe House
  757. This Means War
  758. Tyrannosaur
  759. 1911
  760. 30 Minutes or Less
  761. Apollo 18
  762. A Better Life
  763. Everything Must Go
  764. A Few Best Men
  765. Flypaper
  766. The Grey
  767. Journey 2: The Mysterious Island
  768. J. Edgar
  769. Killer Elite
  770. Like Crazy
  771. Man on a Ledge
  772. My Week with Marilyn
  773. Retreat
  774. Shame
  775. Trespass
  776. The Vow
  777. A Moi Seule/ Coming Home
  778. Aujourd’hui/ Today
  779. Barbara
  780. Bel Ami
  781. Captive
  782. Cesare deve morire/ Caesar Must Die
  783. Cherry
  784. Dictado/ Dictation/ Childish Games
  785. Dollhouse
  786. Don 2: Don Must Die
  787. L’Enfant d’ en haut/ Sister
  788. Extremely Loud and Incredibly Close
  789. Flowers of War
  790. Flying Swords of Dragon Gate
  791. Gnade/ Mercy
  792. Haywire
  793. In the Land of Blood and Honey
  794. Jayne Mansfield’s Car
  795. Keep the Lights on
  796. Just the Wind/ Csalk a Szel
  797. La Mer a L’Aube/ Calm at Sea
  798. Meteora
  799. My Brother the Devil
  800. Postcards from the Zoo
  801. Rebelle/ War Witch
  802. A Royal Affair
  803. Shadow Dancer
  804. Tabu
  805. La Vierge, Les Coptes et Moi...
  806. Was Bleibt/ Home for the Weekend
  807. White Deer Plain
  808. Wilaya
  809. SIGNIS Film Reviews: Berlin 2012 Special Edition
  810. SIGNIS Film Reviews: January 2012
  811. Too Big to Fail
  812. The Descendants
  813. Arietty
  814. Autoluminiscent
  815. Hugo
  816. The Muppets
  817. Young Adult
  818. Sherlock Holmes: A Game of Shadows
  819. The Adventures of Tintin
  820. Waste Land
  821. Happy Feet Two
  822. We Bought a Zoo
  823. Dolphin Tale
  824. Albert Nobbs
  825. Courageous
  826. New Year’s Eve
  827. Restless
  828. The Tall Man
  829. The Skin I Live In
  830. Tower Heist
  831. We Need to Talk About Kevin
  832. Another Earth
  833. The Iron Lady
  834. Jack and Jill
  835. Melancholia
  836. Mission Impossible - Ghost Protocol
  837. The Orator/ O Le Tulafale
  838. The Yellow Sea/ Hwanghae
  839. Yes Madam, Sir
  840. SIGNIS Film Reviews: October/November 2011
  841. Breaking Dawn Part I
  842. Attack the Block
  843. The Debt
  844. Habemus Papam (We Have a Pope)
  845. The Ides of March
  846. Immortals
  847. I Don’t Know How She Does It
  848. The Inbetweeners
  849. Moneyball
  850. Puss in Boots
  851. Toomelah
  852. Machine Gun Preacher
  853. Ages of Love (Manuele d’ Am3re)
  854. Arthur Christmas
  855. Shark Night 3D
  856. L’Amour Fou
  857. Country Strong
  858. Oakie’s Outback Adventure
  859. Surviving Georgia
  860. Cedar Rapids
  861. Our Idiot Brother
  862. In Time
  863. The Cup
  864. Don’t be Afraid of the Dark
  865. Contagion
  866. What’s Your Number?
  867. The Three Musketeers
  868. Midnight in Paris
  869. Higher Ground
  870. The Thing
  871. Project Nim
  872. Footloose
  873. Take Shelter
  874. Crazy, Stupid, Love.
  875. The Whistleblower
  876. Monte Carlo
  877. Spy Kids 4: All the Time in the World
  878. Submarine
  879. The Eye of the Storm
  880. Fire in Babylon
  881. Tabloid
  882. Snow Flower and the Secret Fan
  883. Red State
  884. Real Steel
  885. Johnny English Reborn
  886. The Hunter
  887. Fright Night
  888. Abduction
  889. 13 Assassins
  890. Guilty Pleasures
  891. Client 9: the Rise and Fall of Eliot Spitzer
  892. Colombiana
  893. Zookeeper
  894. Final Destination 5
  895. The Change-Up
  896. Face to Face
  897. Win Win
  898. The Rise of the Planet of the Apes
  899. Horrible Bosses
  900. Hobo with a Shotgun
  901. The Help
  902. Conan the Barbarian
  903. Chalet Girl
  904. Beastly
  905. Priest
  906. The Woman
  907. The Greatest Movie Ever Sold
  908. Friends with Benefits
  909. Secuestrados (Kidnapped)
  910. Jane Eyre
  911. Big Mamma’s Boy
  912. Cowboys & Aliens
  913. Green Lantern
  914. Senna
  915. Tucker and Dale vs Evil
  916. The Illusionist
  917. The Conspirator
  918. Love Crime
  919. Captain America, the First Avenger
  920. Precious Life
  921. Bad Teacher
  922. The Eagle
  923. Five Days of August/ Five Days of War
  924. Mars Needs Moms
  925. Stake Land
  926. Beautiful Lies (De Vrais Mensonges)
  927. Meek’s Cutoff
  928. Cars 2
  929. The Last Circus (La Balada Triste de la Trompeta)
  930. Kung Fu Panda 2
  931. Harry Potter and the Deathly Hallows Part 2
  932. Larry Crowne
  933. The Trip
  934. Transformers: Dark of the Moon
  935. Special Treatment (Sans Queue ni Tete)
  936. Mr Popper’s Penguins
  937. Mozart’s Sister
  938. Love and Other Impossible Pursuits/ The Other Woman
  939. All Good Things
  940. Crazy on the Outside
  941. The Tree of Life
  942. SIGNIS Film Reviews: May/June 2011
  943. Faith, Fraud + Minimum Wage
  944. Super 8
  945. Blame
  946. Bridesmaids
  947. Little White Lies
  948. Here I Am
  949. X Men: First Class
  950. The Tunnel
  951. Babies
  952. The Hangover Part II
  953. Carlos
  954. Oceans
  955. Angele et Tony
  956. Soul Surfer
  957. Julia’s Eyes
  958. Mrs Carey’s Concert
  959. Pirates of the Caribbean: On Stranger Tides
  960. SIGNIS Statement: Oranges and Sunshine
  961. Burke and Hare
  962. Water for Elephants
  963. Hanna
  964. Source Code
  965. Hoodwinked Too: The Battle Between Hood and Evil
  966. Fast Five/ The Fast and the Furious 5
  967. Diary of a Wimpy Kid: Rodrick Rules
  968. Your Highness
  969. Thor
  970. Something Borrowed
  971. Snowtown
  972. Scream 4
  973. Rio
  974. La Rafle/ The Round Up
  975. Le Quattro Volte
  976. Paul
  977. Oranges and Sunshine
  978. Murundak
  979. Main Street
  980. Mad Bastards
  981. The Lost Bladesman
  982. Insidious
  983. Incendies
  984. The Human Resources Manager
  985. Get Low
  986. Catfish
  987. Arthur
  988. SIGNIS Film Reviews: March/April 2011
  989. Hop
  990. Sucker Punch
  991. Potiche
  992. Goethe!
  993. The Day I Wasn’t Born (Das lied in mir)
  994. Limitless
  995. Haevnen (In a Better World)
  996. A Heartbeat Away
  997. The Lincoln Lawyer
  998. The Reef
  999. Red Riding Hood
  1000. The Company Men
  1001. Battle Los Angeles
  1002. Just Go With It
  1003. Howl
  1004. The Girl Who Kicked the Hornet’s Nest
  1005. Almanya - Willkommen in Deutschland
  1006. Ausente (Absent)
  1007. Cave of Forgotten Dreams
  1008. Come Rain, Come Shine
  1009. Coriolanus
  1010. Dance Town
  1011. The Devil’s Double
  1012. Les Femmes du 6eme Etage (Women of the 6th Floor/ Service Entrance)
  1013. The Forgiveness of Blood
  1014. The Future
  1015. Griff the Invisible
  1016. The Guard
  1017. If Not Us, Who (Wer Wenn Nicht Wir)
  1018. Invisible (Lo Roim Alaich)
  1019. Late Bloomers
  1020. Margin Call
  1021. Mein Bester Feind (My Best Enemy)
  1022. Un Mondo Misterioso (A Mysterious World)
  1023. Nader and Simin: a Separation
  1024. Odem (Lipstikka)
  1025. SIGNIS Film Reviews: Berlinale 2011 Special Edition
  1026. Our Grand Despair
  1027. Pina
  1028. El Premio (The Prize)
  1029. Romeos
  1030. Schlafkrankheit (Sleeping Sickness)
  1031. Swans
  1032. Tambien la lluvia (Even the Rain)
  1033. Tropa de Elite 2 (Elite Squad 2 - The Enemy Within)
  1034. True Grit
  1035. Unknown
  1036. Utopians
  1037. Vampire
  1038. V Subottu (Innocent Saturday)
  1039. Wind and Fog
  1040. Yelling to the Sky
  1041. The Rite
  1042. La Tete en Friche (My Afternoons with Margueritte)
  1043. Rango
  1044. SIGNIS Statement: The Rite
  1045. The Way Back
  1046. Wasted on the Young
  1047. Secretariat
  1048. Season of the Witch
  1049. No Strings Attached
  1050. Never Let Me Go
  1051. Nenette
  1052. A LIttle Bit of Heaven
  1053. Inside Job
  1054. I Am Number Four
  1055. Hall Pass
  1056. Gnomeo and Juliet
  1057. Conviction
  1058. Big Momma. Like Father Like Son
  1059. The Adjustment Bureau
  1060. Rabbit Hole
  1061. Hereafter
  1062. SIGNIS Statement: Brighton Rock
  1063. Barney’s Version
  1064. The Green Hornet
  1065. The Next Three Days
  1066. Ramona and Beezus
  1067. SIGNIS Film Reviews: January 2011
  1068. The Mechanic
  1069. How Do You Know
  1070. The Romantics
  1071. 127 Hours
  1072. Black Swan
  1073. The Fighter
  1074. Burlesque
  1075. The Dilemma
  1076. Takers
  1077. Stone
  1078. Arctic Blast
  1079. Out Of The Silence
  1080. Helen
  1081. Morning Glory
  1082. Yogi Bear
  1083. Korkoro
  1084. Unstoppable
  1085. Tangled
  1086. The Tourist
  1087. Sarah’s Key (Elle s’appelle Sarah)
  1088. Gulliver’s Travels
  1089. Little Fockers
  1090. Love and Other Drugs
  1091. SIGNIS Film Reviews: December 2010
  1092. The King’s Speech
  1093. Heartbreaker (L’Arnacoeur)
  1094. Somewhere
  1095. Desert Flower
  1096. Tron: Legacy
  1097. Megamind
  1098. The Chronicles of Narnia: Voyage of the Dawn Treader
  1099. Devil
  1100. Rare Exports - A Christmas Tale
  1101. The Last Exorcism
  1102. Due Date
  1103. SIGNIS Film Reviews: October/November 2010
  1104. SIGNIS Film Reviews: September 2010
  1105. Beneath Hill 60
  1106. Monsters
  1107. Harry Potter and the Deathly Hallows Part I
  1108. Machete
  1109. Sisters of War
  1110. Wild Target
  1111. Skyline
  1112. The American
  1113. Winter’s Bone
  1114. The Loved Ones
  1115. Paranormal Activity 2
  1116. Saw 3D (Saw VII)
  1117. The Social Network
  1118. Gainsbourg
  1119. Detective Dee and the Phantom Flame
  1120. You Don’t Know Jack
  1121. Life as We Know It
  1122. Made in Dagenham
  1123. Red
  1124. Let Me In
  1125. The Town
  1126. Resident Evil: Afterlife
  1127. Copacabana
  1128. La Danse
  1129. The Human Centipede (First Sequence)
  1130. The Clinic
  1131. Eat Pray Love
  1132. Buried
  1133. Legend of the Guardians. The Owls of Ga’hoole
  1134. Dinner for Schmucks
  1135. The Least of These
  1136. The City of Your Final Destination
  1137. Sagan
  1138. Summer Coda
  1139. Diary of a Wimpy Kid
  1140. Cats and Dogs: the Revenge of Kitty Galore
  1141. I’m Still Here
  1142. The Other Guys
  1143. The Last Airbender
  1144. Easy A
  1145. Tomorrow When the War Began
  1146. Despicable Me
  1147. Letters to Father Jakob (Postia poppi Jaakobille)
  1148. The Sorcerer’s Apprentice
  1149. Salt
  1150. The Girl Who Played with Fire
  1151. Piranha 3D
  1152. Vampires Suck
  1153. Matching Jack
  1154. SIGNIS Film Reviews: Summer 2010
  1155. Cairo Time
  1156. Peepli [Live]
  1157. The Expendables
  1158. Second Hand Wedding
  1159. Splice
  1160. Step Up 3D
  1161. Scott Pilgrim vs. the World
  1162. The Special Relationship
  1163. South Solitary
  1164. Killers
  1165. Leaving (Partir)
  1166. Inception
  1167. Tinker Bell and the Great Fairy Rescue
  1168. Boy
  1169. The Waiting City
  1170. Knight and Day
  1171. L’Herisson (Hegehog)
  1172. The Runaways
  1173. Predators
  1174. The Karate Kid
  1175. Eclipse (The Twilight Saga: Eclipse)
  1176. Toy Story 3
  1177. New York, I Love You
  1178. The A-Team
  1179. Get Him to the Greek
  1180. Accidents Happen
  1181. L’Affaire Farewell
  1182. Animal Kingdom
  1183. City Island
  1184. Le Concert
  1185. I Love You Too
  1186. The Kings of Mykonos
  1187. Letters to Juliet
  1188. Mademoiselle Chambon
  1189. Mother and Child
  1190. Shrek Forever After
  1191. Valhalla Rising
  1192. SIGNIS Film Reviews: Cannes 2010 Special Edition
  1193. Abel
  1194. Les Amours Immaginaires
  1195. Another Year
  1196. Aurora
  1197. Biutiful
  1198. Blue Valentine
  1199. Burnt by the Sun 2: The Exodus
  1200. Carancho
  1201. Chonqing Blues (Rizhao Chongqing)
  1202. Copie Certifie (Certified Copy)
  1203. Des Hommes et des Dieux (Of Gods and Men)
  1204. Fair Game
  1205. Hahaha
  1206. L’homme qui crie (A Screaming Man)
  1207. Hors-la-loi (Outside the Law)
  1208. The Housemaid
  1209. Kaboom
  1210. Life, Above All
  1211. Lung Boonmee Rachuak Chat (Uncle Boonmee who can Recall Past Lives)
  1212. Marti, Dupa Craciun (Tuesday after Christmas)
  1213. My Joy
  1214. La Nostra Vita
  1215. SIGNIS Statement: "Des hommes et des dieux" (Of Gods and Men)
  1216. Octubre
  1217. Outrage
  1218. Poetry
  1219. La Princesse de Montpensier
  1220. Robin Hood
  1221. Rebecca H. (Return to the Dogs)
  1222. Route Irish
  1223. Simon Werner e Disparu... (Lights Out)
  1224. The Strange Case of Angelica
  1225. Szerid Teremtes - A Frankenstein Terv (Tender Son - the Frankenstein Project
  1226. Tamara Drewe
  1227. Tournee (On Tour)
  1228. The Tree
  1229. Wall Street: Money Never Sleeps
  1230. You Will Meet a Tall Dark Stranger
  1231. SIGNIS Film Reviews: April/May 2010
  1232. Brooklyn’s Finest
  1233. Tooth Fairy
  1234. Sex and the City 2
  1235. The Losers
  1236. Rec 2
  1237. Prince of Persia: the Sands of Time
  1238. Gentlemen Broncos
  1239. Cop Out
  1241. Hot Tub Time Machine
  1242. A Room and a Half
  1243. Psych 9
  1244. A Nightmare on Elm Street
  1245. Furry Vengeance
  1246. Four Lions
  1247. The Backup PLan
  1248. Iron Man 2
  1249. Revanche
  1250. The Last Song
  1251. The Disappearance of Alice Creed
  1252. SIGNIS Statement: Agora
  1253. SIGNIS Statement: The Calling
  1254. The Joneses
  1255. Dogtooth
  1256. Centurion
  1257. It’s a Wonderful Afterlife
  1258. Cherrybomb
  1259. Date Night
  1260. Io Sono L’Amore (I Am Love)
  1261. Pazar (The Market - a Tale of Trade)
  1262. City of Life and Death
  1263. Cemetery Junction
  1264. Ghost (The Ghost Writer)
  1265. Dear John
  1266. Repo Men
  1267. Crying with Laughter
  1268. Boogie Woogie
  1269. Donne-moi La Main (Give Me Your Hand)
  1270. Shelter
  1271. The Infidel
  1272. Whip It
  1273. I Know You Know
  1274. SIGNIS Statement: Lourdes
  1275. SIGNIS Statement: No Greater Love
  1276. Shank
  1277. How to Train Your Dragon
  1278. Clash of the Titans
  1279. Remember Me
  1280. Kick Ass
  1281. Nanny McPhee and the Big Bang
  1282. The Blind Side
  1283. I Love You, Phillip Morris
  1284. The Bounty Hunter
  1285. My Last Five Girlfriends
  1286. The Spy Next Door
  1287. Sons of Cuba
  1288. Salvage
  1289. The Scouting Book for Boys
  1290. House of the Devil
  1291. Green Zone
  1292. Hachi: a Dog’s Tale
  1293. Shutter Island
  1294. The Girl with the Dragon Tattoo
  1295. The Kreutzer Sonata
  1296. The Father of My Children (Le Pere de Mes Enfants)
  1297. Chloe
  1298. Battle for Terra
  1299. The Wolfman
  1300. Oorlogswinter (Winter in Wartime)
  1301. Valentine’s Day
  1302. Solomon Kane
  1303. Powder Blue
  1304. The Crazies
  1305. Case 39
  1306. Anonyma
  1307. Alice in Wonderland
  1308. Percy Jackson and the Olympians: the Lightning Thief
  1309. Ondine
  1310. Micmacs
  1311. Legion
  1312. Leap Year
  1313. From Paris with Love
  1314. Extraordinary Measures
  1315. Everybody’s Fine
  1316. Crazy Heart
  1317. SIGNIS Film Reviews: Berlin 2010 Special Edition
  1318. SIGNIS Film Reviews: January/February 2010
  1319. L’Arbre et La Foret (Family Tree)
  1320. L’Autre Dumas (The Other Dumas)
  1321. Bal (Honey)
  1322. David Wants to Fly
  1323. Exit Through the Gift Shop
  1324. En Familie (A Family)
  1325. Father of Invention
  1326. Die Fremde (When You Leave)
  1327. Greenberg
  1328. Jud Suss: Rise and Fall
  1329. The Kids are All Right
  1330. The Killer Inside Me
  1331. Mine Vaganti (Loose Cannons)
  1332. My Name is Khan
  1333. Na Putu (On the Path)
  1334. Otouto (About Her Brother)
  1335. Please Give
  1336. Red Hill
  1337. Shahada (Faith)
  1338. Son of Babylon
  1339. Submarino
  1340. When I Want to Whistle, I Whistle
  1341. A Woman, A Gun and a Noodle Shop
  1342. Invictus
  1343. The Book of Eli
  1344. Astro Boy
  1345. Youth in Revolt
  1346. Up in the Air
  1347. Tony
  1348. A Single Man
  1349. Romeo and Juliet (Indonesia)
  1350. Holy Water
  1351. Exam
  1352. It’s Complicated
  1353. 44 Inch Chest
  1354. Nine
  1355. St Trinians: the Legend of Fritton’s Gold
  1356. Ninja Assassin
  1357. Daybreakers
  1358. Armored
  1359. Edge of Darkness
  1360. Motherhood
  1361. Brothers
  1362. Breathless
  1363. Bran Nue Dae
  1364. All About Steve
  1365. The Princess and the Frog
  1366. Talentime
  1367. Troubled Water (De Usynlige)
  1368. Extract
  1369. Shrink
  1370. Sex & Drugs & Rock & Roll
  1371. Diamant 13
  1372. Old Dogs
  1373. Did You Hear about the Morgans?
  1374. Mao’s Last Dancer
  1375. Sherlock Holmes
  1376. The Lovely Bones
  1377. Prime Mover
  1378. The Brothers Bloom
  1379. Avatar
  1380. SIGNIS Film Reviews: October/November/December 2009
  1381. The Other Man
  1382. Post Grad
  1383. Unmade Beds
  1384. Where the Wild Things Are
  1385. Planet 51
  1386. Only When I Dance
  1387. Nowhere Boy
  1388. The Merry Gentleman
  1389. Me and Orson Welles
  1390. The Girlfriend Experience
  1391. Le Premier Jour du Reste de ta vie (The First Day of the Rest of Your Life)
  1392. The Descent: Part 2
  1393. Cracks
  1394. The Box
  1395. Nativity!
  1396. Paranormal Activity
  1397. Law Abiding Citizen
  1398. Bunny and the Bull
  1399. Machan
  1400. The Boys are Back
  1401. New Moon (The Twilight Saga: New Moon)
  1402. Glorious 39
  1403. A Serious Man
  1404. Examined Life
  1405. Un Barrage Contre le Pacifique (The Sea Wall)
  1406. Harry Brown
  1407. Amelia
  1408. 2012
  1409. The Fourth Kind
  1410. An Education
  1411. A Christmas Carol
  1412. The Men Who Stare at Goats
  1413. The Cove
  1414. The Horseman
  1415. Jennifer’s Body
  1416. Fantastic Mr Fox
  1417. Saw VI
  1418. Coffin Rock
  1419. Dead Man Running
  1420. Stone Bros.
  1421. Disgrace
  1422. My Year without Sex
  1423. This Is It
  1424. Blessed
  1425. Cirque du Freak: the Vampire’s Assistant
  1426. Cedar Boys
  1427. Beautiful Kate
  1428. 9
  1429. Pontypool
  1430. Couples Retreat
  1431. Halloween II
  1432. Ong Bak: the Beginning
  1433. Zombieland
  1434. Capitalism: A Love Story
  1435. The Informant!
  1436. Pandorum
  1437. My Life in Ruins (Driving Aphrodite)
  1438. Surrogates
  1439. The Invention of Lying
  1440. Whiteout
  1441. Sorority Row
  1442. The Soloist
  1443. Management
  1444. Julie & Julia
  1445. Jack Said
  1446. Gamer
  1447. The Firm
  1448. Fame
  1449. Dorian Gray
  1450. The Crimson Wing
  1451. Creation
  1452. Cloudy with a Chance of Meatballs
  1453. Blind Dating
  1454. Away We Go
  1455. Adventureland
  1456. SIGNIS Film Reviews: Summer 2009
  1457. District 9
  1458. (500) Days of Summer
  1459. The Red Baron
  1460. Sztuczki (Tricks)
  1461. Shorts
  1462. Funny People
  1463. The Time Traveler’s Wife
  1464. A Perfect Getaway
  1465. I Love You, Beth Cooper
  1466. The Final Destination
  1467. Dance Flick
  1468. Bandslam
  1469. Aliens in the Attic
  1470. Orphan
  1471. Adam
  1472. GI Joe: The Rise of Cobra
  1473. Home
  1474. The Ugly Truth
  1475. G-Force
  1476. The Taking of Pelham 123
  1477. Land of the Lost
  1478. Crossing Over
  1479. Mad, Sad and Bad
  1480. Coco Avant Chanel (Coco Before Chanel)
  1481. The Limits of Control
  1482. The Hurt Locker
  1483. Villa Amalia
  1484. Antichrist: An Essay/Review
  1485. The Proposal
  1486. Just Another Love Story
  1487. Charles Dickens’ England
  1488. Soul at Peace (Pokoj v Dusi)
  1489. Bist (Twenty)
  1490. Un Age a la Mer (Angel at Sea)
  1491. Tutta Colpa di Giuda
  1492. Swinki (Piggies)
  1493. Goodbye, Solo
  1494. Moon
  1495. Martyrs
  1496. The Informers
  1497. Lake Tahoe
  1498. Harry Potter and the Half-Blood Prince
  1499. Frozen River
  1500. Cold Souls
  1501. Bruno
  1502. Red Mist
  1503. Public Enemies
  1504. Ice Age 3: Dawn of the Dinosaurs
  1505. Shirin
  1506. Blood: the Last Vampire
  1507. My Sister’s Keeper
  1508. Sunshine Cleaning
  1509. Rudo y Cursi
  1510. Sin Nombre
  1511. Year One
  1512. The Last Thakur
  1513. The Last House on the Left
  1514. Doghouse
  1515. Everlasting Moments (Maria Larsson’s Everlasting Moments)
  1516. Telstar
  1517. Gigantic
  1518. Red Cliff
  1519. Helen
  1520. The Hangover
  1521. O’Horten
  1522. The Children of the Silk Road (The Children of Huang Shi/ Escape from Huang Shi)
  1523. Sex Drive
  1524. Terminator Salvation
  1525. Tormented
  1526. Sugar
  1527. Pour Elle (Anything for Her)
  1528. Max Manus
  1529. Last Chance Harvey
  1530. The Hide
  1531. Awaydays
  1532. Angels & Demons
  1533. Fighting
  1534. Drag Me to Hell
  1535. Night at the Museum: Battle for the Smithsonian
  1536. Endgame
  1537. Obsessed
  1538. Viva
  1539. French Film
  1540. Das Weisse Band (The White Ribbon)
  1541. Visage
  1542. Vincere
  1543. Vengeance
  1544. Up
  1545. The Tsar
  1546. The Time that Remains
  1547. Thirst: Ceci est mon Sang
  1548. Tales from the Golden Age
  1549. Taking Woodstock
  1550. The Silent Army
  1551. Samson & Delilah
  1552. Un Prophete
  1553. Precious
  1554. Police, Adjective
  1555. Nobody Knows About Persian Cats
  1556. My Neighbour, My Killer
  1557. Mother
  1558. Map of the Sounds of Tokyo
  1559. Manila
  1560. Looking for Eric
  1561. Jaffa
  1562. Kinatay
  1563. Irene
  1564. Inglourious Basterds
  1565. Independencia
  1566. The Imaginarium of Doctor Parnassus
  1567. La Fille du RER (The Girl on the Train)
  1568. Fish Tank
  1569. Eyes Wide Open
  1570. Enter the Void
  1571. Demain des L’Aube
  1572. Coco Chanel & Igor Stravinsky
  1573. Chun Fen Chen Zui De Ye Wan (Spring Fever)
  1574. Cendres et Sang (Ashes and Blood)
  1575. Bright Star
  1576. L’Armee du Crime
  1577. A L’Origine
  1578. Los Abrazos Rotos
  1579. SIGNIS Film Reviews: Cannes 2009 Special Edition
  1580. SIGNIS Statement: Angels and Demons
  1581. Good
  1582. Coraline
  1583. Star Trek
  1584. Wolverine: X Men Origins
  1585. SIGNIS Film Reviews: April 2009
  1586. Is Anybody There?
  1587. Momma’s Man
  1588. Shifty
  1589. Seraphine
  1590. Villa Jasmin
  1591. Snow (Snijeg)
  1592. Four Nights with Anna
  1593. Fermat’s Room (La habitacion de Fermat)
  1594. Wrong Rosary
  1595. Tear This Heart Out (Arrancame la vida)
  1596. Skin
  1597. Si Puo Fare (We Can Do It/ It Can Be Done)
  1598. Scratch (Rysa)
  1599. Hannah Montana: the Movie
  1600. Blue Eyelids (Parpados Azules)
  1601. Crank: High Voltage
  1602. The Empty Nest
  1603. The Market - a tale of Trade
  1604. Rain
  1605. The Necessities of Life (Ce qu’il faut pour vivre)
  1606. State of Play
  1607. Observe and Report
  1608. Outlander
  1609. Hassan and Morkos
  1610. Departures (Okuribito)
  1611. Dansen (Dancers)
  1612. Blind Sunflowers (Los Girasoles Ciegos)
  1613. 35 Rhums (35 Shots of Rum)
  1614. In the Loop
  1615. Not Easily Broken
  1616. Five Minutes of Heaven
  1617. Let the Right One In
  1618. I Love You, Man
  1619. Fifty Dead Men Walking
  1620. Dragonball: Evolution
  1621. 17 Again
  1622. Fast and Furious
  1623. Tony Manero
  1624. Race to Witch Mountain
  1625. SIGNIS Film Reviews: March 2009
  1626. SIGNIS Statement: Religulous
  1627. Cherry Blossoms (Kirschebluten/Hanami)
  1628. Monsters Vs Aliens
  1629. The Boat that Rocked
  1630. I Can’t Think Straight
  1631. The World Unseen
  1632. Religulous
  1633. The Uninvited
  1634. Little Ashes
  1635. The Haunting in Connecticut
  1636. Knowing
  1637. The Life Before Her Eyes
  1638. Traitor
  1639. Genova
  1640. The Damned United
  1641. Duplicity
  1642. Diminished Capacity
  1643. Paul Blart: Mall Cop
  1644. Lesbian Vampire Killers
  1645. The Age of Stupid
  1646. Flash of Genius
  1647. Bronson
  1648. Hush
  1649. The Great Debaters
  1650. The Young Victoria
  1651. Wendy and Lucy
  1652. Watchmen
  1653. Reverb
  1654. A Short Stay in Switzerland
  1655. Flammen & Citronen (Flame & Citron)
  1656. The Burning Plain
  1657. American Teen
  1658. SIGNIS Film Reviews: Berlin 2009 Special Edition
  1659. Yarwng (Roots)
  1660. The Crew
  1661. He’s Just Not That Into You
  1662. Push
  1663. Confessions of a Shopaholic
  1664. SIGNIS Film Reviews: February 2009
  1665. The International
  1666. New in Town
  1667. The Unborn
  1668. Franklyn
  1669. Cadillac Records
  1670. Hotel for Dogs
  1671. Friday the 13th
  1672. Gran Torino
  1673. All About Elly (Darbareye Elly)
  1674. Alle Anderen (Everyone Else)
  1675. An American in New York
  1676. Ander
  1677. Beast Stalker
  1678. The Bone Man (Der Knochenmann)
  1679. Burrowing (Man Tanker Sitt)
  1680. Cheri
  1681. The Countess
  1682. Deutschland 09
  1683. Eden a L’Ouest (Eden is West)
  1684. End of Love
  1685. The Fish Child (El Nino Pez)
  1686. Forever Enthralled
  1687. Gigante
  1688. Happy Tears
  1689. John Rabe
  1690. Just Walking (Solo Quiero Caminar)
  1691. Katalin Varga
  1692. Letters to the President
  1693. London River
  1694. Mammoth
  1695. The Messenger
  1696. Milk of Sorrow (La Teta Asustuda)
  1697. My One and Only
  1698. Pedro
  1699. The Private Lives of Pippa Lee
  1700. Rage
  1701. Ricky
  1702. Ruckenwind (Light Gradient)
  1703. Storm
  1704. Tatarak (Sweet Rush)
  1705. Welcome
  1706. Winterstilte (Winter Silence)
  1707. Notorious
  1708. The Pink Panther 2
  1709. The Spirit
  1710. The Square
  1711. Bottle Shock
  1712. Bolt
  1713. JCVD
  1714. Cronoscrimines (Time Crimes)
  1715. Valkyrie
  1716. Nick and Nora’s Infinite Playlist
  1717. Henry Poole is Here
  1718. The Broken
  1719. Battle in Seattle
  1720. Underworld: The Rise of the Lycans
  1721. Tokyo Sonata
  1722. The Punisher: War Zone
  1723. Who Killed Nancy?
  1724. My Bloody Valentine 3D
  1725. SIGNIS Film Reviews: January 2009
  1726. My Mom’s New Boyfriend
  1727. Lucky Miles
  1728. Marley and Me
  1729. Gabriel
  1730. Bride Wars
  1731. Monkey PUzzle
  1732. Doubt
  1733. Frost/Nixon
  1734. Defiance
  1735. Revolutionary Road
  1736. Roman de Gare
  1737. The Sisterhood of the Travelling Pants 2
  1738. Seven Pounds
  1739. Transsiberian
  1740. Garbage Warrior
  1741. Yes Man
  1742. The Grocer’s Son
  1743. Slumdog Millionaire
  1744. The Reader
  1745. Far North
  1746. Bedtime Stories
  1747. Beverley Hills Chihuahua
  1748. Newcastle
  1749. Fugitive Pieces
  1750. Gonzo, the Life and Times of Dr. Hunter S. Thompson
  1751. The Wrestler
  1752. A Bunch of Amateurs
  1753. Twilight
  1754. The Tale of Despereaux
  1755. Milk
  1756. The Curious Case of Benjamin Button
  1757. Australia
  1758. SIGNIS Film Reviews: December 2008
  1759. The Church in Transition: Doubt
  1760. Faintheart
  1761. Dean Spanley
  1762. Trade
  1763. The Stone of Destiny
  1764. Nordwand (North Face)
  1765. Love and Honour
  1766. Inkheart
  1767. The Day the Earth Stood Still
  1768. Choke
  1769. Madagascar Escape 2 Africa
  1770. My Best Friend’s Girl
  1771. The Secret Life of Bees
  1772. Quarantine
  1773. Summer
  1774. Julia
  1775. Four Christmases
  1776. Il Vento Va il Suo Giro (The Wind Blows Around)
  1777. Un Poco de Chocolade (A Little Bit of Chocolate)
  1778. Transporter 3
  1779. The Girl in the Park
  1780. Les Lignes du Sang (Rivals)
  1781. Bonneville
  1782. The Children
  1783. The Express
  1784. Lakeview Terrace
  1785. SIGNIS Film Reviews: October-November 2008
  1786. Body of Lies
  1787. The Oxford Murders
  1788. Flawless
  1789. Dialogue avec mon Jardinier (Conversations with My Gardener)
  1790. The Warlords
  1791. Easy Virtue
  1792. Fine, Totally Fine
  1793. Max Payne
  1794. Pride and Glory
  1795. Zach and Miri Make a Porno
  1796. Choking Man
  1797. The Baader Meinhof Complex
  1798. Scar 3D
  1799. W
  1800. Kit Kittredge: An American Girl
  1801. Quantum of Solace
  1802. High School Musical 3: Senior Year
  1803. Incendiary
  1804. Of Time and the City
  1805. Le Ring
  1806. A nyomozo (The Investigation)
  1807. Rumba
  1808. Saw V
  1809. Un Coeur Simple (A Simple Heart)
  1810. Non Pensarci (Don’t Think About It)
  1811. Eagle Eye
  1812. Igor
  1813. The Rocker
  1814. Free Jimmy
  1815. Young @ Heart
  1816. La Zona
  1817. Rachel Getting Married
  1818. Bigga than Ben
  1819. Vinyan
  1820. Nights in Rodanthe
  1821. City of Ember
  1822. Mirrors
  1823. Brideshead Revisited
  1824. Mutant Chronicles
  1825. The House Bunny
  1826. Fly Me to the Moon 3D
  1827. SIGNIS Statement: Brideshead Revisited and its Catholicism
  1828. SIGNIS Film Reviews: September 2008
  1829. Tropic Thunder
  1830. 88 Minutes
  1831. How to Lose Friends and Alienate People
  1832. Good Dick
  1833. Die Welle (The Wave)
  1834. Rocknrolla
  1835. Redbelt
  1836. Righteous Kill
  1837. The Foot Fist Way
  1838. Death Race
  1839. Bangkok Dangerous
  1840. Appaloosa
  1841. The Women
  1842. Taken
  1843. Eden Lake
  1844. Babylon AD
  1845. Live!
  1846. Burn After Reading
  1847. The Boy in the Striped Pyjamas
  1848. Disaster Movie
  1849. Myrin (Jar City)
  1850. Partition
  1851. The Strangers
  1852. Step-Brothers
  1853. SIGNIS Film reviews: August 2008
  1854. Puffball
  1855. Times and Winds (Bes Vakit)
  1856. The Wackness
  1857. Wild Child
  1858. Shoot on Sight
  1859. Daylight Robbery
  1860. El Cantante
  1861. Somers Town
  1862. You Don’t Mess with the Zohan
  1863. Get Smart
  1864. Ben X
  1865. College Road Trip
  1866. Hellboy II: the Golden Army
  1867. Man from Plains
  1868. Three and Out
  1869. Vexille
  1870. Angel
  1871. The Clone Wars
  1872. Miss Pettigrew Lives a Day
  1873. The Karamazovs
  1874. SIGNIS Statement: The X-Files: I Want to Believe
  1875. The Mummy: Tomb of the Dragon Emperor
  1876. CJ7
  1877. Make it Happen
  1878. Tropa de Elite (Elite Squad)
  1879. Renard et L’Enfant (The Fox and the Child)
  1880. The Love Guru
  1881. Cidade dos Homens (City of Men)
  1882. The X Files: I Want to Believe
  1883. Married Life
  1884. Cass
  1885. Blindsight
  1886. Paris
  1887. Before the Rains
  1888. Angus, Thongs and Perfect Snogging
  1889. Elle s’appelle Sabine (Her Name is Sabine)
  1890. Buddha Collapsed out of Shame
  1891. The Dark Knight
  1892. Baby Mama
  1893. Meet Dave
  1894. WALL.E
  1895. Donkey Punch
  1896. SIGNIS Film Reviews: July 2008
  1897. Journey to the Center of the Earth 3D
  1898. Mamma Mia
  1899. The Forbidden Kingdom
  1900. SIGNIS Film Reviews: June 2008
  1901. La Romance d’Astree et Celadon
  1902. Mad Detective
  1903. Mes Amis, Mes Amours
  1904. Kung Fu Panda
  1905. In Memory of My Father
  1906. Adulthood
  1907. El Bano del Papa (The Pope’s Toilet)
  1908. My Winnipeg
  1909. Les Femmes de l’Ombre (Female Agents)
  1910. Prince Caspian
  1911. Hancock
  1912. Wanted
  1913. Cassandra’s Dream
  1914. The Ruins
  1915. The Edge of Love
  1916. The Waiting Room
  1917. In Search of a Midnight Kiss
  1918. The Happening
  1919. The Incredible Hulk
  1920. Hors de Prix (Priceless)
  1921. Teeth
  1922. SIGNIS Film Reviews: Cannes 2008 Special Edition
  1923. The Escapist
  1924. Kamikaze Girls
  1925. Persepolis
  1926. Mongol
  1927. Ostrov (The Island)
  1928. Taxi to the Darkside
  1929. Balls of Fury
  1930. Mad Money
  1931. Anamorph
  1932. Filth: the Mary Whitehouse Story
  1933. Welcome Home Roscoe Jenkins
  1934. Sarkar Raj
  1935. Harold and Kumar Escape from Guantanomo
  1936. Caramel
  1937. Prom Night
  1938. Superhero Movie
  1939. Chemical Wedding
  1940. Indiana Jones and the Kingdom of the Crystal Skull
  1941. Sex and the City
  1942. Timber Falls
  1943. 24 City
  1944. Adoration
  1945. A Festa da Menina Morta (Dead Girl’s Feast)
  1946. Afterschool
  1947. Los Bastardos
  1948. Blindness
  1949. The Chaser
  1950. Che
  1951. Un Conte de Noel
  1952. Delta
  1953. Il Divo
  1954. Entre les Murs (The Class)
  1955. The Exchange (formerly Changeling)
  1956. La Frontiere de l’Aube (The Dawn Shore)
  1957. Gomorrah
  1958. The Good, the Bad and the Weird
  1959. Hunger
  1960. Johnny Mad Dog
  1961. Leonera (Lion’s Den)
  1962. Linha de Passe
  1963. Milh Hadha Al-Bahr (Salt of this Sea)
  1964. La Mujer sin Cabeza
  1965. My Magic
  1966. Ocean Flame
  1967. Versailles
  1968. De Ofrivilliga (Involuntary)
  1969. Palermo Shooting
  1970. Sanguepazzo (Wild Blood)
  1971. Serbis
  1972. Le Silence de Lorna (Lorna’s Silence)
  1973. Soi Cowboy
  1974. Surveillance
  1975. Synecdoche, New York
  1976. Tokyo!
  1977. UC Maymun (The Three Monkeys)
  1978. Ting Chi (Parking)
  1979. Tulpan
  1980. Two Lovers
  1981. Vicki Cristina Barcelona
  1982. La Vie Moderne
  1983. Waltz with Bashir
  1984. What Just Happened?
  1985. Wolke 9 (Cloud 9)
  1986. Bienvenue chez les Ch’its (Welcome to the Sticks)
  1987. The Black Balloon
  1988. Charlie Bartlett
  1989. Shutter
  1990. Tovarisch, I Am Not Dead
  1991. La Question Humaine (Heartbeat Detector)
  1992. Cashback
  1993. XXY
  1994. Where in the World is Osama Bin Laden?
  1995. Honeydripper
  1996. Un Secret
  1997. The Air I Breathe
  1998. SIGNIS Films Reviews: April 2008
  1999. The Eye
  2000. Speed Racer
  2001. What Happens in Vegas
  2002. Stop-Loss
  2003. [Rec.]
  2004. Iron Man
  2005. Manufacturing Landscapes
  2006. Made of Honour
  2007. Doomsday
  2008. In Bruges
  2009. Pathology
  2010. Street Kings
  2011. One Missed Call
  2012. P2
  2013. My Enemy’s Enemy
  2014. Nim’s Island
  2015. 21
  2016. Leatherheads
  2017. Flashbacks of a Fool
  2018. Deception
  2019. Fool’s Gold
  2020. Gone Baby Gone
  2021. Forgetting Sarah Marshall
  2022. The Mourning Forest
  2023. Boarding Gate
  2024. Death Defying Acts
  2025. Ballast
  2026. The Visitor
  2027. Smart People
  2028. The Mist
  2029. The King of California
  2030. Funny Games U.S.
  2031. Son of Rambow
  2032. Awake
  2033. How She Move
  2034. My Brother is an Only Child
  2035. Drillbit Taylor
  2036. First Sunday
  2037. The Go Master
  2038. Run, Fatboy, Run
  2039. The 11th Hour
  2040. Meet the Spartans
  2041. Lars and the Real Girl
  2042. The Spiderwick Chronicles
  2043. Step Up 2: The Streets
  2044. The Orphanage (El Orfanato)
  2045. Love in the Time of Cholera
  2046. Dr Seuss’s Horton Hears a Who
  2047. SIGNIS Film Reviews: March 2008
  2048. L’heure Zero (Towards Zero)
  2049. Avril
  2050. Sous Les Bombes (Under the Bombs)
  2051. Children of Glory
  2052. Out of the Blue
  2053. Miss Austen Regrets
  2054. Assembly
  2055. The Cottage
  2056. Beaufort
  2057. 10,000 BC
  2058. Vantage Point
  2059. Four Minutes (Vier Minuten)
  2060. La Grain et le mulet (The Secret of the Grain)
  2061. George A. Romero’s Diary of the Dead
  2062. Garage
  2063. Fade to Black
  2064. The Accidental Husband
  2065. The Baker
  2066. The Bank Job
  2067. The Bucket List
  2068. Mang Shan (Blind Mountain)
  2069. Mister Lonely
  2070. Rambo
  2071. Semi-Pro
  2072. Untraceable
  2073. Waz
  2074. SIGNIS Film Reviews: Berlin 2008 Special Edition
  2075. Tirador (Slingshot)
  2076. 3 Zan (3 Women)
  2077. Tatil Katibi (Summer Book)
  2078. Standard Operating Procedure
  2079. Sleep Dealer
  2080. Restless
  2081. The Other Boleyn Girl
  2082. Night and Day (Bam Gua Nat)
  2083. Man Jeuk (Sparrow)
  2084. Lemon Tree
  2085. Lady Jane
  2086. Katyn
  2087. Kabei - Our Mother
  2088. Jesus Christus Erloser (Jesus Christ Saviour)
  2089. Jerusalema
  2090. Il y a longtemps que je t’aime (I Have Loved You for So Long)
  2091. Hey Hey It’s Esther Blueburger
  2092. Happy-Go-Lucky
  2093. Fireflies in the Garden
  2094. Feuerherz (Heart of Fire)
  2095. Elegy
  2096. Dream Boy
  2097. Derek
  2098. Corroboree
  2099. Caos Calmo (Quiet Chaos)
  2100. Boy A
  2101. Be Kind Rewind
  2102. Balikbayan Box
  2103. Black Water
  2104. Jumper
  2105. SIGNIS Film Reviews: February 2008
  2106. There Will Be Blood
  2107. Juno
  2108. Definitely, Maybe
  2109. The Forest of Death
  2110. The Professor and his Beloved Equation
  2111. The Water Horse
  2112. Time to Die
  2113. The Matrimony
  2114. Penelope
  2115. Anche Libero va bene (Across the Ridge)
  2116. Le Scaphandre et Le Papillon (The Diving Bell and the Butterfly)
  2117. Margot at the Wedding
  2118. Things We Lost in the Fire
  2119. Over Her Dead Body
  2120. Italianetz (The Italian)
  2121. Cloverfield
  2122. Battle for Haditha
  2123. The Savages
  2124. Desaccord Parfait (Twice on a Lifetime)
  2125. Ensemble, C’est Tout (Hunting and Gathering)
  2126. Clubland
  2127. The Final Winter
  2128. Footy Legends
  2129. The Good Night
  2130. Kokoda
  2131. Sweeney Todd: the Demon Barber of Fleet Street
  2132. September
  2133. Asterix at the Olympic Games
  2134. St Trinians
  2135. Walk Hard: the Dewey Cox Story
  2136. Underdog
  2137. Charlie Wilson’s War
  2138. SIGNIS Film Reviews: January 2008
  2139. Alien versus Predator: Requiem
  2140. Dan in Real Life
  2141. PS I Love You
  2142. Before the Devil Knows You’re Dead
  2143. Romulus, My Father
  2144. Rogue
  2145. National Treasure: Book of Secrets
  2146. I Am Legend
  2147. Closing the Ring
  2148. The Man in the Chair
  2149. The Game Plan
  2150. The Bet
  2151. 27 Dresses
  2152. As It Is In Heaven
  2153. Arctic Tale
  2154. Youth without Youth
  2155. Mr Magorium’s Wonder Emporium
  2156. Weirdsville
  2157. My Kid Could Paint That
  2158. Infinite Justice
  2159. Chromophobia
  2160. Anna M
  2161. Bella
  2162. The Bee Movie
  2163. He Was a Quiet Man
  2164. SIGNIS Statement: The Golden Compass
  2165. 30 Days of Night
  2166. Brick Lane
  2167. Enchanted
  2168. A Very British Gangster
  2169. Code Name: The Cleaner
  2170. I’m Not There
  2171. SIGNIS Film Reviews: November 2007
  2172. Pret-moi la main (I Do)
  2173. Talk to Me
  2174. Rescue Dawn
  2175. Shrooms
  2176. Fred Claus
  2177. Hitman
  2178. This Christmas
  2179. August Rush
  2180. You Kill Me
  2181. Stellet Licht
  2182. Silk
  2183. Into the Wild
  2184. The Lookout
  2185. Good Luck Chuck
  2186. Beowulf
  2187. I Served the King of England
  2188. The Jane Austen Book Club
  2189. Redacted
  2190. The Magic Flute
  2191. American Gangster
  2192. The Assassination of Jesse James by the Coward Robert Ford
  2193. Lions for Lambs
  2194. SIGNIS Statement: Elizabeth - The Golden Age
  2195. Once
  2196. Black Sheep
  2197. Nancy Drew
  2198. Mr Brooks
  2199. The Last Legion
  2200. Resident Evil: Extinction
  2201. The Invasion
  2202. Razzle Dazzle
  2203. Interview
  2204. Stardust
  2205. Rendition
  2206. Ratatouille
  2207. The Nines
  2208. In the Valley of Elah
  2209. The Hunting Party
  2210. Eastern Promises
  2211. The Dark is Rising
  2212. The Darjeeling Limited
  2213. Daddy Day Camp
  2214. Blame it on Fidel
  2215. SIGNIS Film Reviews: October 2007
  2216. Rocket Science
  2217. Shoot ’em Up
  2218. Mr Woodcock
  2219. Across the Universe
  2220. Halloween
  2221. Sleuth
  2222. Death at a Funeral
  2223. Syndromes and a Century
  2224. Lust, Caution
  2225. It’s a Free World
  2226. War
  2227. The Nanny Diaries
  2228. And When Did You Last See Your Father
  2229. Control
  2230. Dnevnoy Dozor (Day Watch)
  2231. Feast of Love
  2232. The Heartbreak Kid
  2233. Hot Rod
  2234. I Now Pronounce You Chuck and Larry
  2235. The Kingdom
  2236. The Brave One
  2237. Die Falscher (The Counterfeiters)
  2238. In Memoria di Me
  2239. Takva
  2240. Superbad
  2241. Le Serpent
  2242. Michael Clayton
  2243. Irina Palm
  2244. Georgia Rule
  2245. The Ex (Fast Track)
  2246. SIGNIS Films Reviews: August/September 2007
  2247. Atonement
  2248. 3:10 to Yuma
  2249. No Reservations
  2250. Death Sentence
  2251. 1408
  2252. December Boys
  2253. 2 Days in Paris
  2254. Year of the Dog
  2255. Buy it Now
  2256. Quelques Jours en Septembre
  2257. Hallam Foe
  2258. We are all Christs (Wszyscy Jestesmy Chrystusami)
  2259. Sugarhouse
  2260. Waitress
  2261. Seraphim Falls
  2262. Lady Chatterley
  2263. Knocked Up
  2264. Evening
  2265. Eagle vs Shark
  2266. 12.08, East of Bucharest
  2267. The Bourne Ultimatum
  2268. Sparkle
  2269. Bratz the Movie
  2270. Ecoute le temps
  2271. Mee Shee: the Water Giant
  2272. Marigold
  2273. Copying Beethoven
  2274. Surf’s Up
  2275. Rush Hour 3
  2276. License to Wed
  2277. Happily N’Ever After
  2278. Wind Chill
  2279. SIGNIS Film Reviews: June-July 2007
  2280. Tales from Earthsea
  2281. Gandhi my Father
  2282. Evan Almighty
  2283. The Hoax
  2284. I Have Never Forgotten You: the Life and Legacy of Simon Wiesenthal
  2285. Transformers
  2286. In the Land of Women
  2287. The Walker
  2288. The Simpsons Movie
  2289. Disturbia
  2290. Daratt
  2291. Macbeth
  2292. The Priestess
  2293. The Lark Farm
  2294. Harry Potter and the Order of the Phoenix
  2295. Hairspray
  2296. A Story of People in War and Peace
  2297. Screamers
  2298. SIGNIS Statement: Sinner
  2299. The War on Democracy
  2300. Die Hard 4.0
  2301. Dead Silence
  2302. The Flying Scotsman
  2303. Hostel 2
  2304. Sketches of Frank Gehry
  2305. Shrek the Third
  2306. Grow Your Own
  2307. Ne le dis a personne (Tell No One)
  2308. Lucky You
  2309. Captivity
  2310. PTU
  2311. The Fantastic Four: Rise of the Silver Surfer
  2312. Water
  2313. Vacancy
  2314. Are We Done Yet?
  2315. Frankie
  2316. SIGNIS Film Reviews: Cannes 2007 Special Edition
  2317. SIGNIS Film Reviews: May 2007
  2318. SIGNIS Film Reviews: April 2007
  2319. The Wild Blue Yonder
  2320. Messages
  2321. Black Gold
  2322. Nuovomondo (Golden Door)
  2323. Turistas (Paradise Lost)
  2324. Je Suis Pas La Pour Etre Aime (Not Here to be Loved)
  2325. The Tiger’s Tail
  2326. Oceans 13
  2327. Pirates of the Caribbean 3: At World’s End
  2328. The Chumscrubber
  2329. The City of Violence
  2330. The Hitcher
  2331. We Own the Night
  2332. Naissance des Pieuvres (Water Lilies)
  2333. Une Vielle Maitresse (An Old Mistress)
  2334. Triangle
  2335. Terror’s Advocate
  2336. Tehilim
  2337. La Soledad
  2338. Sicko
  2339. Secret Sunshine
  2340. Savage Grace
  2341. Paranoid Park
  2342. No Country for Old Men
  2343. My Blueberry Nights
  2344. Munruyangabo
  2345. A Mighty Heart
  2346. The Man from London
  2347. Import/Export
  2348. Go Go Tales
  2349. The Flight of the Red Balloon (Le Voyage de Ballon Rouge)
  2350. Death Proof
  2351. Les Chansons d’Amour (Love Songs)
  2352. Chacun Son Cinema
  2353. Centochiodi (A Hundred Nails)
  2354. Breath (Soom)
  2355. Boxes
  2356. The Banishment
  2357. The Band’s Visit
  2358. Auf der Anderen Seite (The Edge of Heaven)
  2359. Apres Lui
  2360. Alexandra
  2361. L’Age des Tenebres (The Age of Ignorance)
  2362. 4 Months, 3 Weeks & 2 Days
  2363. Lovewrecked
  2364. Conversations with Other Women
  2365. Like Minds
  2366. Mon Meilleur Ami (My Best Friend)
  2367. Dans Paris
  2368. 28 Weeks Later
  2369. Black Snake Moan
  2370. Spiderman 3
  2371. La Noche de los Girasoles (The Night of the Sunflowers)
  2372. Goya’s Ghosts
  2373. Beyond the Gates of Splendor
  2374. End of the Spear
  2375. Goodbye Bafana
  2376. The Breed
  2377. This is England
  2378. The Painted Veil
  2379. The Last Mimzy
  2380. Next
  2381. Reno 911!: Miami
  2382. Straightheads
  2383. Away from Her
  2384. Scott Walker: 30 Century Man
  2385. The Puffy Chair
  2386. Fracture
  2387. Fur: an Imaginary Portrait of Diane Arbus
  2388. The Jesus Project
  2389. Half Nelson
  2390. The Pathfinder: An Untold Legend
  2391. The Reaping
  2392. Reign over me
  2393. Son of Man
  2394. Perfect Stranger
  2395. Edmond
  2396. La Mome (La Vie en Rose)
  2397. Unknown
  2398. Shooter
  2399. Provoked (Provoked: a True Story)
  2400. Das Leben der Anderen (The Lives of Others)
  2401. One Night with the King
  2402. Wild Hogs
  2403. The Bridge to Terabithia
  2404. SIGNIS Film Reviews: February/March 2007
  2405. Meet the Robinsons
  2406. Sunshine
  2407. Blades of Glory
  2408. The Messengers
  2409. The Namesake
  2410. Curse of the Golden Flower
  2411. Stomp the Yard
  2412. Stay (Sleeping Dogs)
  2413. Mr Bean’s Holiday
  2414. The Hills Have Eyes II
  2415. Factory Girl
  2416. Deliver Us from Evil: SIGNIS Statement
  2417. Catch a Fire
  2418. L’Amico di famiglia (The Family Friend)
  2419. The Last Sineater
  2420. Catch and Release
  2421. Amazing Grace
  2422. TMNT (Teenage Mutant Ninja Turtles)
  2423. I Want Candy
  2424. The Ultimate Gift
  2425. Premonition
  2426. Sherrybaby
  2427. Facing the Giants
  2428. Breach
  2429. Zodiac
  2430. Sheitan
  2431. The Astronaut Farmer
  2432. Outlaw
  2433. After the Wedding (Efter Brylluppet)
  2434. Norbit
  2435. Becoming Jane
  2436. The Good German
  2437. Gone
  2438. Kardia
  2439. Music and Lyrics
  2440. 300
  2441. Bamako
  2442. Hot Fuzz
  2443. Eklavya: the Royal Guard
  2444. Middletown
  2445. A Guide to Recognising Your Saints
  2446. Alpha Dog
  2447. Material Girls
  2448. Inland Empire
  2449. Fauteuils d’Orchestre (Orchestra Seats)
  2450. The Number 23
  2451. Because I Said So
  2452. School for Scoundrels
  2453. Arthur and the Invisibles (Arthur et les Minimoys)
  2454. Blood and Chocolate
  2455. Goal 2! Living the Dream
  2456. Hannibal Rising
  2457. Epic Movie
  2458. The Reef
  2459. The Good Shepherd
  2460. Ghost Rider
  2461. SIGNIS Film Reviews: January 2007
  2462. Dreamgirls
  2463. Notes on a Scandal
  2464. Letters from Iwo Jima
  2465. Kenny
  2466. Welcome to Dongmakgol
  2467. The Last King of Scotland
  2468. For Your Consideration
  2469. Irresistible
  2470. Little Red Flowers
  2471. The Illusionist
  2472. Freedom Writers
  2473. Smokin’ Aces
  2474. Ghosts
  2475. Venus
  2476. Flyboys
  2477. Ils (Them)
  2478. Suburban Mayhem
  2479. Gridiron Gang
  2480. Miss Potter
  2481. The Return
  2482. Zwartboek (Black Book)
  2483. Charlotte’s Web
  2484. Flicka
  2485. Boytown
  2486. The Fountain
  2487. Bobby
  2488. 3 Needles
  2489. Last Train to Freo
  2490. Scoop
  2491. La Doublure (The Valet)
  2492. SIGNIS Film Reviews: December 2006
  2493. Flags of our Fathers
  2494. Night at the Museum
  2495. Rocky Balboa
  2496. Perfume: the Story of a Murderer
  2497. Zoom
  2498. Kabul Express
  2499. It’s a Boy/Girl Thing
  2500. Employee of the Month
  2501. "The Nativity Story" Seen from the Philippines
  2502. Running With Scissors
  2503. Blood Diamond
  2504. Unaccompanied Minors (Grounded)
  2505. Eragon
  2506. Deja Vu
  2507. Black Christmas
  2508. SIGNIS Film Reviews: November 2006
  2509. A Prairie Home Companion
  2510. The Pursuit of Happyness
  2511. Apocalypto
  2512. The Holiday
  2513. Frostbiten (Frostbite)
  2514. London to Brighton
  2515. Die Grosse Stille (Into Great Silence)
  2516. Happy Feet
  2517. Jackass Number Two
  2518. Deck the Halls
  2519. The Covenant
  2520. Suburban Mayhem
  2521. Zemastan (It’s Winter)
  2522. Pan’s Labyrinth
  2523. Shortbus
  2524. Tenacious D and the Pick of Destiny
  2525. The Santa Clause 3: The Escape Clause
  2526. Flushed Away
  2527. Stranger Than Fiction
  2528. Big Nothing
  2529. All the Invisible Children
  2530. Antikorper (Antibodies)
  2531. Twelve and Holding
  2532. The Nightmare Before Christmas 3D
  2533. Breaking and Entering
  2534. Heroes and Villains
  2535. Special (RX) Specioprin Hydrochloride
  2536. Casino Royale
  2537. Puritan
  2538. The Host (Gue-Mool)
  2539. The Prestige
  2540. Waist Deep
  2541. Little Children
  2542. The Nativity Story
  2543. Earthlings (Ugly Bags of Mostly Water)
  2544. All the King’s Men
  2545. The Last Kiss
  2546. Saw III
  2547. Mischief Night
  2548. Borat Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
  2549. Sixty Six
  2550. The Great Ecstasy of Robert Carmichael
  2551. Gypo
  2552. La Tourneuse de Pages (The Page Turner)
  2553. Peaceful Warrior
  2554. Driving Lessons
  2555. Wordplay
  2556. SIGNIS Film Reviews: October 2006
  2557. Idlewild
  2558. The Grudge 2
  2559. Stick It
  2560. New Police Story
  2561. Step Up
  2562. Infamous
  2563. The History Boys
  2564. Tais Toi (Shut Up)
  2565. Starter for Ten
  2566. Open Season
  2567. The Texas Chainsaw Massacre: The Beginning
  2568. The Aryan Couple
  2569. Scenes of a Sexual Nature
  2570. A Good Year
  2571. The Guardian
  2572. SIGNIS Film Reviews: September 2006
  2573. Quinceanera (Echo Park LA)
  2574. Man Push Cart
  2575. Accepted
  2576. The Departed
  2577. Johanna
  2578. Life and Lyrics
  2579. Nina’s Heavenly Delights
  2580. Hoodwinked
  2581. DOA: Dead or Alive
  2582. A Guide to Recognising Your Saints
  2583. Kekexili (Mountain Patrol)
  2584. Click
  2585. Dirty Sanchez - the Movie
  2586. Keane
  2587. The U.S. vs. John Lennon
  2588. Hollywoodland
  2589. Clerks II
  2590. An Inconvenient Truth
  2591. Talladega Nights: the Ballad of Ricky Bobby
  2592. Snow Cake
  2593. Little Miss Sunshine
  2594. The Wicker Man
  2595. The Devil Wears Prada
  2596. SIGNIS Film Reviews: August 2006
  2597. World Trade Center
  2598. The Black Dahlia
  2599. Children of Men
  2600. The Queen
  2601. The Sentinel
  2602. Crank
  2603. This Film is not yet Rated
  2604. The Benchwarmers
  2605. Over the Hedge
  2606. Severance
  2607. Adrift
  2608. Marilyn Hotchkiss’ Ballroom Dancing and Charm School
  2609. You, Me and Dupree
  2610. Right at Your Door
  2611. Snakes on a Plane
  2612. Akeelah and the Bee
  2613. Harsh Times
  2614. A Scanner Darkly
  2615. John Tucker Must Die
  2616. Tideland
  2617. Monster House
  2618. Garfield 2: A Tale of Two Kitties
  2619. The Death of Mr Lazarescu
  2620. Bee Season
  2621. Angel-A
  2622. Ellie Parker
  2623. C.S.A. The Confederate States of America
  2624. Warrior-King
  2625. Alpha Male
  2626. Wilderness
  2627. The Night Listener
  2628. Lady in the Water
  2629. Nacho Libre
  2630. Tarfaya
  2631. Paper Clips
  2632. 11:14
  2633. Cars
  2634. Stay Alive
  2635. The Break-Up
  2636. My Super Ex-Girlfriend
  2637. The Notorious Bettie Page
  2638. Trust the Man
  2639. Miami Vice
  2640. Who Killed the Electric Car?
  2641. Omkara
  2642. The Ant Bully
  2643. SIGNIS Film Reviews: June/July 2006
  2644. Ultraviolet
  2645. The Thief Lord
  2646. District 13 (Banlieue 13)
  2647. Fearless
  2648. Half Light
  2649. Hard Candy
  2650. Imagine You and Me
  2651. The Fast and the Furious: Tokyo Drift
  2652. Dumplings
  2653. Curious George
  2654. 36 Quai des Orfevres
  2655. Aquamarine
  2656. The Lake House
  2657. Thank You for Smoking
  2658. Superman Returns
  2659. Vers le Sud (Heading South)
  2660. Pirates of the Caribbean: Dead Man’s Chest
  2661. Stormbreaker
  2662. An Unfinished Life
  2663. Love + Hate
  2664. Ju On 2 (The Grudge 2)
  2665. Secuestro Express
  2666. El Lobo (The Wolf)
  2667. Little Manhattan
  2668. Poseidon
  2669. Friends with Money
  2670. X Men 3: The Last Stand
  2671. Forty Shades of Blue
  2672. Just My Luck
  2673. The Cave of the Yellow Dog
  2674. Reeker
  2675. Pretty Persuasion
  2676. King Kong
  2677. Ask the Dust
  2678. Wah Wah
  2679. Voces Innocentes (Innocent Voices)
  2680. RV
  2681. Best Wishes! (Czech Republic)
  2682. SIGNIS Statement: The Omen
  2683. SIGNIS Film Reviews: Cannes 2006 Special Edition
  2684. 2:37
  2685. Babel
  2686. The Caiman
  2687. Cronica de una Fuga
  2688. Fast Food Nation
  2689. Flanders
  2690. Climates
  2691. Indigènes
  2692. Jindabyne
  2693. Lights in the Dusk
  2694. Marie Antoinette
  2695. Paris je t’aime
  2696. Red Road
  2697. Southland Tales
  2698. Volver
  2699. Summer Palace
  2700. Ten Canoes
  2701. El Violin
  2702. The Wind that Shakes the Barley
  2703. Z Odzysku (Retrieval)
  2704. Shooting Dogs

SIGNIS Film reviews - april 2016

April, 5th, 2016.

Find below film reviews written by Peter Malone.


US, 2016, 153 minutes, Colour.
Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Diane Lane, Laurence Fishburne, Jeremy Irons, Holly Hunter, Gal Gadot, Scoot McNairy, Harry Lennix, Michael Shannon, Kevin Costner, Carla Gugino.
Directed by Zack Snyder.

On first hearing of the title, it seemed rather silly. Not the Dawn of Justice part but a clash between the two heroes for good, Batman and Superman? They are the stars of DC comics but one lives in Gotham and the other in Metropolis. And how could they descend into enmity? Was this going to be a silly film?

Fans of superhero movies have been delighted with the result. And, it turned out to be much better than expected.

The film takes up where Zack Snyder’s 2012 Superman film, Man of Steel, ended. General Zog and the enemies from Krypton have attacked the United States, Superman defeating them and General Zog dead. As the film opens, Bruce Wayne is in the streets, looking up at the invading spaceships, seeing all the destruction of buildings, the deaths, and rescuing his friend Keefe from heavy rubble, Keefe losing his legs. Batman takes on a hostile attitude towards Krypton, the alien attack – and, for some of us in the audience, after all these decades, a realisation that, in fact, Superman can be called an alien!

The film takes Bruce Wayne/Batman as the central character. He is played by Ben Affleck, something that the fans initially dreaded, but Affleck fills the role quite well, a solid, stolid, intense, crime-fighting, humourless, middle-aged character. There are flashbacks to his parents’ death, this time situated in 1981. And, this time, Alfred is played by Jeremy Irons, serious, technically savvy (and so probably not having time to shave his perpetual stubble), something of a male nanny but also expert on surveillance and advice. This is all in Gotham.

Meanwhile in Metropolis, which we are told later is just across the Bay, Clark Kent is at work in his office, living with Lois Lane (Henry Cavill and Amy Adams again), doing odd reporting for the editor (Laurence Fishburne). But, there are those times when he disappears – especially at the beginning, with Lois Lane in Africa, interviewing a local chief, caught in the middle of an assassination attempt and troops firing on each other, to be rescued by Superman, of course, but his getting the blame in the United States and in the media for being responsible for the deaths. Superman then become something of a bad man, the fickle crowds demonstrating against him.

As regards the versus: Batman resents Superman because of the invasion and deaths; Superman resents Batman (and Clark Kent writes articles against him) because of his vigilantes campaigns against criminals.

In the meantime, here is Lex Luthor again, not with the gravitas of villain Gene Hackman but rather with the mannerisms, stammering, psychotic touches of Jesse Eisenberg. He gets his company going again, after the invasion, but has sent an expedition to the Indian Ocean to find some kryptonite which he stores in a ship, ready to wield power. He communicates with American government officials, especially Senator, Holly Hunter, but she does not agree with him and there are dastardly results when Superman is called before a Senate hearing and there is an explosion – Superman to blame again.

Batman certainly wants to combat with Superman but it is Lex Luthor who is the catalyst for the conflict, abducting Superman’s mother, Martha Kent (Diane Lane – and just as we were wondering about Kevin Costner having died in the previous film, he does have a cameo), encapsulating her in explosives, giving Superman a limited time, wanting the head of Bruce Wayne.

There is quite a fight with Lois Lane trying to intervene. And, no spoiler, rescuing Mrs Kent.

But, in the meantime, Lex Luthor has been able to revive General Zog and create a giant monster who does battle with Superman. Early in the film, there was a rather glamorous woman, Diana, Gal Gadot, who has some initial conflict with Bruce Wayne but eventually emerges as Wonder Woman and, despite her travelling from Paris on a plane, is able to don her costume and join the heroes, the beginnings of a Justice League.

Is this something of a sad termination for Superman? Where is Lex Luthor? Who will be part of the Justice League?

Well, there are two sequels planned.


Italy/France, 2015, 124 minutes, Colour.
Ralph Fiennes, Tilda Swinton, Matthias Schoenaerts, Dakota Johnson, Aurore Clement, Lily McMenamy, Corrado Guzzanti.
Directed by Luca Guadagnino.

David Hockney created a celebrated painting called A Bigger Splash. It showed a group of men sunbathing. The biggest splashes in this drama are not as tranquil as sunbathing.

The film has received quite some praise as being a character study, a portrait of four individuals, from a show business and media background, a tangle of past and present relationships, wealthy, enjoying – but, ultimately, that is not the right word – a holiday on a rather arid Sicilian island. At just over two hours, the film immerses the audience in the lives of these characters and in the atmosphere of the island.

The question for the audience is how interesting are the characters, can we identify with them, or are they and their crises rather remote from our ordinary experiences? For this reviewer, they were not all that very interesting.

And, who are they?

The central character is Marianne, a former pop star, glimpsed standing on stage in an auditorium, seen in a studio recording, moments of tension in her dressing room. But now, she is recuperating from surgery on her throat, a question of whether she will be able to sing again. She is played by Tilda Swinton, a touch of the tour-to-force because of the surgery making it impossible for Marianne to speak. She has to mime. She has to whisper. With her is her companion, Paul (Matthias Schoenaerts), a technician, a photographer, who has had a suicidal experience because of his drinking but is now more tranquil in the company of Marianne.

Into their rather quiet companionship bursts Marianne’s former producer, Harry, an exuberant, over-exuberant, Ralph Fiennes. Talking incessantly, buoyantly laughing, he takes over, much to the couple’s apprehension. And, he brings with him, a newly found daughter, Penny, Dakota Johnson. the piece de resistance is Fiennes entering into the spirit, energetically dancing to The Rolling Stones.

The rest of the action takes place over two days, with some flashbacks for Marianne remembering her relationship with Harry, Harry remembering his introducing Paul to Marianne. The daughter is rather quiet, not particularly taking well to the new company, but, Lolita-like, she sets her cap at Paul. Dakota Johnson looks rather like a young Sharon Stone Reminding audiences of Stone’s earlier films.

The director made an impact with his drama, I am Love, also starring Tilda Swinton.

Tensions in the relationship, literal struggles and quite a surprising outcome.


UK, 2016, 102 minutes, Colour.
Helen Mirren, Aaron Paul, Alan Rickman, Jeremy Northam, Barkhad Abdi, Iain Glenn, Phoebe Fox, Aisha Takow, Richard McCabe, Monica Dolan, Michael O’Keefe, Gavan Hood, Laila Robbins.
Directed by Gavan Hood.

It was once thought that God’s eye was in the sky. Nowadays, with satellites in space and with drones and surveillance machinery so readily available, governments and military do have eyes, many eyes, in the sky.

This is a story about a drone strike, the role of the military, politicians in Britain, in the United States, legal advice, the technicians who calculate collateral damage in the case of a strike, intelligence and photo recognition, and the pilot and his associate who pulls the trigger.

Most people probably, give little thought in their everyday lives to the existence of drones, the missions, the dropping of bombs. When they do, it is usually as the result of media headlines, taking out of some terrorist leaders or the sad news of collateral damage of civilians being killed and injured in explosions.

This is where Eye in the Sky takes us, 105 minutes of screen time to give thought to all the implications of drones, strikes and the consequences.

At the opening of the film in Nairobi, we see little girl and her father mending her hulahoop and her playing in the yard (later, as a reminder of the strictness of Somalia’s Al Shebab, she is told not to play in front of a customer who disapproves of children, playing according to Sharia law). As the little girl appears throughout the film, going up the street to sell loaves of bread that her mother is baking, we appreciate that the question of collateral damage is going to be raised in her regard at least.

The film gives immediate information about the central characters and the places where decisions will be made: at a military base in England, at a conference room in Whitehall, London, in an image recognition centre in Hawaii, local offices for collaboration with Kenyan military authorities and the room in the Nevada desert base where the pilot who will pull the trigger will watch screens and wait for orders.

We are brought up to date with the situation, a British citizen who has married a terrorist and has been radicalised, an American citizen flying in to join the local terrorist cell, the Somalis who are operating in Kenya and antagonistic towards the Kenyan government and its alliance with the UK and the US. When intelligence comes in that these suspects are in the one building, the Colonel in England makes a plan for the capture of the terrorist with British and American passports.

Most audiences will be amazed at the amount of surveillance available, the clarity of the images, the ability to zoom in and out – not just from drones in the sky but from mini-drones, mechanical birds with surveillance eyes and, then, a small mechanical beetle which can fly into rooms and around rooms bringing in extra detail to all those watching in Africa, Britain and the United States.

The screenplay has all those involved in making decisions about the strike tackling all the reasons, for and against, moral decision-making and its being grounded in rational arguments as well as emotional arguments.

The Colonel in charge is played by Helen Mirren who noted that the part was originally written for a male actor but changed for her. She is in contact with a general who goes to Whitehall for decision-making about the strike with the Attorney General, the ministers of the Crown. He is Alan Rickman in one of his final roles, and Jeremy Northam and Richard McCabe as the ministers. Monica Dolan appears as another minister who has strong views about the repercussions of the strike.

The main American is the pilot, Aaron Paul, sitting with his associate in a small hut, unlike a cockpit, at the Nevada base.

Most of the action seems to be playing in real time – or at least it seems that way. The situation inside the targeted house changes dramatically bringing an urgency for a decision to be made as quickly as possible, the Colonel urging immediate action, supported by the general in Whitehall, but complications arise with the opinions of the ministers, the need to contact the Foreign Minister who is in Singapore, contacting the American Secretary of State who is in Beijing, the Prime Minister who is giving a speech in Strasbourg.

In the meantime, the little girl is selling bread at a table-stall outside the wall of the targeted building, bringing that extra dimension of collateral damage into the consideration. And the question: is the death of one little girl in collateral damage to be preferred over the potential for 80 or more people to be killed by suicide bombers in public areas. All sides of the argument are presented with some drama as the local agent, a Somali, who has controlled the beetle in the house, makes an attempt to buy all the bread so that the little girl will go home.

This means that the film is a challenge to moral stances, whether one agrees with the military making the strike decision or those who hesitate, thinking compassionately about collateral damage or weighing up the odds about public opinion if the UK and the US authorise a strike with a consequent death or whether the terrorists, Al Shebab, will be blamed for greater acts of terror and massacres.

There is a tension throughout the film, more so as the audience begins to weigh up the choices and identify with one or other approach.

In one sense, it may be thought that there is a satisfactory ending, but, on the other hand, not.


Italy, 2015, 87 Minutes, Colour.
Marco Giallini, Alessandro Gassman, Laura Morante, Ilaria Spada.
Directed by Eodardo Maria Falcone.

A surprising film about priesthood from Italy, Se Dio Vuole/God Willing (2015, director Edoardo Maria Falcone) reminds audiences of Italy’s growing secularisation, the inheritance of the Catholic tradition and rejection of it, and a low opinion of the priesthood.

A young man, Andrea, goes out frequently with a young man and when he asks his family for a meeting, they tend to expect that he will announce that he is gay. They psych themselves up for this, wanting to be broadminded, tolerant, prepared to embrace him. But, what he tells them is that he wants to be a priest. They are not ready for this at all, especially his rather arrogant surgeon father who cannot bring himself to contradict his son but will do anything to stop him becoming a priest.

His mother is more understanding. His sister, who seems to know practically nothing about Catholicism, gets a whim to learn more about it, praying the rosary, watching Zeffirelli’s Jesus of Nazareth, not wanting anyone to tell and spoil the ending for her.

The father invokes the aid of friends and investigators, following his son only to find that he has gone to a Bible session, conducted by Don Pietro, an enthusiastically vigorous performance by Alessandro Gassman. He has a full house of young listeners, explains the Gospels with great gusto and theatricality. The surgeon wants an investigation done on him, finds that Don Pietro has spent time in jail, for fraud, and suspects that he has brainwashed his son.

Don Pietro is a fine contemporary, pastoral priest. He admits his use of fraud, the time in jail, influenced by the prison chaplain, joining the seminary, concerned for all people in need, rebuilding a church that his mother used to attend, a sensible man in the 21st century ministry.

He has advised Andrea about the priesthood and puts himself out when the surgeon turns up at a session, pretends to be penniless and homeless, sets up his colleagues to confirm his down-and-out status in a rundown house to Don Pietro, but is found out when Don Pietro is visiting his actual home. Don Pietro asks him to do a month’s penance, working on the church with him, where they talk a great deal, go to a hill overlooking a lake which is the priest’s favourite place for reflection, the surgeon upset when Don Pietro has a motorbike accident and spends his time finishing the work on the church. He doesn’t necessarily become a believer – but his attitude towards priests changes, he is more understanding and respectful to his staff, to patients and his wife and daughter – and Don Pietro doesn’t tell him that he actually knew for some time that Andrea, after a retreat, had fallen in love and the priesthood was not for him.

Perhaps the film is saying that celibacy is an impediment for priesthood – and that the better priests are men who have had solid and mixed experiences and are ordained later in their lives.


Germany, 2015, 124 minutes, Colour.
Alexander Fehling, Andre Szymanski, Friederike Becht, Johannes Krisch, Kurt Voss, Tim Williams.
Directed by Giulio Ricciarelli.

In going in to see Labyrinth of Lies, it did not occur to me that a film set in Frankfurt, Germany, in the late 1950s, could serve as a mirror of film for Australia, other organisations and nations - and the Catholic Church - in 2016.

Yet, it does.

The subject of the film is how German society, prospering in the 1950s under Chancellor Adenauer, could put behind it the experience of World War II, the experience of Hitler and the third Reich (which lasted comparatively few years instead of the predicted and hoped-for thousand).

The screenplay of the film suggests that many ordinary Germans, the German middle-class, had very little knowledge of Auschwitz and the concentration camps and of the horrors that were enacted there. The name of Auschwitz seemed quite unfamiliar to so many. A number of the authorities chose not to acknowledge Auschwitz let alone admit to the presence of the prisoners, their treatment, and the mass extermination.

The film features a young lawyer, ambitious, who by chance encounters a journalist challenging the legal authorities by bringing a survivor of Auschwitz to their offices. The chief inspector in Frankfurt throws the page of information into the rubbish bin – with the young man later quietly going to retrieve it, contacting the journalist, being brought into contact with the survivor, going through his locked case and unearthing some incriminating documents. The survivor himself is initially unwilling to collaborate, remembering the fate of his daughters and his inability to help them when they were separated from him and put into the charge of Dr Mengele and subjected to his barbaric experiments. The sequence where he explains his sadness and the tragedy of his girls and of his life, his compassion for his daughter-victims and his feeling towards the man who cruelly abused them, is one of the most moving moments of the film.

The lawyer gets the support of the Attorney General, himself a Jew who had been incarcerated in a concentration camp in 1933. He is encouraged to approach American authorities, the occupying force archives, to retrieve Auschwitz documents which, eventually he does, a truckload of them. He and his associate with the woman who served as a secretary in his office, spend a great deal of time and energy combing through the documents while he accosts some of those mentioned with the intention of arrest.

The powers that be put obstacles in his way at times and in no way is he supported.

The lawyer has a great admiration for his father, a lawyer who had handed onto his son the ideal of the search for truth. When he realises that his father, as all lawyers were expected to be during Hitler’s time, was a signed-up member of the party, he becomes disillusioned, especially as all his attempts to track down Dr Mengele during his secret visits to Germany from Argentina, are thwarted. There is also the complication that the German government is in contact with Mossad who are intent on bringing Eichmann and Mengele to justice but, at the time, prize the return of Eichmann to Israel for trial as more significant.

At the end of the film, with documents, including Commandant signatures on orders for gas and equipment for the camp, German methodical bookkeeping leading to incriminating papers, the audience is told that many of those responsible in Auschwitz were tried in the courts, most found guilty.

The film serves as a gripping investigation, uncovering of secrets, a mission for justice.

And the connection for Australia and the church? In watching the film, one could have substituted a number of times church for Germans, for failure of memory, unwillingness to remember, cover-up and allowing perpetrators to live free lives, untouched by their victims or the victims’ families. In terms of the church and sexual abuse, the parallel is very telling – and discomforting. The German title, has been translated for English-language distribution as Labyrinth of Lies but the German, Im Labyrinth des Scheigwens, even more tellingly, could be translated: in the labyrinths of the silences.

A film that is worth watching in itself and for appreciating something of German postwar history. but, as has been suggested, a film that is mirror to contemporary issues, investigations and hearings.


US, 2016, 99 minutes, Colour.
Gerard Butler, Aaron Eckhardt, Morgan Freeman, Angela Bassett, Alon Aboutbool, Jackie Earle Hayley, Robert Forster, Melissa Leo, Colin Salmon, Penny Downie, Charlotte Riley.
Directed by Babak Najafi.

A couple of years ago there was a political thriller, Olympus has Fallen, with Aaron Eckhardt as the president of the United States, Gerard Butler as the head of security, Morgan Freeman about to become vice president. And a lot of buildings in Washington DC, the capital and the White Hosts, were destroyed. Strangely enough, this sequel has no explicit reference to the former film, Washington looks as normal, even though the stars have returned as well as a number of the supporting cast at work in the White House, the Pentagon and on security duty.

The action is taken from contemporary headlines, arms dealers, international terrorists, the role of the United States, especially in the Middle East and drone action in countries like Pakistan. While the tone of the film is generally that of hawks rather than doves, there is some implicit criticism of some of the vengeful tactics of the United States.

This is the kind of film that drives armchair critics and those campaigning for peace rather demented. Many of the reviews have denounced the film as mindless, jingoistic, ultra-patriotic. And, in many ways it is. But that is the nature of action stories, popular novels, television series, the movies, that heighten characters and situations for action entertainment. Do they influence popular attitudes? Perhaps only in reinforcing stances but audiences have taken in to the cinema to see the movie.

One hopes that the scenario is impossible – but the filming was already completed by the November 2015 attacks in Paris, and the film was released not long before the March 2016 attacks in Brussels.

Having said that, Gerard Butler resumes his role as the almost one man band security detail for the President, jogging with him, intending to resign because of his wife’s pregnancy but called into action when the Prime Minister of England dies and a state funeral is arranged.

One hopes it is impossible because before very long, the heads of almost 40 nations have been killed, including Germany, Canada, France (but not such small fry as the Prime Minister of Australia). The running time of the film is not very long and so action moves along, the attack at St Paul’s Cathedral, hurrying the American President to hiding, at Charing Cross Underground Station, an attempt at a helicopter trip to Stansted, forced to land, finding the safe house in London, in Soho i(where a number of the preview cinemas are located) and a battle with the help of a British SAS team.

Scotland Yard is involved, the head of the safe house, the backup squad – and, needless to say, the body count is very high, especially, of course, of the terrorists. Gerard Butler is of the relentless school. He would have made an effective screen Jack Reacher.

The terrorist attack is explained by a drone dropping bombs on a wedding in Pakistan, the daughter of an arms dealer who then plans his revenge, especially to take the American president prisoner and to kill him on social media.

Meanwhile in Washington, VP Morgan Freeman keeps his calm, is able to make code contact with the security man, is able to teach keep the British authorities informed.

If there are going to be terrorist attacks, we’ll need the Gerard Butlers of the cinema world – but, sadly, we realise with real life episodes, this is not the case.

Despite the contemporary connections, this is an action show.


US, 2016, 109 minutes, Colour.
Jennifer Garner, Kylie Rogers, Martin Henderson, Queen Latifah, Eugenio Derbez, John Carroll Lynch.
Directed by Patricia Riggen.

It is said that after the success, commercially, of The Passion of the Christ, American faith films received a boost of confidence, moving to bigger budgets, campaigns for wider and mainstream distribution, both in the United States and beyond. Miracles from Heaven is one of these films.

These faith films divide opinion and comment. American secular reviews of Miracles from Heaven are quite damning, not ready to give much credit to such films, saying that they are too pious, too sentimental, too unreal, especially in this case as in the previous Heaven is for Real, the events, the healings and miracles, too difficult to swallow.

On the other hand, for instance on the Internet Movie Database, practically all of the comments are from the faith audience who have found this film not only a good entertainment but a reinforcement of faith and values.

It is based on a true story and a book by the mother of the family, Christy Beam. She and her husband, Kevin, and their three daughters are a typical middle American family, he a vet who works some of the land, she a mother, and the family are members of the local evangelical church, led by very genial pastor, John Carroll Lynch. Clearly, this is a wholesome story in its perspective and treatment.

When the middle daughter experiences stomach and throat trouble, is in continual pain, and the diagnoses assert that there is nothing basically wrong with her, Christy becomes very angry with the doctors and demands further tests, which leads to the discovery that the girl has severe intestinal problem, especially for any digestion of food. While the family prays, and the Christian community is supportive, there is a severe scene where two of the ladies of the parish accost Christy and say that either she and the family, or even the daughter, must have sinned in some way for the daughter to be so ill. Christy loses her sense of faith.

In a sense, this is a story about family, how they deal with in illness, the contact with a world specialist in Boston with an enormous waiting list and Christy, determined, takes her daughter to Boston and, providentially, gets an appointment. The doctor is in the vein of such medical characters as Patch Adams, a way with children, a way with adults, cheerful and joking even when the prognosis indicates terminal illness.

There is a miracle in this film, not as one might have anticipated, but a healing.

One of the interesting aspects of presenting miracles on screen is the response of different faith communities towards miracles. For more evangelical communities, this is an encounter with God, and intervention in people’s lives. Catholics need to remember that miracles are required for any progress on stages for beatification and canonisation and that at any one time around the world many Catholics are praying for here things for potentials saints and their recognition.

Some physical comments made during the film and the issue of spontaneous reconstruction. On the other hand, with the little girl saying that she had an encounter with God, this could be seen as the equivalent of a dream – and there is a great deal of thinking and writing on the effect of dreams on the human psyche and the human body.

Yes, the film was very American, is not ashamed of sentiment, is not ashamed of prayer and faith. The central couple is played by Jennifer Garner and Martin Henderson. And the very sympathetic doctor is played by Eugenio Derbez. Kylie Rogers gives a persuasive performance as the sick girl, trying to cope with her continued pain and hospitalisation, tests and treatment, bonding with her family, healed. And Queen Latifah is genial and jovial as the friendly waitress.

And, in the final credits, there are photos and video footage of all the family several years after the miraculous experience – the young daughter herself, large as life, on the screen as a testimony to her faith.


US, 2016, 94 minutes, Colour.
Nia Vardalos, John Corbett, Michael Constantine, Lainie Kazan, Andrea Martin, Gia Carides, Joey Fatone, Elena Kampouris, Alex Wolff, Louis Mandylor, Bess Meisler.
Directed by Kirk Jones

Everybody loved My Big Fat Greek Wedding – but that was back in 2002. There was a brief television series in 2003 with the main cast participating except for John Corbett. So, audiences have been waiting for 13 years for a sequel. Obviously, there will be many takers.

Toula and Ian now have a daughter aged 17, Paris, making applications to go to college, finishing her last year at school. As might be expected, she finds living in a Greek family, with all the extended relations, rather oppressive, and she reacts accordingly, moving from calling Toula Mummy to Mother, upset with her father, principal of the school, talking with her in the library. And her grandfather, triticale was in the original film, is always talking about finding a Greek boy that she can marry and have babies.

Nia Vardalos, so attractive as Tool in the first film, has had a brainwave to have a second big, fat Greek wedding – not Paris and the Greek boy but, rather, her parents discovering that the marriage certificate was never signed, that, therefore, they are not legally married – and what will Maria and Gus to about it. Gus tries to get the local priest to sign the document – but he says he can’t. Gus fears that Maria will be upset – but, in fact, she laughs, says she is free, has lived like a hippie, and demands a new proposal, which Gus finds himself unable to give.

Needless to say, everybody has an opinion but both Maria and Gus have their stubborn side. In the meantime, tool is expected to solve all the family problems – though even tries to get her to step back. But there is always aunt Fuller (Andrea Martin) who has an opinion on everything and is never afraid to step in to put pressure on all the characters.

Eventually, there is to be a wedding, and a wedding planner is hired – who clearly disapproves of all of Maria’s choices. The wedding planner buyers her! Family meeting. Everybody chips in, doing all the cooking, preparing wedding dresses and tax egos, getting the hair done – but forgetting to organise limousines so that Greek cousin and the police organisers some squad cars.

The film will probably appeal very much to the grandparent audience, the 50 years of marriage between Gus and Maria, the ups and downs, but the getting used to each other, finding it very hard to be separated, a fine example of love – which, of course, is reproduced by Tool and Ian and their love for each other, and having to make parental decisions, especially the possibility of letting Paris go to study in another city.

Quite some sentiment at the end, laughs and tears. But there is the celebration, music, dancing, everybody present, everybody getting on so well with one another – and a postscript when Paris goes to her new College (with a large section of the family in so, and to be got rid of).


2015, 107 minutes, Colour.
Sandra Bullock, Billy Bob Thornton, Anthony Mackie, Joaquim de Almeida, Ann Dowd, Scoot McNairy, Zoe Kazan, Reynaldo Pacheco.
Directed by David Gordon Green.

2015 and 2016 have seen extraordinary campaigning for both Democrat and Republican nominations for the presidency. Candidates go on the campaign trail more than a year before the actual election date. There are huge staffs, advisers, spin doctors, experts studying language, body language, noting every incident and nuance which might alienate voters. The spectacle of the campaigner Donald Trump, his wealth, self-confidence, bullying comments, prejudices against Hispanics, Muslims…

Which means the satiric here, might not be as exaggerated as it might at first seem.

The main characters are American but the campaign is for the presidency of the Latin American country of Bolivia. There is a popular candidate, some other candidates whose campaigns are not emphasised in the film, and the former President who wants to make a comeback. The decision has been made that American experts should be flown in and get to work on the political make-over to make sure that the candidate will be elected. On the face of it, this is a huge task. He has a reputation for conservatism and is personally arrogant (Joaquin de Almeida).

The director is David Gordon Green, who began with small budget serious and comic films like Undertow, All the Real Girls, had a phase where he made some outlandish comedies like The Sitter and Your Highness as well is the very funny Pineapple Express, and then moved to films like this, more serious comedies with point, Prince Avalanche, and as writer of Goat.

Two members of the task campaign, Nell (Ann Dowd) and Ben (Anthony Mackie) committee decide to approach a successful veteran from past American elections, Jane (Sandra Bullock). She has retired from the public eye and seems particularly reluctant to become engaged again. But the overtures from the committee members prove tantalising and off she goes to Bolivia. The other member of the team, Buckley (Scoot McNairy) is very sceptical about her.

In Bolivia, she finds a friend/enemy campaigner from the past, Pat Candy (Billy Bob Thornton), and part of her energy is aroused by the prospect and the practicality of some dirty tricks interactions, he very smart with a touch of smugness, she very smart, even smarter.

Audiences will find the film interesting as the American team study the presidential candidate, assess his strengths and weaknesses, especially his weaknesses, and devise strategies, image-changing, meeting people, concealing his arrogance to make him more viable than he is – and, of course, finding situations, money deals, that will undermine the credibility of the popular candidate.

As the team goes off into the Bolivian countryside, they meet quite a ground swell of opposition, especially from indigenous people – and, it is intriguing, if somewhat disgusting, to see the smarmy speeches and calculated gestures to win them over. In the countryside, each group is travelling in a bus along the steep mountain roads – and the rivalry is dramatically (and rather stupidly) dramatised and symbolised in a race to overtake the other no matter the danger.

There is co-operation from some of the locals, especially a young lad who believes in the candidate and is commissioned to be eyes and ears – that is, spying – to pick up information about the opposing camps. Jane also calls in an expert in digging up dirt and information.

The film does show the election day and its aftermath, the success of the candidate and his calculated behaviour as soon as he is elected, endorsement as well as disillusionment, especially on the part of the young man who volunteered to help – and Jane herself walking amongst the crowds, amidst new protesters, doing a bit of reflection on what she had contributed to. Which gives the audience an opportunity to draw some conclusions about campaigning, its artificiality and falsehood, possibilities for genuine communication with people, and politicising, compromise – and downright lies.


US, 2015, 106 minutes, Colour.
Bill Murray, Bruce Willis, Kate Hudson, Zooey Deschanel, Leem Lubany, Arian Moayed, Scott Caan, Danny McBride.
Directed by Barry Levinson.

Rock the Kasbah should not be confused with the Israeli military film, Rock the Casbah, or the Moroccan film of the same name about a large family and their relationships. This one is set in Afghanistan.

Since the 1960s there have been satiric films about war and the waging of war, from Dr Strangelove in 1963 to M*A*S*h and Catch-22 in the early 1970s. M*A*S*H introduced the idea of comedy and satire even in contemporary war. While there have been very serious films about American involvement in Iraq and Afghanistan, It is only now that we have the satiric comedies coming in, this film as well as Whiskey Tango Foxtrot with Tina Fey and Margot Robbie.

This is a star vehicle for Bill Murray, capitalising on his laid-back, touch of the lazy, wisecracking conman style. In the United States, Murray is a record executive, Richie, holding auditions with his secretary, Zoe Deschanel who has singing hopes of her own, but mainly interested in affirming the singers and getting them to pay their fees. When a military recruiter visits a club, he is impressed by the singing and suggests to Richie that he goes on one of those entertaining the troops tour – in Afghanistan.

It is an opportunity that Murray has been looking for, but his secretary gets cold feet and, after landing in Afghanistan and experiencing the military atmosphere as well as the possibility of terror attacks, she opts out with the help of a local military character played by Bruce Willis, Bombay Brian.

Richie also gets tangled with Merci, a local prostitute (Kate Hudson) who decides that there are possibilities in a record executive working with local talent. Audiences might be surprised to see one of the Afghan television shows, Afghan Star (a local version of American Idol), with all the glitz and enthusiasm compere and judges, of Western TV talent shows. This becomes all the more important when Richie is caught up country and hears a young woman singing, is entranced by her voice and decides that she is the one. Needless to say, her father and other members of the clan in the village are not support of this at all – although they are not above having a look at the TV show later on.

The singer, Salima (Leem Lubany) hides in the boot of the car, persists in pressurising Richie that she go on the show and, between the jigs and the reels, many of them, she eventually does, breaking through a lot of the taboos about women, singing, public performance.

As might be expected, the film is very (very) American in tone which might be very popular at home but has its moments of grating on audiences beyond the United States.


Australia/Nepal, 2015, 96 minutes, Colour.
Directed by Jennifer Peedom.

This documentary did not finish up in the way that the director intended. It turned out to be much more.

Writer-director, Jennifer Peedom, was interested in the recent almost-industry of Westerners wanting to climb Everest. She does fill in some of the background of the naming of Everest, the 1953 expedition, led by Sir John Hunt and an achievement for New Zealander Edmund Hillary. There are some visuals of this conquest of Everest. But, a name which became synonymous with this ascent of the mountain was that of Tensing, the Sherpa guide. Two of his sons do contribute some commentary to this documentary.

It was the Sherpas and their role that interested the director. She introduces us to one of the Sherpas who had made the ascent 22 times. We see his wife and family and his wife’s reluctance for him to continue climbing the mountain. There have been many Sherpas employed in working on the mountain – the Sherpas considering the mountain as rather sacred, sacred ground, divine or transcendent presence, and have treated the mountain accordingly.

This is in contrast with the Westerners who see scaling Everest as action, something to be achieved. This materialistic aspect is reinforced by the role of the Sherpas especially in carrying all the goods and equipment up the mountain, even with a scene showing the Sherpas serving tea to the climbers in their tents in the morning.

There are a lot of scenes at base camp, and especially with New Zealander Russell Brice who, for many years, has managed ascents, and is interviewed several times during the film.

This perspective changed when a number of Sherpas were killed in the sudden avalanche in 2014. More consideration was given to the Sherpas, their families, the tradition of ascending the mountain, the exploitation as it seemed by Westerners, the inequality in pay, and the Sherpas in the 21st century becoming much more conscious, especially through social media, of work and conditions.

The film also highlights a clash in 2013 when one of the climbers swore vehemently at a Sherpa and the guides took offence, demanding an apology – which was given, but highlighted the superiority attitudes of the climbers. This was reinforced with the reactions to the cancellation of the 2014 ascents after the option was given to the Sherpas to work or not. They chose to retire.

So, a film which serves as providing magnificent scenery and tracing the history of the increasing number of climbers (at one stage a long line tracking up the mountain side of people waiting to ascend) turns into a plea for consideration of the Sherpas and a reassessment of Western attitudes and behaviour.

And then came the 2015 devastating earthquake in Nepal.


Jordan/United Arab Emirates/Qatar, 2014, 100 minutes, Colour.
Jacir Eid Al-Hwietat, Hussain Salameh Al-Sweilhiyeen, Hussain Mutlad Al-Maraiyeh.
Directed by Naji Abu Nowar.

Theeb is an impressive film, the Oscar nominee from Jordan, not the usual country for Oscar nominees.

Theeb is the name of the young boy, member of a clan in the Arabian peninsular at the time of World War I – the period familiar to worldwide audiences from Lawrence of Arabia and also, very interestingly, in the story of Gertrude Bell, Queen of the Desert.

The film opens quite simply, two brothers in the desert, playing, getting water from a well, shooting practice. In the clan tent that the evening, two strangers are welcomed with the unquestioning Arab hospitality, a guide as well as an English soldier, both of them want to find a regiment as well as the railway line that is being laid through the desert.

Obviously, with the war, with the domination of the Ottoman Turks, there is an atmosphere of change, changes in tradition, the developments of the 19th and 20th centuries, especially the railway, making journeys so much shorter and efficient but also a threat to the traditions.

While the older brother is appointed a guide through the desert, Theeb follows on his donkey, and persuades his brother to take him on the journey, the soldier often wary, protecting his possessions which included a detonator.

One of the major hazards of travelling through the desert, apart from the desert terrain and the need for water, is the presence of brigands who then make themselves more than felt. While he is small and young, Theeb is a survivor, confronting one of the brigands, overwhelmed by the need for vengeance but covering it, complying with the brigand who wants to curry favour with the Turkish authorities.

Theeb acts surprisingly at the end and goes off into the desert, back to his clan and an uncertain future.

With its desert scenery, the film is impressive to look at. It also invites its audience into understanding some of the life of the Arab clans, the beauty of living in the desert, the hazards of living in the desert, and the colonial interventions of Western powers – and contemporary audiences realising the extraordinary consequences of the post-war creation of nations, carving up lands to create different boundaries and the subsequent power struggles and the modern Middle Eastern clashes.

  • TRIPLE 9

US, 2016, 115 minutes, Colour.
Casey Affleck, Chiwitel Ejiofor, Anthony Mackie, Woody Harrelson, Aaron Paul, Kate Winslet, Gal Gadpt, Norman Reedus, Teresa Palmer, Michael Kenneth Williams, Clifton Collins Jr.
Directed by John Hillcoat.

This is a grim picture of an ugly America, a police story, International crime, investigation and police corruption, set in the city of Atlanta.

The film was the work of Australian director John Hillcoat who made an impact with the prison drama Ghosts of the Civil Dead in the 1980s, made a bigger impact with his 19th century Australian “Western”, The Proposition, both films working in collaboration with Cave. His two previous American films were The Road, the post-apocalyptic story by Cormac McCarthy and then, Lawless, a powerful story of bootlegging in the 1930s.

There is very little gloss in this picture of Atlanta. The film shows a background of Russian Mafia types, with strong Jewish emphasis and Israeli connections, the deals, their brutality, the leader being put in prison but his little kingdom in Atlanta being ruled by his wife, a very hard-to-recognise Kate Winslet. She enters into the role of the Mafia matriarch with fierce zest. She commissions a group to stage a robbery to get back documents that will enable her husband to get out of jail. This leads to some strong action scenes.

The group is led by a former arms dealer played by Chiwitel Ejiofor – there is a link with the Russians because he has married the sister of the matriarch and has a son who is used to support for their hold over him. There is a friend, also a former arms dealer, a driver played by Norman Readers. And then there is his younger brother, Gabriel, played by Aaron Paul, a former policeman who shot someone during action and is now very nervy. The surprise is that the other two members of the gang are a homicide detective, played by Clifton Collins Jr, and an active detective played by Anthony Mackie.

The film shows the double lives, especially Mackie, who is assigned a new partner from another part of the city, a dedicated and tough officer, played by Casey Affleck. His uncle is a significant presence in the Atlanta police force, also a detective, played by a scene-stealing Woody Harrelson.

While the film gives some personal background to the characters, especially of Casey Affleck, his wife (Teresa Palmer) and his son, and the interactions with his uncle, most of the film concentrates on the corrupt police, the need for a second robbery for more documents.

This is where the title comes in, 999, the code for officer down – and the group decide that they will target Casey Affleck, shooting him by using a gang member whom he had humiliated, draw all police action to that site while the robbery is underway (another powerful action scene). And this is what happens – though not in the way that was anticipated, not at all.

The final part of the film is some detection of who was responsible, some deaths (well, quite a few deaths), and, probably and unfortunately, only a pause in grim activities in Atlanta.


US, 2016, 120 minutes, Colour.
Michael Moore.
Directed by Michael Moore.

For a while, documentary-maker, Michael Moore, was a hero, on television and beginning to make feature films, especially his portrait of his home town, Flint, Michigan, Roger and Me, and the car industry and its collapse.

Then he became headlines with controversial documentaries, especially with his Oscar-winning film about guns and students in schools, Bowling for Columbine. He followed this up, winning the Palme d’Or at Cannes with his political film, Fahrenheit 911, America after September 2001. Further documentaries were Sicko, comparing America’s health-care system with the benefits of other countries from France to Cuba, and Capitalism: A Love Story.

But that was six years ago. Now, with this new film, it sounds as if he is going to take on American militarism, American involvement after World War II (and he does list and give visuals of American defeats after 1945, Korea, Vietnam, Iraq, Afghanistan…). But, actually, this film is much more positive and is certainly not what we might have expected it to portray.

The ever shambling, lumbering, heavy Michael Moore, shabby clothes and hat, making him a character with characteristics rather than a glib-looking and sounding smooth interviewer, has decided that he should invade quite a number of countries but not militeraly. Rather, he takes a look at some of the significant things that these countries are doing, matters that could well be transferred to the United States to make it a better place – something like re-shaping the American Dream.

So, this is a jolly Michael Moore, off to Europe and Tunisia, with his camera crew, making most of the situations look casual, listening sometimes with astonishment, although arranging some more formal interviews, especially with the President of Slovenia.

His interviews and his exploration of themes will probably make many audiences sit up and take notice. Despite problems in the various countries, some of their social policies have been very successful.

He meets up in Italy with a couple who explain the amount of paid holiday time they have and their possibilities for travelling; he meets owners of factories and managers of factories who are comfortable with higher pay, benefits like going home for lunch and cooking, elimination of stress for greater productivity. By contrast, when he moves to France, he shows gourmet meals in close-up and their preparation, only for us to discover that he is visiting a school and this is the chef and the lunches for the students whose lunch-hour is the equivalent of class enabling them to be more discerning about food and health. He does show audiences, by contrast, the typical American school lunch, where health does not seem to be a preoccupation.

Among other countries in Europe that he visits are Finland, checking their education system where homework is virtually eliminated enabling the students to be free, develop their interests and hobbies; and Slovenia where tertiary education is free, with a number of American students going there to study at the University. It is industry in Germany that he investigates, factories which are salubrious, with windows and light, with good conditions for workers and better productivity. Portugal is famous in having abolished criminal drug legislation and Moore has an interesting chat with a rather laid-back government official and interviews with local police, being reminded that with the decriminalisation of drugs, crime has gone down in Portugal.

When he visits Norway and goes to a prison, many audiences who feel that prisoners should be punished and feel the punishment will think that the prison is something of a comfortable motel. And there are only four guards. Interviews with the prisoners highlight government interest and policy is in human dignity and rehabilitation. And just when vindictive audience attitudes might be on the rise, Moore anticipates the criticism and visits a maximum security prison in Norway, presenting, tongue-in-cheek, music videos sung by the guards welcoming people to the prison. But, once again, it is a matter of human dignity, not revenge. This is highlighted by an interview with a father whose son was killed by Brevik and who went to the trial but does not believe in an eye for an eye Justice, lowering people to the level of the criminal.

There is a surprise visit to Tunisia, praising the role of women, their presence in Parliament, and the availability of sex education, abortion since 1973, and the philosophy that the government should not interfere in people’s private lives. Iceland is another port of call, a reflection on the financial collapse and its devastation, the small nation’s recovery, the trial and imprisonment of rogue bankers, an interview with the first woman president and a golf game with three female CEOs and their observations about the role of women in Iceland.

Moore wants to be optimistic, that change is possible despite the odds. He remembers the Berlin Wall coming down, his presence there with a friend, people scraping at the wall, then a hole, people escaping, the collapse of the wall, and change and unification in Germany. He also remembers the end of apartheid, the freeing of Nelson Mandela and his becoming President.

At the end, Moore makes the point that most of those improvements that he valued and wants to take back to America after his invasion all had precedents in American history and the American experience – and they need re-discovery.


US, 2015, 93 minutes, Colour.
Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, Lucas Dawson.
Directed by Robert Eggers.

The title and its tone seems to indicate one of those horror/history tales of witchfinders and persecutions as well as dire presentations of witches and their sinister behaviour.

Not the case.

The helpful clue is given in the subtitle of the film, A New England Folktale. At the end of the film, the writer-director, Robert Eggers (his first full-length feature film and winner of the Best Director award at Sundance 2016) informs the audience that his screenplay draws on memoirs, diaries, reports and court proceedings from the period, the time of the witches of Salem, the end of the 17th century in New England.

Most of the cast in the film are British, Ralph Ineson as William, patriarchal figure expelled by the authorities for usurping his role as a Christian preacher and exiled to the forest, along with his wife, Kate Dickie, and his four children. The scene in the tribunal is reminiscent of those scenes in such films and plays as The Crucible.

Life in the countryside of this British colony is harsh indeed, a hut with no comforts, a barn, corn crops, the chopping of wood, two goats for sustenance.

The oldest of the four children is Thomasin (Anya Taylor-Joy), on the verge of adolescence, the good girl, with spirit, but, through circumstances, suspected of being a witch. Her younger brother, Caleb (Harvey Scrimshaw) is reliable, working on the farm, his parents devoted to him. On an excursion into the woods, the hunting dog sees a rabbit and pursues it, Caleb following, but experiencing something sinister in the woods, involving a mysterious young woman with a red cape and clawlike arm and hand.

This ferments the religious beliefs and superstitions about witches and about the hand of Satan. It is compounded by the mischievous little twins and their playful attacks on Thomasin, accusing her of being a witch. A test of prayer shows Thomasin able to pray but the twins not being able to remember the words of the Lord’s Prayer. Nevertheless, she is not believed.

The parents try to cope, relying on their straightforward faith, their attempts at prayer, belief in Jesus Christ, belief in Satan, and a belief that evil can infiltrate into the human in the form of a witch.

The film takes its audience right into the life of these impoverished people of the time, the details of life on the farm, the hardships in relationships, the dominant father, patriarchal, yet devoted to his children, the mother, still yearning for England, hardened and wizened by her difficult life.

There is no easy outcome given this religious framework, the entrenched beliefs, the fears and superstitions, the inability to discern where good lies and where evil exists, the tragedy that pervades devout families, but seem especially in this period in New England.


US, 2016, 108 minutes, Colour.
Voices of: Ginnifer Goodwin, Jason Bateman, Idris Elba, Jenny Slate, Nate Torrance, Bonnie Hunt, Don Lake, Tommy Chong, J.K.Simmons, Octavia Spencer, Alan Tudyk, Shakira.
Directed by Byron Howard and Rich Moore.

There were many ads and trailers but this reviewer had not really learnt anything about Zootopia before going into the cinema. Within a minute or two, watching an enjoyable school play about tolerance and harmony, the main actors being a young fox and a young rabbit, it seemed that this was going to be an interesting Disney animation film.

And it is. Thoroughly entertaining – and enough enjoyment for the children with the animals and their antics, enough for the adults with the story, the homage to various movie conventions, and smart dialogue. A very good candidate for the Oscar for Best Animation Film.

As can be seen from the title, this is a wonderful society, living in harmony, a real Utopia for the animals. However, the animals are completely anthropomorphic, mirroring their human counterparts exactly. And this is where the message comes in, despite the difficulties, if animals can live in Zootopia, why can’t humans overcome bigotry, racism, fear, and create a human Utopia?

The central character is a young rabbit called Judy, who desperately wants to become a policewoman, despite the anxious and cautious advice of her parents, who have a stall selling carrots, not to take any risks in life. She is voiced excellently by Ginnifer Goodwin. She does to the training, she graduates, gets her badge – but, despite some attempts to do police work, she is assigned to be a meter made by the rather large, dark, Ox police chief, voiced by Idris Elba.

Just as she is beginning to lose heart, Mrs Otto (Octavia Spencer) comes to report her missing husband and Judy is egged on by the Deputy Mayor (Jenny Slate) who is imposed on by the lion-Mayor, (she is a sheep), for menial jobs in running the city. Judy is given 48 hours to solve the crime. In the file, she notices a photo of a young fox, Nick, and goes to question him. Fans of Jason Bateman will immediately recognise his voice and intonations. He is something of a con-fox, getting out of taxes over the years – but Judy is able to record his confession and persuade him to join her in the search, giving him a badge.

He has connections so they go to visit a Mr Big, who in fact is tiny but is in Marlon Brando’s Godfather vein, surrounded by tough polar bears. They get a lead, a numberplate and go to the office which is staffed by a group of sloths – who provide a great deal of comedy with their slow and measured speech and response to telling jokes and stamping documents (and the final joke of the screenplay is excellent with a sloth reappearance). This leads Nick and Judy to the chauffeur, to a rogue Jaguar who has wolves as guards who can easily persuaded to join in a howling. This is where the action sequences, chases and cliffhangers, come in.

In fact, Nick and Judy solve the case, and Judy, her job having been saved by Nick, gives a press conference, becoming eagerly rash in her comments to the press which hurt Nick. She resigns, goes home, discovers the truth behind the plot, apologises to Nick – and off they go again with their detective work, solving the mystery – with a train rushed sequence like Taking of Pelham 123 or Unstoppable) and the unmasking of the villain behind the plot.

The dialogue is very entertaining, often very witty, enjoyable with the parallels with human experience, the echoes of the movies, the banter between Judy and Nick. If the makers can come up with another ingenious plot and smart dialogue, Zootopia 2 would be welcome.


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